Sentences with phrase «talk about the animation»

Since this is a computer generated animated movie, I couldn't skip over talking about the animation and characters.

Yang Art Museum is pleased to invite curator Yang Zi and Gao Yuan to talk about the animation and the paintings that Gao Yuan has...

I'm not talking about animations taking up time from the actions I'm doing, I'm talking about animations being rendered in less than 30 fps (should be rendered in 60 fps) and dropping over half of their frames.

Not exact matches

The closest I came to explaining the problem caused by learning too much about value investing was when I talked about how not buying DreamWorks Animation was my biggest mistake of omission.

I can't take another Sunday of that stupid animation of that Detroit car falling apart while they talk about our rushing any more

When not working he much prefers to talk about other things, perhaps Goldwater, civil rights or the kingdom of the ant, three subjects which always make his eyes shine and his face glow with animation.

I talk about retro blasting, movies, film crews, books, music, Hollywood, animation, comic books, Gaming, writing and filmmaking.

You find out more about that process is the 5:29 «Bringing the Characters to Life,» which includes interviews with the animation staff, as they talk about how they worked with their own reference videos to figure out how the «actors» move.

Or you can sit in the dark and talk about how consistently solid the animation has been between the three films and that there are just enough jokes aimed at adults to make this a watchable film when you take your children.

As far as the film itself is concerned, its a credit to its genre, another incredible reason to follow / watch / talk about indie animation and to share it with your kids so that they can be educated in film beyond the typical.

This in - depth piece is composed primarily of behind - the - scenes footage and talking - head interviews with many participants: * Robert Zemeckis (Director) * Frank Marshall (Producer) * Steven Spielberg (Executive Producer) * Steve Starkey (Associate Producer) * Don Hahn (Associate Producer) * Peter Seaman (Screenwriter) * Dean Cundey (Director of Photography) * Arthur Schmidt (Editor) * Richard Williams (Director of Animation) * Dale Baer (Chief Executive and Supervising Animator) * Simon Wells (Supervising Animator) * Andreas Deja (Supervising Animator) * Phil Nibbelink (Supervising Animator) * Dave Spafford (Animator) * Nik Ranieri (Animator) * Ken Ralston (Visual Effects Supervisor) * Michael Lantieri (Special Effects Supervisor) * David Alan Barclay (Chief Puppeteer) * Jon Alexander (Optical Camera Operator, ILM) * Ed Jones (Optical Photography Supervisor) * Alan Silvestri (Composer) * Bob Hoskins (Eddie Valiant) * Charles Fleischer (Voice of Roger Rabbit) * Lou Hirsch (Voice of Baby Herman) You can imagine, therefore, how thorough this documentary is about touching every aspect of the production.

Now that the characters talk they have a lot more personality and there are a lot more facial animations and syncing to worry about but this game pulls it off and stays top notch.

There are also two feature: «Animation: Delbert Doppler» in which Sergio Pablos (supervising animator of Doppler) talks about how he liked animating a nerd (1:10), and «Silver Progression Animation» (2:27), in which we can see how rough sketches and computerized parts become Silver in the movie.

The animation legend talks about re-imagining the identities of DC's most beloved characters in the direct - to - video movie, plus a new clip and his thoughts on Margot Robbie as Harley Quinn in «Suicide Squad».

«Passion Project: Martin Rosen on Watership Down» (16:21) lets the film's screenwriter - director - producer talk about making the film with no prior experience in animation and with no participation by author Richard Adams.

«Characters» goes into their design, «Environments» talks about the scale of the world (complete with footage of a hamster in a model city), and «Animation» addresses the movement (with our only glimpses of Jason Bateman and Ginnifer Goodwin recording lines).

I wanted to take a moment and talk about the game's animations.

Or the potion change to making them able to be drank while moving, which was talked about a lot at E3... Even then it isn't an instant hit — there's still a risk / reward because the longer you can stay drinking with the animation without getting hit you'll get more energy — and you'll get the max amount of energy if you stay safe.

The Scottish actor talks with SPINOFF about bringing his brogue back for the DreamWorks Animation sequel, just the first in an ambitious slate of fantasy - fueled films on his horizon.

A few weeks back I trekked out to the company's Venice, CA production facility to talk about the work put into that film's sequel, «TRON Legacy,» with CEO Cliff Plumer, commercial division head Ed Ulbrich, visual effects supervisor Eric Barba and animation head Steve Preeg.

First off, I want to talk about fielding, which before was plagued with weird animation problems now has much better control and much more consistency.

It is very interesting and features the screenwriters talking about their approach to adapting the film and the cast talking about what it was like to do a performance where they had to sync up their performance to the pre-existing animation.

There is a all new feature «Lucky Dogs», which features Disney Animation / Imagineering alum Rolly Crump, ink and paint artist Carmen Sanderson, animator Burny Mattinson, animator Floyd Norman and voice actress Lisa Davis talking about their experiences on the film.

Special Features In Walt's Words: «Snow White And The Seven Dwarfs» - Hear Walt himself talk about Snow White Iconography - Explore how this film influences pop culture, art and fashion Disney / Animation: Designing Disney's First Princess - Modern - day Disney artists discuss the design of Snow White and how it influenced the look of some of your favorite Disney characters The Fairest Facts Of Them All - Disney channel star Sofia Carson reveals seven intriguing facts about Snow White And Much More!

After a panel full of announcements about Pixar and Disney animation projects at Friday afternoon's presentation at the D23 2013 Expo, director Don Hall took to the stage to talk about and show some new footage from Disney and Marvel's first animated theatrical feature, November 2014's 3D Big Hero 6.

Veteran Aardman Animation animator Ian Whitlock talks with Jackson about the studio's latest film: «The Pirates!

Last week, director Pete Docter and Jonas Rivera rolled into the University of Cincinnati to talk to some animation students about their new film.

Marjane Satrapi, creator of hit animation Persepolis, talks politics, revolution and about why her new film reimagines Tehran from a distance.

Instead of talking to the voice actors behind the dogs with a cardboard cutout of the poster behind them, Wes Anderson had Bryan Cranston, Bill Murray, Edward Norton, Liev Schriber, F. Murray Abraham, Jeff Goldblum, Scarlett Johansson, Bob Balaban, and Tilda Swinton interviewed about the movie, and then created animation as if their canine characters were doing the Isle of Dogs cast interviews themselves.

It seems as though D23, the Disney exclusive convention, is giving us animation - heads tons to be talking about.

During a conference at the film's press day, voice actors Andy Samberg, Katie Crown, Kelsey Grammer («Hunter») and Stephen Kramer Glickman («Pigeon Toady»), along with producer Brad Lewis and co-directors Nicholas Stoller and Doug Sweetland, talked about how animation is «filmmaking by army,» the film's universal metaphor, what attracted the voice cast to the material, learning about the birds and the bees, the evolution of the Wolf Pack (led by voice actors Keegan - Michael Key and Jordan Peele), and the difference between directing live - action and animation.

The sound icon has a slider and timer so that you can synchronize the audio to the animations (we'll talk about how to do this next).

Talk about the illustrations, font size, amount of text on a page, and any animations or other features.

Finally, I couldn't talk about using animations in eLearning without talking about the type of animations you should and should not use.

Now, I'm not talking about making a cartoon instead of a comic, and if you go too far down the animation path, those lines run the risk of being blurred as we've seen in those embarrassing «Motion Comics» from a couple years ago, but consider the wildly popular web comic MS Paint Adventures by «Andrew.»

The closest I came to explaining the problem caused by learning too much about value investing was when I talked about how not buying DreamWorks Animation was my biggest mistake of omission.

- the scene at the beginning of a ceremony caused Shimamura a bit of trouble - the lines of the ritual did not properly reflect Zelda's personality, her motivations, her powerlessness, and awkwardness - Shimamura talked about it with Naoki Mori (who was in charge of Cinematic Design, including screenplay, and cutscenes)- the whole thing was rewritten several times, until they arrived at the final result - there's quite a lot of scenes she really likes in the game - her favorite line is the «Yes» Princess Zelda gives as an answer to the Deku Tree in a particular scene - in that scene, Zelda thinks about what she should do, but she can not see it at all - she refuses to give up, and wants to give hope to Link - Shimamura tried to convey all of those feelings through the single «Yes» she spoke - recording felt completely different than for animation, the dubbing of (foreign) movies, or other games - there was no fixed routine of how to approach it, as all different things were being tried out - lines were redone even after other lines were implemented in the game, as the team found better ways to say things - Shimamura finally managed to beat the game the other day, but she wants to keep practicing her shield surfing - Shimamura explains that she really gave it her whole when voicing Princess Zelda, to give her emotions - she hopes that players will remember their memories of Princess Zelda

The first feature that was talked about was VR project templating, which is said to make those who are starting new projects get into it easily, as it helps with basic movement and animation.

I'm not talking about kill animations or being able to counter kill two guys at once or grabbing people and using them as a human shield, I'm talking about how they changed the controls for the combat.

It was a mistake just talking about Quantum Break, it DOES have better facial animations but so does LA Noir and The Order: 1886.

As for issues, I didn't really come across anything worth talking about, but I will touch on the animations.

It's hard to explain without seeing it, but anyone who's seen the difference subtle movements of the car animation can make in games like Forza 4 will know what I'm talking about.

For example, let's talk about textures and animations.

Flurry points to drop off in yuletide download growth — Pocketgamer.biz The Dutch want gaming startups to sprout like tulips (interview)-- Gamesbeat Casual Connect 2014 • Drie Nederlandse winnaars bij Indie Prize award show — Control Portrait of a Pretentious Game — Rappler Casual Connect 2014 • De succesfactoren van Reus, de godgame met een indieprijskaartje — Control Grand Cru: Console devs are «utterly failing» at in - app purchases — Pocketgamer.biz Game makers beware: Virtual goods purchases are about to be regulated — Gamesbeat Casual Connect 2014 • Een bedrijf opstarten doet niemand voor je, vergeet niet te relaxen en wees een ster — Control Asian companies account for nine of the top 10 game mergers and acquisitions — Gamesbeat The Godus amongst us: Molyneux talks free - to - play farces, winning without chasing whales and his top score on Flappy Bird — Pocketgamer.biz Peter Molyneux believes ripping people off with free - to - play games won't last (interview)-- Gamesbeat Size matters: How to scale your game for overnight success — Pocketgamer.biz FlowPlay helps developers like Joju Games differentiate their social - casino titles — Gamesbeat Molyneux: Free - to - play is like «smashing consumers over the head with a sledgehammer» — Pocketgamer.biz Dandelions benoemd tot beste indiegame Casual Connect — Gamer.nl Share and share like: Why developers need to care about their sharers — Pocketgamer.biz Mimimi gewinnt Indie Prize — GamesMarkt Flappy Bird was the perfect accidental guerilla marketing campaign, says Creative Mobile — Pocketgamer.biz Casual Connect Amsterdam — Freegame.cz Mech Mocha Founder Arpita Kapoor Wins Most Prominent Female Indie Award at Casual Connect Europe — Animation Xpress Casual Connect Europe 2014 — Амстердам — ITC.ua

I wanted to take a moment and talk about the game's animations.

First off, I want to talk about fielding, which before was plagued with weird animation problems now has much better control and much more consistency.

Today we delve into our past by talking about flash animation, anime, and rpgs!

At least the people talking about the homing attack and running animation have a reason.

Whether you are talking about the glass effects or the bullet effects, or even the grenade animations you can see the level of detail in this game is top notch.

On the studio website they talk about how they actually used classic techniques when creating much of the animation, hand drawn and cell shaded.