Sentences with phrase «talk about inventions»

We often talk about inventions like the printing press and the television -; by simply making communication more efficient, they led to a complete transformation of many important parts of society.
It showed a video of the Nested Bean founder talking about her invention and how it was born from her own need for her newborn baby son.
Her performance in the scene where she talks about her invention was phenomenal.
As I've written in the past, there are clear economic arguments for government funded, private sector executed basic R&D on various climate - friendly technologies (I'm talking about invention and innovation, not diffusion), namely the public - good nature of the product of R&D (information), which leads to under - investment, given price signals.

Not exact matches

Also, lets talk about the comment from Viola / Barna that «And historically, it can be demonstrated that the church in its present form didnâ $ ™ t originate with God, but from human inventions and traditions.
And she was pleasantly surprised when the president, talking about American inventions, mentioned the Remington typewriter.
While this year's inventors were already talking about possible collaborations among the group, 2015 - 16 ambassadors Juan Gilbert, whose inventions include a universally designed voting technology; Lisa DeLuca, who is IBM's most prolific female inventor; and Michael Smith, who is director of the Intel Academic Program for Data Science and the Internet of Things, said the friendships and networks begun during the program will endure.
We sat down with The Meathead Millionaire during his last visit to Onnit HQ to talk about strength, nutrition, and the latest iteration of his best - selling invention, the Sling Shot.
And when I'm talking about agriculture, I'm mostly talking about the massive influx of grain - based foods into the human diet that occurred with the invention of agriculture.
In the final episode of the Mark Bell series we talk about pro wrestling training stories, John Cena, and his invention of the Slingshot.
Anyways, today I'm excited to be talking to you all about color correcting - one of the best makeup inventions out there, if you ask me.
It becomes apparent that there's more than just a natural disaster in their midst, and soon the remaining men holing up in Franco's house — Rogen, Baruchel, Franco, Craig Robinson (Rapture - Palooza, Hot Tub Time Machine), Jonah Hill (Django Unchained, The Invention of Lying), and late party - crasher Danny McBride (Your Highness, Observe and Report)-- begin to talk about such things as the Rapture, Apocalypse, Judgment Day, and the End of the World.
Three - time Oscar winner Thelma Schoonmaker talks about adopting 3D into her impressive skillset for Scorsese's adaptation of The Invention of Hugo Cabret.
What we're talking about is invention — new things in new ways.
Literature piracy was a problem as far back as the invention of the printing press and I find it hard to have any sympathy for a business (and it's a business and not an art from we're talking about here) that just plain dug itself into a hole by not keeping up.
In discussing The Invention of Wings, Sue Monk Kidd talks about the concept of urban slavery and how relevant the aphorism «write what you know» truly is.
2) Meanwhile, Jeff Bezos talks about The Power of Invention in his Letter to Shareholders.
«Think of some conditions, elements, or technology that might aid in its invention, and talk about that.
Good ol' fiction: The River at Night by Erica Ferencik The Storied Life of AJ Fikry by Gabrielle Zevin Pictures of You by Caroline Leavitt A Paris Apartment by Michelle Gable Before I Go by Colleen Oakley Caravans: A Novel of Afghanistan by James Michener We Need to Talk About Kevin by Lionel Shriver What She Knew by Gilly Macmillan In the Unlikely Event by Judy Blume The Deep End of the Ocean by Jacquelyn Mitchard Since She Went Away by David Bell Cutting for Stone by Abraham Verghese The Decent Proposal by Kemper Donovan The Revised Fundamentals of Caregiving by Jonathan Evison Happy Family by Tracy Barone Lily and the Octopus by Steven Rowley The Wangs vs. the World by Jade Chang Bird in Hand by Christina Baker Kline The Weight of Him by Ethel Rohan Eleven Hours by Pamela Erens Fates and Furies by Lauren Groff Cage of Stars by Jacquelyn Mitchard Saving Grace by Jane Green After You by Jojo Moyes Britt - Marie Was Here by Fredrik Backman The Reluctant Fundamentalist by Mohsin Hamid Fourth of July Creek by Smith Henderson The Invention of Wings by Sue Monk Kidd Truly Madly Guilty by Liane Moriarty The Light We Lost by Jill Santopolo My Name is Lucy Barton by Elizabeth Strout This Must Be the Place by Maggie O'Farrell The Passenger by Lisa Lutz The Girls by Emma Cline Cruel Beautiful World by Caroline Leavitt The Interestings by Meg Wolitzer The Couple Next Door by Shari Lapena The Woman in Cabin 10 by Ruth Ware In a Dark, Dark Wood by Ruth Ware The Marriage Lie by Kimberly Belle Behind Closed Doors by B.A. Paris California by Edan Lepucki Seven Days of Us by Francesca Hornak Christmas in London by Anita Hughes
I had the pleasure in early September of talking via phone with author / illustrator Brian Selznick about his latest title, Wonderstruck (Scholastic, September 2011), as well as a bit about the 2008 Caldecott winner The Invention of Hugo Cabret (Scholastic, 2007); his hybrid style, if you will, of picture book, novel, and graphic novel; and the upcoming film adaptation of The Invention of Hugo Cabret, titled simply Hugo, by Martin Scorsese.
It's like talking about the things the Chinese invented ahead of the West, but they never exploited those inventions.
Unlike those, Bravely Default perhaps isn't a game that'll we'll be talking about in 15 years, but there's enough invention, charm and depth here to prove that — on the 3DS at least — the genre doesn't need the Phoenix Down just yet.
On the occasion of Matisse: Radical Invention, 1913 — 1917 at the MoMA (July 18 — October 11, 2010), John Elderfield, who co-organized the exhibition, stopped by Art International Radio to talk with Rail publisher, Phong Bui, about the exhibit.
[1] «After talking with Hana Noorali, curator of «Lisson Presents...», on 11 July 2017, I was thinking further about the contingencies of conversation — the casual, the formal, the foregrounding and the the backgrounding — trying to depress the proclamatory... A few weeks later I can imagine discussing the Partition of India, precisely three months before my birth, the approaching invention of the transistor by Shockley's team and what Giacometti was up to in his Paris atelier....
So Kandinsky comes straight out of all that, but all they talk about in the Museum of Modern Art is that his work is the invention of abstraction.
On the occasion of Matisse: Radical Invention, 1913 — 1917 at the MoMA (July 18 — October 11, 2010), John Elderfield, Chief Curator Emeritus of Painting and Sculpture, the Museum of Modern Art, who co-organized the exhibition with Stephanie D'Alessandro, Gary C. and Frances Comer, Curator of Modern Art at the Art Institute of Chicago, stopped by Art International Radio to talk with Rail publisher, Phong Bui, about the exhibit.
At EFF, we talk a lot about stupid patents: patents on things that aren't inventions at all, that would be obvious to anyone with expertise in the field, or that existed long before the patents were filed.
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