Sentences with phrase «talk by painter»

Friday, February 14, 4:30 p.m., opening celebration with photographer Jacqueline Hayden Friday, March 7, 4:30 p.m., gallery talk by photographer Michael Starkman, Class of 1974 Friday, March 28, 4:30 p.m., slide lecture and gallery talk by painter and printmaker Robert Priseman Friday, April 4, 4:30 p.m., gallery talk by printmaker Katja Oxman Friday, June 6, 4:30 p.m., gallery talk by photographer Sandra Matthews

Delfina Foundation presented a series of open studio events and a public talk by painter Ala Dehghan (b. 1982), who has completed her residency at Delfina Foundation, in partnership with Magic of Persia.

I remember hearing Olitski speak about his work at the New York Studio School in 2004 — one of the best talks by a painter I can recall hearing there.

Not exact matches

Both sculptor Marney & painter Acosta will be at the gallery July 10th & 11th working outside creating new works and talking technique at NW By NW GALLERY in Cannon Beach.

On the occasion of his second solo exhibit, entitled Invitation to Change Your Metaphor, with Priska C. Juschka Fine Art (October 28 - December 30, 2010) the painter Nicky Nodjoumi stopped by Art International Radio to talk with Rail Publisher Phong Bui about his life and work.

A few days after the opening reception of her exhibit What Looks Back at Sikkema Jenkins & Co. (October 21 — December 4, 2011), the painter Josephine Halvorson stopped by the Rail's headquarters to talk with publisher Phong Bui about her life and work.

Video Portraits of Lady Gaga is the much talked about exhibition conceived and created by the multi-titled American sculptor, painter, stage director, playwright, choreographer, performer, and video artist Robert Wilson.

by Kostas Prapoglou Video Portraits of Lady Gaga is the much talked about exhibition conceived and created by the multi-titled American sculptor, painter, stage director, playwright, choreographer, performer, and video artist Robert Wilson.

By Peter Dobey The most talked about painter of late has no doubt been none other than George W. Bush.

On May 19th, Atlanta's Emily Amy Gallery hosted an artist's talk by German - born Bernd Hausmann, a Boston based painter having his first solo exhibition at the westside arts district gallery, through July 7th.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

In recent years, we've been invited to guest curate the hundredth anniversary OPEN FORUM talks at The Armory Show, co-curate the Latvian Pavilion at the 55th Venice Biennale, and received the highest level of press in our history with reviews by the New York Times, Artforum, Modern Painters, Art in America, and more.

The gallery has held public poetry readings by such notable poets as the late Kenneth Koch, collaborations between poets and painters with the poets reading their work, talks by the late film maker and member, Rudy Burckhardt, and occasional dance recitals.

The real problem is that no amount of talk of trends in painting can cover up the fact that while trends and trendy painters always exist, it's been a long time since painters were driven by passionate attachments to particular art movements.

But when he talks about Titian's «Flaying of Marsyas» and Caravaggio's «David With the Head of Goliath» we give him quite another kind of attention, because we know that this is the real thing, the true thing, the belief by which a major painter can live.

JULY 15 — August 22 Contemporary painters Ro Lohin and Kevin Wixted will discuss how the East End has influenced their work during an artist talk and exhibition reception on July 23rd at 6 pm Hamptons Art Hub Show Review by Charles A. Riley II Ro Lohin received a BFA from... Read more»

Tim McFarlane blogs about a talk given by painter Sean Scully on the occasion of the exhibition Sean Scully: Notations at the Philadelphia Museum of Art, on view through February 24, 2013.

It seems that if we're talking about how long painters take to make paintings, we should begin by admitting a general truth: modern and contemporary paintings took less time to make, on average, than medieval, Renaissance, or Baroque paintings.

Multi-media installation by music professor Ben Neill in collaboration with California painter Andy Moses March 23 — April 22 Pascal Gallery Opening Reception: Wednesday, March 23, 5 - 7 p.m. Artist's Talk: 6:30 p.m.

The Art & Culture Lecture Series presents illustrated artist talks by established, emerging and mid-career sculptors, painters and mixed - media artists, discussing their studio practice, influences and artistic journeys.

Abstract painter Sam Peacock will be giving a short talk on how his experiences of travel have shaped his artistic practice, and changed his colour pallette, followed by questions and answers.

To celebrate the release of the two limited edition skateboard desks designed by American painter and musician Mark Flood for Supreme, we talk with the illusive artist through a questionnaire on this collaboration.

Tough, straight - talking abstract painter Sonia Gechtoff is currently being rescued from ill - deserved obscurity, swept up in a wave of fervor for Abstract Expressionism sparked by MoMA's more narrowly selected show (up through Apr. 25).

Video interview: Painter Jesse Ruiz has started a daily vlog, and on Wednesday she stopped by my DUMBO studio to talk about artists and social media.

While preparing for his forthcoming one - person exhibition at Larissa Goldston Gallery, on view from April 2nd to May 9th, the painter Matvey Levenstein stopped by the Rail's Headquarters to talk to Publisher Phong Bui about his life and work.

Right after his last exhibition, Stuart Davis Group, which consisted of five large paintings made between 2006 and 2008, at the Boiler in Williamsburg, Brooklyn (May 28 — June 27, 2010), painter James Hyde stopped by Art International Radio to talk to Rail Publisher Phong Bui about his life and work.

While the painters in the 1960's talk about new painting, others confuse their works with quilts fabricated by the Amish.

6:00 p.m. Keynote Talk by Edouard Duval - Carrié (painter, sculptor, and installation artist) in the Pomona College Studio Art Hall, Lecture Theater

The works of: Joan L. Davidson (President of NYCATA / UFT and painter), Anu Androneth Sieunarine (curator of exhibitions and painter), Margarita Ballester (retired ESL teacher and Photographer), Lisa Kaplan (Middle school Art Teacher and fine artist — drawing), Jackie Cruz (Elementary school art Teacher and photographer), Erin - Marie Elman (Middle School Art teacher and painter), Joseph Zabar (retired art teacher and photographer), Laurence Sachs (ESL teacher and photographer), Albert Justiniano (High School art teacher, curator and painter) and Clare Stokolosa (retired art teacher and painter) were on display at the museum and were also a component of: «The Enigma of Portraits» gallery talk and studio workshop presented by Anu, Lisa and Erin - Marie.

The period saw continued rising prosperity for Britain and British artists: «By the 1780s English painters were among the wealthiest men in the country, their names familiar to newspaper readers, their quarrels and cabals the talk of the town, their subjects known to everyone from the displays in the print - shop windows», according to Gerald Reitlinger.

Next up: a talk this afternoon by painter and national treasure Pat Steir, Russian - born philanthropist...