When Marnie Was There: Very possibly the final film from the legendary Studio Ghibli — which took home the 2002 Oscar for Best Animated Feature for Spirited Away — this is a sweet, almost slight
tale of a girl who feels estranged from her family finding solace with a new (imaginary?)
Not exact matches
Goldilocks Economy Goldilocks is one
of those lovely fairy
tale girls who can't seem to stay out
of trouble or distinguish the difference between humans and wildlife (Little Red Riding Hood also had this problem).
That is: the mind caught in an alien body; the not - quite - genius nerd
who's «the king
of foreplay» or will do anything to «get laid» and, really, anything to have a relational life with a pretty
girl; the highly erotic metrosexual
who turns the whole cosmos into a romantic
tale that has room for appreciating «The Good Wife»; the guy
who is better than he says (but still genuinely short on manliness), but
who is creepy in his ingenuity when it comes to using his robotic gadgets for personal satisfaction.
Believing in a system that was created by stone age men sitting around a fire telling fairy
tales to scare kids and keep people in line, that was propagated by men
who learned to write, and that was based on making a class
of «preists» and holy men that could get money for doing nothing and that could dictate how olthers should live and molest boys and
girls is stupid.
But this
tale of a heroic chihuahua in Georgia
who found two missing
girls is proof that anyone can be a hero, even if they're one
of the more annoyingly yappy
of man's best friends.
The «
Tale of the Brave Boy /
Girl and the Monster» is best suited to these children
who primarily fear monsters or their monster dreams.
«The
Tale of the Brave Boy /
Girl and the Monster» is best suited to pre-school aged children (2 - 5 years old)
who are afraid
of monsters or
who have frightening monster dreams.
«The
Tale of the Brave Boy /
Girl and the Dark Shadows» targets a broader age range and can be used for children up to the age
of 10
who are scared
of the dark.
The
Tale of the Brave Boy /
Girl and the Monster has been developed for 2 - 5 year old children
who are scared
of monsters.
The
Tale of the Brave Boy /
Girl and the Dark Shadows is for children up to the age
of 10
who are afraid
of the dark.
It is a captivating
tale of a young
girl who falls for her teacher and it is the motion picture to watch out for in the month
of October 2017.
Not even saying it's not possible he did, but
of coarse if we never questioned anything, the earth would still be flat, all fish
tales would be true, and every guy or
girl who touched weights would be huge if they wanted, all by using heavy weights, low reps, and have their own channel on YouTube for good reason, unlike most
of what I've what I've seen or experienced.
Materialistically - inclined pretty
girls with the knowledge
of English,
who can keep a man's attention, could easily find a sugar daddy in the real world and live happily ever after, rather than entertain a mob
of lonely foreign males with love
tales.
Discover the
tale of each
girl and The sequel to Kaleidoscope Dating Sim 1, here you play as Soffie, a beautiful
girl who ends up in the Dream World.
the
tale is ready a
girl who were dwelling her existence because
of the truth a playgirl, however then on account
of her sins, she is not in a position to enter the Gate to Heaven, due to this fact she hbecause
of the truth to pay out the outcome by means
of finding a mutual actual get pleasure from quicker than the period leads to a the city referred to as: - fire na - bounce
Discover the
tale of each
girl and Family Planning New South Wales surveyed 2,339 heterosexual men
who were using an online dating service in 2014.
True to that mission, director Hiromasa Yonebayashi delivers a family - friendly treasure every bit as enchanting as his two previous films, «Arriety» and «When Marnie Was Here» (both made at Ghibli), with this
tale of a clumsy redheaded
girl who's mysteriously granted access to an exclusive Hogwarts - like school for witches.
«Forrest Gump,» starring Stephen Chow This mid-20th century «American Dream» fairy
tale takes on a whole new meaning when, instead
of being about some dimwitted white boy from Alabama, it follows a Chinese tourist looking get the full American experience: playing college football, going to war in Asia, accidentally investing in Apple in the»70s, watching his mother die for lack
of good healthcare options, and settling down with the cool rebel
girl who's found Jesus and stopped doing drugs.
Wonderstruck tells the
tale of two characters: Rose, a deaf
girl living in 1927 Hoboken, New Jersey, and Ben, an orphan from 1977 Minnesota
who has recently lost his hearing.
Meanwhile, the story flashes back to tell the
tale of the young
girl that he hit, a maid
who already had a near death experience which changed her life and her outlook on it forever.
Written and directed by Andrew Niccol («Gattaca «-RRB-, The Host tells the
tale of Melanie (Saoirse Ronan, «Hanna «-RRB- a
girl who jumps out
of a window in the opening scene (just like most
of us in the audience wished we could have done), but survives to be replaced by an otherworldly glob
of glowing tentacle named «The Wanderer.»
Helmed by makeup effects maestro Gary J. Tunnicliffe, this lackluster re-telling
of the Grimm fairy
tale stars Jacob Smith and «Gossip
Girl» Taylor Momsen as the titular characters,
who wander around a bunch
of painfully fake - looking indoor sets after their evil stepmother leads them into the forest and... well, you know the story.
Sharing honors from the Society Dramatic Authors and Composers, given annually to a French film in Fortnight, were two very different
tales of romantic possibility in Paris: Philippe Garrel's black - and - white «Lover for a Day» («L'Amant d'un Jour»), about a 23 - year - old woman
who learns that her father is dating a
girl her age, and Claire Denis» «Let the Sunshine In» («Un Beau Soleil Intérieur»), starring Juliette Binoche as a divorced artist looking for love in many
of the wrong places.
In the beginning — as is so often the case in these classic Disney
tales — there is a death: that
of her beautiful and beloved mother (Hayley Atwell),
who left a powerful impression on the young
girl and remained a guiding force on the young woman she'd become.
It tells the dark
tale of a 16 - year - old
girl named Katniss Everdeen (Jennifer Lawrence, age 21, played a similar role as an Ozark
girl in the Winter's Bone),
who volunteers to take the place
of her fragile younger sister (Willow Shields)
who is selected by a lottery to be the teenage
girl contestant for her District 12 in a country - wide annual fight - to - death event.
Disney's cross-cultural retelling
of a popular Chinese folk
tale about a peasant
girl who disguises herself as a man and takes her ailing father's place in the emperor's army turns the traditional fairy
tale ending on its head.
Jupiter Ascending takes the classic «Cinderella» fairy
tale and blows it up into a big, sci - fi space adventure about a
girl named Jupiter Jones (Mila Kunis),
who dreams
of a life better than the one she has.
Akeelah and the Bee (2006) American Loser (2007) An Inconvenient Truth (2006) And You Thought Your Parents Were Weird (1991) Autopsy (2008) Barnyard (2006) Batman (1989) Batman Returns (1992) Best Seller (1987) Bio-Dome (1996) The Black Stallion (1979) The Blue Lagoon (1980) Butterfly Effect 3: Revelations (2009) Carrie (1976) Contact (1997) The Cove (2009) The Cup (2012) Dances with Wolves (1990) Dare Not Walk Alone (2006) The Dark Half (1993) Disturbing Behavior (1998) Dead Hands Dig Deep (2016) Defiance (2008) Down to Earth (2001) Dr. Strange (2006) Dying Breed (2009) Eternity: The Movie (2014) Fools Rush In (1997) Fright Night (2011) The Golden Child (1986) Gridiron Heroes (2015) Harriet the Spy (1996) History
of Jazz: Oxygen for the Ears (2012) Hitch (2005) Home Sweet Hell (2015) Indecent Proposal (1993) Invasion
of the Body Snatchers (1956) The Invincible Iron Man (2007) Kama Sutra: A
Tale of Love (1997) Kill Me, Deadly (2015) L.A. Twister (2004) Lars and the Real
Girl (2007) Last Chance Harvey (2008) The Last Godfather (2011) The Levenger Tapes (2011) The Loved Ones (2012) Mad Hot Ballroom (2005) Man About Town (2007) The Men
Who Stare at Goats (2009) Mistress (1992) The Monster Squad (1987) My
Girl (1991) My
Girl 2 (1994) Nacho Libre (2006)
Based on the true story
of Iowa City's West High School
girls» volleyball team
who battled back from tragedy in 2011, «The Miracle Season» is a formulaic but rousing
tale of teamwork,
girl power and community, and a tearjerker to boot.
Unfriended Director: Levan Gabriadze Running time: 82 minutes Certificate: R A horror film that takes place via a laptop screen tells the
tale of kids
who find themselves, and their social networking profiles, haunted by the vengeful spirit
of a
girl who killed herself.
So far, the biggest question around the movie was how Thomas Pynchon's
tale about an inept, pot - smoking private detective
who investigates the case
of a kidnapped
girl,
who also happens to be one
of his ex-girlfriends, would be adapted.
The Bakery
Girl of Monceau — The first of Eric Rohmer's Six Moral Tales is a short film about a law student (future director Barbet Schroeder, with voiceover narration by future director Bertrand Tavernier) who sees a pretty woman walk by every day, over-thinks a plan to ask her out, and ends up buying cookies every day waiting to run into the girl ag
Girl of Monceau — The first
of Eric Rohmer's Six Moral
Tales is a short film about a law student (future director Barbet Schroeder, with voiceover narration by future director Bertrand Tavernier)
who sees a pretty woman walk by every day, over-thinks a plan to ask her out, and ends up buying cookies every day waiting to run into the
girl ag
girl again.
Breakout star Anya Taylor - Joy leads this dark 1630s
tale as a teenage
girl who finds her younger siblings and Puritan parents — played with devastating brilliance by Ralph Ineson («Guardians
of the Galaxy») and Kate Dickie («Game
of Thrones»)-- pitted against her after the family's youngest child goes missing at the edge
of the wilderness.
In conjunction with our latest Adventures in Moviegoing episode, we're presenting two films by director Rebecca Miller,
who transitioned from visual art to filmmaking with her 1995 directorial debut, Angela, a haunting
tale of a young
girl who retreats into her fantasies to cope with her emotionally volatile mother.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes
of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of MGM musical in the epic ARABIAN NIGHTS; the World Premiere
of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere
of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen
who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE
OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a
girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic
tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of Lucifer as an angel
who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre
of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of the screen; the European premiere
of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait
of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN
OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
OF EARTH, Alex Ross Perry's devilish study
of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
Naturally intrigued by Kirsty's
tales of a puzzle box that appears to be the key to the doctor's fixation, Channard reanimates Kirsty's stepmother (Julia) from the aforementioned haunted mattress, murders off the inmates
of his basement inferno to feed his new girlfriend (Julia, again), and gets Tiffany (Imogen Boorman), a mute
girl who is adept at puzzles, to open the dreaded antique, thus releasing the Cenobites and allowing entrance into the underworld.
This smart and funny film is a raucous coming -
of - age
tale about three teenage
girls who form a punk band in»80s Stockholm.
Overall, however, the film is so lovely to watch, never a dull moment and full
of great characters and costume that you can forgive its imperfections and enjoy it simply as it is - a beautiful
tale of a Ellis
who left home a
girl and became a woman.
A labor
of love that's been eight years in the making, it draws inspiration from the 10th century
tale «The Tale of the Bamboo Cutter,» one of Japan's oldest surviving narratives about a girl who magically comes to Earth from the m
tale «The
Tale of the Bamboo Cutter,» one of Japan's oldest surviving narratives about a girl who magically comes to Earth from the m
Tale of the Bamboo Cutter,» one
of Japan's oldest surviving narratives about a
girl who magically comes to Earth from the moon.
He's now one
of the best - known young directors in the world, but French - Canadian Xavier Dolan was a 21 - year - old outsider when he made this smart, artsy
tale of two friends — a
girl and a guy —
who both fall in love with the same person.
This highly underrated movie was something
of a flop when first released; you can kind
of see why, as its story
of a young
girl infatuated with
tales of the pirate Mack the Black and a circus performer
who gets mistaken for said pirate is a bit all over the place, and the musical numbers fall toward the overly frenzied.
Aggressively Sundance - y on paper — a quirky coming
of age
tale about a misfit teenager
who doesn't fit in, his unlikely black friend, and the terminally ill, cancer - ridden
girl he befriends — one would be understanding
of the reluctant viewer wary
of indie movie clichés.
Girl without Hands — French animated adaptation of a Grimm Brothers tale about a girl who, well, loses her hands, trying to escape from the De
Girl without Hands — French animated adaptation
of a Grimm Brothers
tale about a
girl who, well, loses her hands, trying to escape from the De
girl who, well, loses her hands, trying to escape from the Devil.
In the latter, she came back to America to star in writer - director James Toback's wild
tale of a midwestern
girl who becomes an international supermodel and finds herself caught between a romantically obsessed concert violinist (Rudolph Nureyev) and the Carlos the Jackal - like international terrorist (Harvey Keitel) that the violinist has vowed to destroy.
Stardust (PG - 13 for fantasy violence and risqué humor) Enchanting fairy
tale, based on the Neil Gamain best seller
of the same name, revolves around a young man (Charlie Cox)
who sets
of in search
of a shooting star after the prettiest
girl (Sienna Miller) in town promises to marry him if he «s successful in that quest.
CARRIE is the
tale of an isolated and bullied young
girl who develops telekinetic powers and wreaks havoc on her town.
The debut feature from director - writer David Wnendt is a bleak
tale of two
girls who, for very different reasons, get swept up in the resurgent Neo-Nazi movement in Germany.
Jon Lovitz, Southland
Tales (2006) Jon Lovitz came to America's attention as a bumbling sad - sack on Saturday Night Live, best known for running gags like the «
Girl Watchers» series, where he and Tom Hanks played two atonal, self - denigrating drips
who dismissed every woman they saw as «waaaaay out
of our league.»
The 1974 novel tells the
tale of Ann Burden, a 16 - year - old
girl who thinks she's the only survivor
of a nuclear war.
«Mary and the Witch's Flower,» a
tale of a little
girl (voiced by Ruby Barnhill in the dubbed version I saw; a subtitled version is also screening)
who is transported to a school for witches, might seem to be following another, Hogwarts - ish path.