Sentences with phrase «talk about modern art»

We also talk about modern art, technique, and theory.

Not exact matches

The collections vary from sculpture, photography, impressionist and modern so every art lover will find something that sits well and with so much to see, you will find you and your date have plenty to talk about.

About Blog VeryVintageVegas is my blog about the historic neighborhoods and mid century modern homes of Las Vegas.We also talk about the arts and music scenes, and urban About Blog VeryVintageVegas is my blog about the historic neighborhoods and mid century modern homes of Las Vegas.We also talk about the arts and music scenes, and urban about the historic neighborhoods and mid century modern homes of Las Vegas.We also talk about the arts and music scenes, and urban about the arts and music scenes, and urban life.

We are in modern day America, talking about art, life, love and more.

MIDSECTION: SCREENWRITERS Some of the most talented writers for film and television — Ruth Gordon and Garson Kanin, Howard Koch, George Axelrod, Robert Benton and David and Leslie Newman, Richard Levinson and William Link, and Paul Schrader showed up at The Museum of Modern Art last fall to talk about their funny and frustrating adventures in Hollywood.

Special Features In Walt's Words: «Snow White And The Seven Dwarfs» - Hear Walt himself talk about Snow White Iconography - Explore how this film influences pop culture, art and fashion Disney / Animation: Designing Disney's First Princess - Modern - day Disney artists discuss the design of Snow White and how it influenced the look of some of your favorite Disney characters The Fairest Facts Of Them All - Disney channel star Sofia Carson reveals seven intriguing facts about Snow White And Much More!

We Need to Talk About Kevin: Akin to Lynne Ramsay's directorial approach only in miserable tone, the very best poster for We Need to Talk About Kevin abandons modern tendencies for an evocation of Renaissance art, its rain - pelted, window - shielded handling of subject calling to mind an aged, cracked portrait by Vermeer.

Creators Art professor Geo Sipp talks about the graphic novel he is creating, together with novelist Conger Beasley Jr., which is set during the Algerian War and draws parallels to the use of torture in that conflict and in modern times.

He will talk with Kuo about his two forthcoming book projects, which will explore intersections of race, gender, and aesthetics in modern and contemporary art.

Julia Bryan - Wilson, associate professor of modern and contemporary art at UC Berkeley, talks about Ruth Asawa's wire sculptures and Louise Bourgeois's hanging bronzes.

In the video, Goldsmith talks about the «Please do not touch» sign placed at the foot of the cast bronze sculpture «Homme qui marche» (Walking Man)(1960) by Italian Swiss artist Alberto Giacometti (1901 - 1966) from the Louisiana Museum of Modern Art's collection.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African aArt exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African artart.

Gallery owner, collector, and patron Virginia Dwan talks with exhibition curator James Meyer (Curator of Art, 1945 - 1974, National Gallery of Art, Washington DC) and LACMA Senior Curator of Modern Art Stephanie Barron about the storied history of the Dwan Gallery and the artists who exhibited there.

This Tuesday Evenings at the Modern presentation, «40 Years: Talking and Thinking about Art,» is a biographical sketch of Michael Auping's four - decade career as a renowned curator, relaying stories of artists such as Lucian Freud, Agnes Martin, John Chamberlain, Louise Bourgeois, Bruce Nauman, Jenny Holzer, and Frank Stella.

As a major exhibition opens at Tate Modern, the American visual art pioneer talks about anxiety and her powerful 70s «pieces»

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine ArArt History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine ArArt History and Archaeology - from NYU's Institute of Fine Arts.

We'll talk to the Dallas native this hour about his career and a rare joint exhibition of his work being staged by the Nasher Sculpture Center and the Modern Art Museum of Fort Worth.

Ways of talking about race and appropriation: Claudia Rankine, Hannah Black and Tate Modern's «Black Art, Black Power» conference

Byrne will talk about his recent survey show at the Irish Museum of Modern Art, which closed on Monday, Oct. 31.

Agnes Gund, president emerita of the Museum of Modern Art (MoMA), visits Ellsworth Kelly's cavernous Spencertown studio, where they talk about art, life, their friendship and the colors and energy of New YoArt (MoMA), visits Ellsworth Kelly's cavernous Spencertown studio, where they talk about art, life, their friendship and the colors and energy of New Yoart, life, their friendship and the colors and energy of New York.

Selected group exhibitions include: Playtime, Institute of Modern Art, Brisbane, 2013; We used to talk about love, Balnaves Contemporary: Photomedia, Art Gallery of New South Wales, 2013; Contemporary Australia: Women, Gallery of Modern Art Queensland Art Gallery, Brisbane, 2012; New11, Australian Centre for Contemporary Art, Melbourne, 2011; Short Sharp Shocks, Barbican, London, 2011; and Adelaide Biennial, Art Gallery of South Australia, 2010.

Below Eric and Jean Cass talk about the Niki de Saint - Phalle works they donated to Gallery of Modern Art, Glasgow through the Contemporary Art Society.

In this revealing set of conversations — conducted in train stations, hotels, galleries and her own private studio — between Abramovic and curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the «Old Master of action art»), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New Yoart»), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New YoArt in New York.

Modern Art Museum of Fort Worth Curator Michael Auping stood in a room full of Sue Tilley paintings, and talked about the importance of Freud to an American audience: «It was very important for us to bring this show to America, because we have nothing like this.

Eric and Jean Cass talk about the Niki de Saint - Phalle works they donated to Gallery of Modern Art, Glasgow through the Contemporary Art Society.

The founder of Los Angeles Modern Auctions talks about modernism's unifying influence and the trouble with finding the right place to hang a new work of art.

Back in the 20th century, everyone was talking about how New York had wrested the status of modern - art capital from Paris.

On the occasion of Terry Winters's show at Matthew Marks, Phong Bui, publisher of The Brooklyn Rail, and consulting editors David Levi Strauss and Peter Lamborn Wilson (who are both writing essays on Winters's work for a forthcoming book from the Irish Museum of Modern Art in Dublin) met with Winters to talk about his new work.

COMMUNITY OPENING CELEBRATION Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation Saturday, September 7 6 pm FREE 6 pm Collector Jordan D. Schnitzer, in conversation with UMFA's curator of modern and contemporary art Whitney Tassie, will talk about his experiences as a collector and some of the works on display in Under Pressure, which are drawn from his highly respected and comprehensive collection of contemporary prints.

He talks with art historian Nancy Ramage and Nasher Museum Interim Director Sarah Schroth about Collecting Matisse and Modern Masters.

Maureen Cavanaugh of San Diego's radio station KPBS talks to John Marciari, Curator of European Art, and his wife, Julia Marciari Alexander, Deputy Director for Curatorial Affairs at San Diego Museum of Art about the two exhibitions on there until 1 May: Gainsborough and the Modern Woman and Howard Hodgkin, Time and Place, Paintings 2001 - 2010.

Following much - talked - about exhibitions at the Barbican in London and the Museum of Modern Art in New York, art collective Random International's Rain Room makes its debut in Los Angeles at LACMA on NovemberArt in New York, art collective Random International's Rain Room makes its debut in Los Angeles at LACMA on Novemberart collective Random International's Rain Room makes its debut in Los Angeles at LACMA on November 1.

In 2007 Corey Keller, a photography curator at the San Francisco Museum of Modern Art, was talking with Ms. Goodman about another project.

Last week, Modern Art Oxford welcomed their six selected arts graduates for the Platform award 2013 to talk about their work.

On the occasion of the exhibit Manet and the Execution of Maximilian at The Museum of Modern Art, which will be on view until January 29, 2007, John Elderfield, the Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture, took time from his busy schedule on a recent afternoon to welcome Rail Publisher Phong Bui to his office to talk about Manet's four featured paintings, related works and more.

Politicians talk, unabashed, about the importance of Tate Modern and Frieze art fair.

I then started talking to the Meadows Museum about the project as well as the Modern Art Museum in Ft. Worth, and we ended up with this exciting institutional collaboration that will bring together multiple examples of work made by Eve Sussman and the Rufus Corporation.»

MS. TANNENBAUM: Dave Hickey wrote an essay about you pretty recently for the [«Lynda Benglis»] Retrospective in Dublin [Irish Museum of Modern Art], and he talks about how you brought color back into art and how radical that wArt], and he talks about how you brought color back into art and how radical that wart and how radical that was.

-- At the Hirshhorn, senior curator of modern art Valerie Fletcher's talk about Louise Bourgeois.

To further explore the presence of Asger Jorn in this exhibition, Hilde de Bruijn (Senior Curator, Cobra Museum of Modern Art, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandaliArt, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandaliart and vandalism.

One of the most talked - about modern artists and a significant figure in American art, Philip Guston is famous for three styles of fine art painting.

In the midst of preparing for her upcoming retrospective, which will be on view at the Museum of Modern Art beginning October 23, 2005, Elizabeth Murray sat down with the painter Robert Storr, curator of the exhibition, and Rail publisher Phong Bui to talk about her life and work at her studio loft in Tribeca.

UNLIKE many of those who wade into debates about the Turner Prize or modern art, Dr Kim Howells at least has a good claim to know what he's talking about.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

My favorite section is Making Sense of Modern Art, a lively video archive and guide to works in SFMOMA's permanent collection, where one can go watch Ann Hamilton discuss her Indigo Blues Project, look up close at a Claude Cahun photograph, or listen to Richard Tuttle talk about the «presence of simple things.»

Kim Howells Turner Prize Row: Passion for Art Based on Expertise Western Mail (Cardiff, Wales); November 1, 2002; 469 words UNLIKE many of those who wade into debates about the Turner Prize or modern art, Dr Kim Howells at least has a good claim to know what he's talking aboArt Based on Expertise Western Mail (Cardiff, Wales); November 1, 2002; 469 words UNLIKE many of those who wade into debates about the Turner Prize or modern art, Dr Kim Howells at least has a good claim to know what he's talking aboart, Dr Kim Howells at least has a good claim to know what he's talking about.

I recently attended an event with Brian Donnelly, aka KAWS, who joined Michael Rooks, the High Museum of Art's Wieland Family Curator of Modern and Contemporary Art, to talk about the current show KAWS: Down Time.

In this video, Ernst Hilger of Hilger Modern / Contemporary talks about the artist duo Asgar / Gabriel and his first impressions of this year's Art Cologne.

«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around SERIOUSLY FUNNY.