Read more >> A Wedding in Haiti by Julia Alvarez Algonquin, $ 22.95, 304 pages In her humorous and poignant memoir of a wedding and an earthquake in the Dominican Republic, novelist Julia Alvarez (How the García Girls Lost Their Accents) attempts to answer this question as she tells
the tale of a young worker on her coffee plantation, Piti, and his efforts to make a life by traveling from his home in Haiti to work in the neighboring country.
Not exact matches
Following intrepid
young rookie Mae Holland (Emma Watson) as she finds herself inducted into the hive headquarters
of Apple - like tech conglomerate The Circle (with a Google-esque dual housing / work facility that its
workers, known as Circlers, never seem to leave), Ponsoldt's film begins by charting an incredibly familiar and shallow trajectory that we've seen in plenty
of tales of tech terror like 1984 and Eagle Eye.
A natural companion piece to the director's 2011 immigrant
tale, «Le Havre,» «The Other Side
of Hope» follows a
young Syrian refugee (Sherwan Haji) who finds himself in Helsinki, where he falls in with a group
of Finnish restaurant
workers whose misadventures have the relaxed, we're - all - in - this - together vibe
of a Howard Hawks western.
; MEN AND CHICKEN, Anders Thomas Jensen's dark, twisted and extremely animalistic comedy as black as pitch, but with the sweetest heart, starring Mads Mikkelsen; Fernando León de Aranoa's black comedy A PERFECT DAY, a freewheeling
tale centering on two veteran aid
workers starring Benico Del Toro and Tim Robbins; the International Premiere
of Brendan Cowell's debut RUBEN GUTHRIE about an advertising exec trying to quit the booze, which spikes social observations with dark, wounded humour and the European Premiere
of Japanese auteur / icon Takeshi Kitano's latest comedy, RYUZO AND HIS SEVEN HENCHMEN, about a group
of elderly, retired Yakuza who reteam to take revenge on a
younger rival gang.
A deceptively simple
tale of the doomed love affair between an ageing cleaner (Mira) and a
young Moroccan gastarbeiter (immigrant
worker) which exposes the racial prejudice and moral hypocrisy at the heart
of modern West German society.