But we're also sure organizers would bend the rules if it meant getting one of the year's most
talked about films on the red carpet.
In fact, it is probably one of the more
talked about films on my blog (if not, especially after today: there will be another Les Mis article at 8 tonight).
Actor Jack Reynor, who plays the titular Richard, joined director Lenny Abrahamson to
talk about the film on the red carpet.
He also
talked about filming on a «cold North Durham beach» with a cast and crew of two people, saying: «The actor's freezing his a *** off - err, sorry your Highness.»
Not exact matches
I don't always
talk to my pastor
about movies I plan
on watching, mostly because being a
film critic prevents me from having much choice in the first place to a degree.
Because he rarely
talks about himself
on the air, his listeners probably don't know that he is an inventor (he holds a U.S. patent
on a bottle / can opener); an actor (
films he or his voice were in: One Flew Over the Cuckoo's Nest, Paper Lion, Aunt Mary and Tiger Town); and a lyricist (I Don't Know Any Better by B.J. Thomas, for one).
«You see Anthony do all the things [IMG head coach Kevin] Wright
talked about on film, from the coverage to coming up and filling against the run,» Steve Wiltfong wrote.
On this week's episode, SB Nation's John Sheeran joined us to
talk about some of the things he's noted in extensive
film study — both with current Bengals players and rookies they could be targeting.
listen to «Podcast EXTRA — Classico - Zilla - Frog»
on Audioboo Sam Limbert, still in the difficult post-Chelsea state, is joined by James Bale to
talk about El Classico, and
films.
Jamie and I were
talking about this — the requests to Jamie
on this matter happened somewhere near the end of
filming, like episode 4 (as LAUSD was banning him from the West Adams campus).
Coastal Ecologist, and Mass Audubon's Salt Marsh Science Project co-founder, Dr. Robert Buchsbaum
talks about about birds and vegetation
on salt marshes in this 6.32 minute video
filmed by Rick Hydren, as part of his «Danger in the Reeds» video series.
On this week's edition of Press Pass, WBFO's Pat Feldballe and Buffalo Niagara
Film Commissioner Tim Clark
talk about the increasing interest
film producers are showing in Western New York and how the number of scouting requests from out - of - town filmmakers continues to go up.
And he extols the county's «growing
film & television industry,»
talks about reconstruction underway
on the Nassau Veterans Memorial Coliseum and points to a drop in crime.
On this week's edition of WBFO's Press Pass, Pat Feldballe
talks to Buffalo Niagara
Film Commissioner Tim Clark
about the vibrance of the homegrown, Buffalo - based
film scene.
Such a strong reaction persuaded Pixar to avoid making uncannily realistic human characters — it has since focused its efforts
on films about living toys, curious robots and
talking cars to win Academy Awards and moviegoers» hearts.
In this
film Gosia Trynka
talks about her research looking at the effect of genetic changes
on the immune system.
And why do are so many people
talking down
on the movie and saying a bunch of controversial, non-sensible feedback
about the
film?
I wore this outfit a few days ago, hanging out with my partner in crime, and we then
talked about how this outfit reminded us of the look Carrie wears in the first
film on new years eve.
I didn't wait for him to contact me — in fact five minutes after we left each other
on the Tube, I texted him with details of the musicals,
films and TV shows we'd been
talking about that he'd never heard of before.
As McAvoy's character escapes and is
talking to himself in a mirror
about his supernatural abilities, the
film cuts to a small diner with the news being broadcast
on the TV.
About Blog Constantly updated with the latest movie reviews «Let's talk about movies» will help you choose which films to watch at the movies or on a DVD n
About Blog Constantly updated with the latest movie reviews «Let's
talk about movies» will help you choose which films to watch at the movies or on a DVD n
about movies» will help you choose which
films to watch at the movies or
on a DVD night.
Talk about your favorite
film, play, vacation spot, book, or what you enjoy doing
on the weekends.
Read my latest article
on The Huffington Post where I
talk about the
film, It's Complicated, as well as the trend to reach out to an ex at the holidays to either rekindle a spark or sometimes just for a one - night - stand.
Kate Winslet has made the shock confession that she never actually fancied her Titanic co-star Leonardo DiCaprio, as the
film approaches its 20th anniversary Kate Winslet
talks about relationship with Leonardo DiCaprio - and shares her views
on working Hollywood mums
They quote from a newspaper interview in 1959 with Rod Serling in which he
talks about walking
on «St. Louis Street,» built for the 1944
film Meet Me In St. Louis.
The 3:47 «Meet Katie» focuses
on the story of the furry little yak who just steals her scenes in the
film, as the creators
talk about the development of the character from a background drawing to full - fledged cult hero.
Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher
talk about the look of the
film itself, the color processes used
on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.
Well the
film was wide release, so it makes sense there wasn't an entirety of focus
on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after
talking about Wikus in the past tense, it could focus
on him for a bit then move
on, but it stuck with him, and the
film changed gears, I just thought it would have been better to focus
on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?
Too many critics
talk about the cinematography of the
film, who cares
about the skylines, odd view points, etc let us just focus
on the story and the message of the movie.
The most unpleasant and disoriented of the three
films, You Were Never Really Here, comes from Scottish - born filmmaker Lynne Ramsay (Ratcatcher, We Need to
Talk About Kevin), based
on the book of the same title by Jonathan Ames.
Zemeckis
talks about how he approached the
film as a regular live - action movie, with a particular emphasis
on a non-stationary camera, thereby complicating the efforts of the animators.
If what you want is to hear people
talk about Petit (including Petit), you might as well buy a copy of the memoir upon which the «The Walk» is based, or watch James Marsh's great 2008 nonfiction
film «Man
on Wire,» which includes so many re-enactments that it's half a drama, anyway.
Perhaps a life and career as impressive as Nichols» needs to be segmented to be appreciated, but I'd be interested if O'Brien and others who clearly know and adore Nichols followed through
on this
film's set - up and
talked about what happened to stage and screen after «Becoming Mike Nichols.»
If you don't know what I'm
talking about, the censorship occurs
on only a few frames of
film.
Pollack
talks about why he used fullscreen format
on many of his past
films, why widescreen is better, etc..
As well as
talking about her experiences and thoughts
on the
film she discusses the memoirs she has written
on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the
film was in pre-production, which was based
on In the Sewers of Lvov by Robert Marshall).
Talk about redemption: After dazzling us with his debut, You Can Count
on Me (2000), writer - director Kenneth Lonergan got into studio trouble with Margaret — a neutered
film that triggered a massive Twitter campaign (#teammargaret).
Except to say that whoever thought it was appropriate to have these beloved characters shooting at each other and
talking about killing each other (
on top of Mater's disastrous cultural insensitivity) should never work
on a children's animated
film again.
They
talk about whether this could become a tour, using
film to give people the experience of being
on the stage, and the ambiguous ending.
Noah
talks about what these
films meant to him, and reveals the very specific influence Hopper had
on his own career.
Andrew
talks about his most beloved Friedkin
films, and the massive influence they had
on him.
Jack and Rob will both be
on hand to
talk about the
film and discuss Black's turn as the legendary author himself, R.L. Stine.
Since word came
on Tuesday that Warner Bros. is developing a reboot of The Wachowski's groundbreaking 1999
film The Matrix, it got many people
talking about how The Matrix should never be rebooted, or how now is the perfect time for a reboot of the franchise.
After Kubrick had once
talked to his close friend Spielberg
about producing the
film, he later attempted to pass the
film on to Spielberg in 1995, thinking maybe the subject matter would better fit his style and tone.
During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick
talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie
on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the
film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.
At the
film's press day, actor Paul Giamatti, who's also an executive producer
on the movie,
talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a
film like Sideways would even get made today.
Birdman «Times Square Lockout» I could have chosen the final scene or Edward Norton getting a hard
on in front of a live audience or really any scene from Alejandro Gonzalez Inarritu's visionary
film, but this is the scene everybody keeps
talking about.
Witherspoon noted, that now there's
talk about «seeing a more dynamic woman
on film» and explained «I think this is just the beginning, and we hope to continue that and even make it more diverse and make it more inclusive, make it more look like the world really looks.
The interview
on the disc with De Palma and Noah Baumbach is a must - see too; great to hear him
talk about Hitchcock, Antonioni, and Coppola and their influence
on this
film.
I managed to catch him
on his day off to
talk about the
film.