The Weinstein Co has debuted the official US trailer for Justin Kurzel's Macbeth, the precursor to Fassbender's Assassin's Creed (also directed by Kurzel), and one of the most
talked about films coming out of Cannes this year.
You're going to have to wait a few more days to see Your Highness for yourselves, but you should absolutely make a point of seeing the film this weekend: this is a film that demands to be seen with a big, rowdy crowd (and preferably one that's been drinking a bit), and if my suspicions are correct, a whole bunch of people will be
talking about the film come Monday morning.
Not exact matches
So that's our interest and getting the communication that
comes out of that, whether it's the book or the
films hopefully it's
coming out of a real thing that's actually being lived and not just
talking about some stuff.»
We recently sat down with the band and the
film's director to
talk about what it was like making the
film, how it
came about and what the real message of Hillsong United is.
Donald Miller
came to Story Chicago in 2009 and
talked about this
film in progress.
«You see Anthony do all the things [IMG head coach Kevin] Wright
talked about on
film, from the coverage to
coming up and filling against the run,» Steve Wiltfong wrote.
The year 2015 may have
come and gone but lovers of Nigerian
films will continue to
talk about some of the great...
We
film one episode each day so it's so fun to see so many people
come in and out, meet bakers and guests judges, and
talk about cupcakes.
Instead of watching old
films or picking up a new book, consider this dating advice to improve your relationship and love: Bond with your partner by snuggling up by the fire, cherishing old memories, celebrating how far you've
come, and
talking about where you'd like to be in the future.
That aspect of the
film is clearly in a fight with all the «why did you
come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a
film is to have people
talk about it.
The most unpleasant and disoriented of the three
films, You Were Never Really Here,
comes from Scottish - born filmmaker Lynne Ramsay (Ratcatcher, We Need to
Talk About Kevin), based on the book of the same title by Jonathan Ames.
When
talking about films and ideas we often reference what has
come before as to not repeat it.
I don't
come here for discussion
about «
films,» I'm here to
talk about FLICKS AND MOVIES!
It's a
film of genuine beauty, one where you
come away as eager to
talk about the set design and the choreography as you do the fate of the galaxy or what might happen next.
Secretly, though, he's a heartbroken gay man in free fall, something David still can't
talk about with his dad after
coming out a decade ago — of all of the
film's strands, the bond between fathers and sons is the most complex, deserving of more attention.
Since word
came on Tuesday that Warner Bros. is developing a reboot of The Wachowski's groundbreaking 1999
film The Matrix, it got many people
talking about how The Matrix should never be rebooted, or how now is the perfect time for a reboot of the franchise.
While we're no stranger to the idea of shock deaths in movies and TV series — our favorite characters being killed off gives fans something to
talk about — the sheer scale of what happens at the end of Infinity War, and the Russo brothers decision to leave the ball in Thanos» court, is unprecedented when it
comes to a
film franchise of this scale.
«It wasn't until I saw Greta
talk about the
film and making it and putting it together, and how all of this
came from her and she's done something brilliant that people truly love and it's a great piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.
I remember when this
came out; I was at a restaurant celebrating someone's birthday, and I walked by a table that was
talking about Mike Leigh, I forget what
film exactly.
WATCH: Kristen Stewart
talks about the free - form aspect of making her short
film, «
Come Swim,» which screened at the 2017 Sundance
Film Festival.
The much
talked about mobster
film landed the most massive deal to
come out of Cannes this year.
Much more fun is How to
Talk to Girls at Parties, an endearingly silly and outré
coming - of - age
film from Hedwig and the Angry Inch creator John Cameron Mitchell
about a trio of punk - obsessed teenagers, led by sensitive fanzine editor Enn (newcomer Alex Sharp), who stumble across a colony of cannibalistic pansexual aliens (among them Elle Fanning) in Croydon during the Queen's Jubilee celebrations.
More than that, though, he and Cole have also manufactured the MCU's most explicitly political
film, the pair's story
talking about issues of race, protectionism, humanitarianism, police brutality, political fascism and immigration policy that
comes alive as if it was pulled from today's most recent headlines.
Chris Pirrotta, Cliff Broadway, and Larry D. Curtis, staff members from TORn (the gold standard of fansites and a consistent breaking news source)
talk about the latest on the two
coming Hobbit
films, including mainstream news, spy reports, and rumors.
During their conversation, they
talk about how the
film came about, Daniel Day - Lewis» process and preparing to play a dressmaker, the challenges of
filming in London when you need dailies, how the crew reacts when you cross the line (the invisible 180 - degree mark of a shot / reverse - shot), and much more.
Here, she
talks about new
film, «small time,» a
coming - of - age drama co-starring Christopher Meloni, Devon Bostick and Dean Norris.
This is one of the best performances of 2017, presuming it
comes out this year, in a
film that I think a lot of people will be
talking about.
Brooklyn artist Valleire Trachsler
came on the show to
talk about one of Isabelle Huppert's favorite
films included in the Criterion Collection, Nicolas Roeg's BAD TIMING: A SENSUAL OBSESSION.
Pixar's latest
film Coco hits theaters this week and I sat down with director Lee Unkrich (Toy Story 3), producer Darla K. Anderson and writer / co-director Adrian Molina to
talk about how the story
came about.
When I wrote him a letter
about why he should do this movie, I did
talk about how we've
come a long way from that time and I think [Redford] playing another journalist in this period of time carries extra added baggage for the
film.
He
talked about how the amazing cast
came together (Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena, Jon Bernthal), how Sony got involved, telling a story that takes place over a very long day, why they decided to shoot on
film, getting to use a real Tiger tank, and so much more.
-- The Origins of GOLD (4:37 HD): Director Stephen Gaghan and Writer's John Zinman and Patrick Massett
talk about how they
came up with the idea for the
film.
The documentary is mainly comprised of interviews, many with the director himself in his apartment, but the highlight for most will be the scene of Tarantino and De Palma
talking about the similarities in their careers of having to deal with public attention regarding the violent content in their
films (this
comes after an extended sequence featuring Tarantino explaining his love for De Palma, which includes a personal scrapbook of printed interviews and a description of the influence that Casualties of War had on certain elements in Reservoir Dogs).
Yes, I shall be
talking about this
film for a long time to
come.
And the Kevin James MMA
film we've
talked about a couple of times gets a title, Here
Comes the Boom, and a release date of July 27, 2012.
Many people have been wondering just how the
film came to be, and an extended featurette has made its way online with Moore
talking about the inception of the idea, some of the difficulties he and his extremely small crew had completing the
film, and much more.
Mark Duplass
talks about how to make a successful indie
film and the stress that
comes with making...
Diane Kruger, whose new
film «In the Fade»
comes out Dec. 27,
talked about her worst - ever auditioning experience during an interview with rising «Downsizing» actress Hong Chau for Variety «s «Actors on Actors» series.
«It was really inspired by the group of oddities in the
film, and what they
came to represent and what [director] Michael [Gracey]
talked about them representing,» he explained.
Either a short theatrical trailer or a long TV spot, this look at the
film opens with Brown (Chadwick Boseman, 42)
talking about his parents, and we flash through some moments of success before
coming back around to a heated conversation between mama and her son.
The experimental artist and director
talks about her heartwrenching new
film, the trouble with social media — and
coming to terms with death
For this latest episode of Film Club, A.A. Dowd and Ignatiy Vishnevetsky return to Farmhouse Tavern to
talk about three excellent smaller
films in theaters or
coming soon to them: Richard Linklater's»80s campus comedy Everybody Wants...
For this latest episode of Film Club, A.A. Dowd and Ignatiy Vishnevetsky return to Farmhouse Tavern to
talk about three excellent smaller
films in theaters or
coming soon to them: Richard Linklater's»80s campus comedy Everybody Wants Some, now in theaters everywhere; the smart, moving family drama Louder Than Bombs, which opened in select theaters today and will expand in the
coming weeks; and the forthcoming punk - rock thriller Green Room, which begins its theatrical release next week.
There's been
come talk this summer
about how the blockbusters have let us down, and
films like Café Society are a break from VFX -LSB-...]
Rosalie produced Faces Places as well, and Varda credited her for
coming up with the idea for the
film and introducing her to collaborator JR. «We're good partners in crime,» says Rosalie, who had the idea for Let's
Talk About Cinema even before Faces Places.
Welcome to the 2017 Awards Profile series, where we
talk about high - and low - profile
films coming to a theater near you at some point...
When I first sat down with RBSS, we
talked about the ramifications of making the
film, and obviously the ramifications after the
film comes out.
Sure enough, Get Out is the best
film of 2017, the best horror
film in a long time and a
film people will be
talking about for years to
come.
Welcome to the 2017 Awards Profile series, where we
talk about high - and low - profile
films coming to a theater near you at some point this year.
Coming back to the
film a solid five years since I last watched it, Citizen Kane remains as hard to
talk about as ever, due largely to its symbiotic relationship with its own making and its reception forever complicating and deepening the psychological and philosophical valleys that exist within the proper narrative.