Sentences with phrase «talk about contemporary art»

We like to talk about contemporary art being edgy and risky, but there are risks and risks.

As with much talk about contemporary art these days, Rockburne's discussion turned to wistfulness about the way things used to be.

Are you conflating «art business and marketing» with «talking about contemporary art» and / or «blogs we like»?

Camden Arts Centre in the London Borough of Camden, England, is a place for contemporary visual art and education The changing programme includes exhibitions, artist residencies, off - site projects and artist - led activities, ensuring Camden Arts Centre remains a place for seeing, making and talking about contemporary art.

Over 150 years later, the Fourth Plinth now hosts a series of commissioned artworks by world class artists and is the most talked about contemporary art prize in the UK.

Not exact matches

Don't Talk to Me About Love, a new online literary journal, is encouraging readers, writers, and artists to do quite the opposite — «to explore contemporary ideas about love in all its myriad expressions (romantic and platonic), in prose, poetry, and visual art.&rAbout Love, a new online literary journal, is encouraging readers, writers, and artists to do quite the opposite — «to explore contemporary ideas about love in all its myriad expressions (romantic and platonic), in prose, poetry, and visual art.&rabout love in all its myriad expressions (romantic and platonic), in prose, poetry, and visual art.»

He will talk with Kuo about his two forthcoming book projects, which will explore intersections of race, gender, and aesthetics in modern and contemporary art.

While in the United States, it was remarkable to hear people talking about his 2010 — 11 retrospective at the Museum of Contemporary Art Chicago many months after it had closed.

She runs engaging and accessible workshops, courses, talks and tours about contemporary art.

Julia Bryan - Wilson, associate professor of modern and contemporary art at UC Berkeley, talks about Ruth Asawa's wire sculptures and Louise Bourgeois's hanging bronzes.

Visitors are encouraged to take advantage of the museum's intimate and informal setting to talk with artists, curators, and printers to learn more about contemporary art and printmaking techniques.

In this discussion, Kate Fowle, Chief Curator of Garage Museum of Contemporary Art, will talk with artist Rashid Johnson about his installation Within Our Gates, which is on show in Garage Atrium.

VoCA Talks is a series of public programs featuring artists and their collaborators in conversation about the challenges and rewards inherent in making, showing, and preserving contemporary art.

Just prior to the opening of a major survey of John Currin's paintings at DHC / ART Foundation for Contemporary Art on June 30, the artist offers an illustrated talk about his woART Foundation for Contemporary Art on June 30, the artist offers an illustrated talk about his woArt on June 30, the artist offers an illustrated talk about his work.

Victoria Siddall, the fair's director, said Frieze prided itself on reflecting what contemporary art curators and museums are talking about.

The smART Talks lecture series serves to increase awareness of regional contemporary art through a series of three talks a year by local artists about their work, careers, and creative proTalks lecture series serves to increase awareness of regional contemporary art through a series of three talks a year by local artists about their work, careers, and creative protalks a year by local artists about their work, careers, and creative process.

Rail: Two years ago, I had a conversation here at Marie Walsh Sharpe open studios with Katy Siegel about her book Since» 45: America and the Making of Contemporary Art, and at one point she talked about the theme ofblack and white, which refers to different things, like the apocalyptic light of Protestant Evangelical ecstasy, the American gothic, the strong sun of the Southwest that creates blinding light and casts deep shadows, and above all the issue of race — the obsession of writers like Melville and Faulkner.

READ Culture Talk interview with Lauren Haynes about the exhibition «Speaking of People: Ebony, Jet and Contemporary Art»

Peter Brant told us about antiquing with Warhol in Europe and what it's like to sell a $ 58.4 million Jeff Koons balloon dog, Rosa de la Cruz detailed her vision of transforming Miami into an intellectual art capital, Zöe and Joel Dictrow talked about devoting themselves to chasing emergent art, UOVO's Steven Guttman described his quest to build the world's greatest art - storage facility, and Alden Pinnell of Austin's Power Plant space described how one builds a contemporary art scene from scratch.

RR: Let's talk about your piece Possession, which won first place in the Bombay Sapphire Artisan Series contest at the Contemporary Arts Center back in October.

«I learned a great deal about contemporary art and art theory from talking to [Rosemary Mayer].

Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer Museum.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African aArt exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African artart.

Nomad talks about Croatian artist Zlatan Vehabović's recent solo show, Foundations in Mud, in the Museum of Contemporary Art, Zagreb, Croatia: http://www.nomad.hr/projects/zlatan-vehabovic-still-untitled-zagreb

Her 2009 TED Talk, «How Art Gives Shape to Cultural Change,» examines how contemporary artists continue to shape dialogue about race, culture, and community.

The Curator of Contemporary Art at Colección Patricia Phelps de Cisneros (CPPC) talks about the state of contemporary Latin American Art and the role of art instituContemporary Art at Colección Patricia Phelps de Cisneros (CPPC) talks about the state of contemporary Latin American Art and the role of art institutions todArt at Colección Patricia Phelps de Cisneros (CPPC) talks about the state of contemporary Latin American Art and the role of art institucontemporary Latin American Art and the role of art institutions todArt and the role of art institutions todart institutions today.

Of course, all this talk, no matter how negative, is music to the ears of those in the art world who are more accustomed to fretting about art being marginalized in contemporary culture.

We sat down with the chef behind Italy's most acclaimed restaurant to talk about how contemporary art influences his cooking, and why food belongs in museums.

The painter talks about her first US solo exhibition, at the Aldrich Contemporary Museum of Art, her...

These Artists Would Be Better Choice to Design Oscars» Stage Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer Museum.

For a normal visitor, if he or she wants to understand, they have to understand the artist's thinking or what an artist wants to talk about, then they can enjoy the works as they enjoy other contemporary arts.

Art League Houston, one of Houston's oldest arts organizations, connects the community through diverse, dynamic, and creative experiences that bring people together to see, make, and talk about contemporary visual aArt League Houston, one of Houston's oldest arts organizations, connects the community through diverse, dynamic, and creative experiences that bring people together to see, make, and talk about contemporary visual artart.

Murakami talks about his position as an outsider in the Western contemporary art world and his interest in breaking down the boundaries between art and popular culture through collaborations with Kanye West, Louis Vuitton, and Complex.

Without prompting, Doig refers to the sale, saying «the way auction houses write about paintings as masterpieces seems such an absurd way to talk about a contemporary work of art.

«It's very funny and critical of the art - gallery scene, how gallerists talk about works in a way that are difficult to understand,» said Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Aart - gallery scene, how gallerists talk about works in a way that are difficult to understand,» said Patricia Hickson, Emily Hall Tremaine Curator of Contemporary ArtArt.

Speaking about the new gallery, Victoria Miro said: «For some time now, Bruna and I have been talking about the legacy of Galleria Il Capricorno, which has championed the very best contemporary art over the past five decades.

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine ArArt History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine ArArt History and Archaeology - from NYU's Institute of Fine Arts.

In How to See: Looking, Talking and Thinking about Art David Salle strips away complicated theory and describes contemporary art in the plain language artists use when talking to eachTalking and Thinking about Art David Salle strips away complicated theory and describes contemporary art in the plain language artists use when talking to each othArt David Salle strips away complicated theory and describes contemporary art in the plain language artists use when talking to each othart in the plain language artists use when talking to eachtalking to each other.

Derek Blasberg sat down with Agnes Gund in New York City to talk about her life surrounded by, acquiring, and promoting contemporary art.

Michael Govan and John Baldessari talk about the artist's collaborations with LACMA, including his acclaimed design for the Magritte and Contemporary Art installation, LACMA's new logo, the large - scale banners seen along Wilshire Boulevard, and next summer's retrospective of his work.

The scholars will give a brief talk about their research followed by a discussion moderated by Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art and curator of Jackson Pollock: Blind Spots.

Following the Contemporary Art Society's recent acquisition of two works by Anthea Hamilton for Hepworth Wakefield, and in advance of her first solo US museum exhibition at the SculptureCenter, New York in September, Anthea talks about her recent work.

Cathcart, Linda L, The Americans: The Collage, catalogue, Contemporary Arts Museum, Houston Kalil, Susie, «Americans: The Collage, Review,» Houston Post, 18 July, section AA, pp. 1 & 16 Johnson, Patricia C, «Amusements: Art: American Collages spotlighted in stunning don't miss CAM exhibit,» Houston Chronicle, 21 July, section 6, p. 6 Knaff, Deborah L, «Collage captures current whimsy,» Rice Thresher (Rice University, Houston), 20 August, p. 7 Kalil, Susie, «American Collage since 1950,» Artweek (Oakland, California), 18 September, volume 13, no. 30, p. 1 Rose, Barbara, «Talking about Art: Photos from a Cold Climate: more artworks by Scandinavians: collages made in U.S.A.,» Vogue (New York), October, volume 57, no. 10, p. 135

We will be talking about some archetypal ways contemporary artists make their art more conceptual.

Expert on live arts and co-editor of Theories and Documents of Contemporary Art, Kristine Stiles talks with the artist about his performances.

Friday, Sept. 5, 2014 @ 6 p.m. Nick Cave Talk with Denise Markonish at Jack Shainman Gallery New York Denise Markonish, curator at the Massachusetts Museum of Contemporary Art, will engage artist Nick Cave in a conversation about «Rescues» and «Made for White by Whites,» the new body of work he is exhibiting at both Chelsea locations of Jack Shainman Gallery.

Contemporary artist Sanford Biggers's installation will provide an opportunity to talk about several compelling topics, including cross-cultural connections, different reasons for creating art, and...

Photography Artist - in - Residence, Danielle Dean, talks with Cultured Magazine about her practice and current exhibition at Museum of Contemporary Art Detroit — MOCAD.

Selected group exhibitions include: Playtime, Institute of Modern Art, Brisbane, 2013; We used to talk about love, Balnaves Contemporary: Photomedia, Art Gallery of New South Wales, 2013; Contemporary Australia: Women, Gallery of Modern Art Queensland Art Gallery, Brisbane, 2012; New11, Australian Centre for Contemporary Art, Melbourne, 2011; Short Sharp Shocks, Barbican, London, 2011; and Adelaide Biennial, Art Gallery of South Australia, 2010.