Sentences with phrase «talking about a film here»

After all, we're only talking about a film here, but from a character motivation stance, no one is affected that deeply by the experience, and therefore, a lot of drama that could have been there wasn't.

Not exact matches

We are not talking here about meaningful banality, but about the linguisticality of the world, a world overwritten with letters, refrains, myths, parables, poems, dramas, films, stories» the «linguistic event» that connects us with Being.

i prefer not to talk about myself but here goes... i am 175 cm with blond hair and ive studied architecture.i like taking long walks because i like natures surroundings, i adore animals, going to the beach (summer of course hanging out with friends watching films and reading books about philosophy and phsycology.

That aspect of the film is clearly in a fight with all the «why did you come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a film is to have people talk about it.

The most unpleasant and disoriented of the three films, You Were Never Really Here, comes from Scottish - born filmmaker Lynne Ramsay (Ratcatcher, We Need to Talk About Kevin), based on the book of the same title by Jonathan Ames.

You Were Never Really Here This grim, artful New York crime thriller about a tormented thug - for - hire (a rivetingly contained Joaquin Phoenix) confirms writer - director Lynne Ramsay («We Need to Talk About Kevin») as one of the most exciting and exacting film stylists of her generaabout a tormented thug - for - hire (a rivetingly contained Joaquin Phoenix) confirms writer - director Lynne Ramsay («We Need to Talk About Kevin») as one of the most exciting and exacting film stylists of her generaAbout Kevin») as one of the most exciting and exacting film stylists of her generation.

But here, we are talking about films and nor about globaliphobia, so the film is just a piece of crap.

I don't come here for discussion about «films,» I'm here to talk about FLICKS AND MOVIES!

They're here for a good time, but also hopefully a long time: We talk with brothers Josh Safdie (co - writer / co-director) and Benny Safdie (co - director / actor) about their film Good Time, starring...

For this follow - up, recorded at the 2012 Toronto Film Festival where I saw the film for a second time (reviewed here), I decided to go all out and talk in - depth about the movie, with spoilers and everything.

It feels like only yesterday that we were talking about the best films of 2011, and yet here we are, nearly at the end of June, and we've seen pretty much everything that the first half of the year has to offer.

Here's what the pair had to say when they recently sat down for to talk about the film:

No one really wants to spend any more time than we have to talking about films that suck; so to continue my tradition (s); here are the five worst films of 2017 in five words or less.

After only four films — Ratcatcher, Morven Callar, We Need to Talk About Kevin and You Were Never Really Here it's now apparent that Scottish director Lynne Ramsay has managed to forge her own particular style.

The You Were Never Really Here director talks about her departure from the film Jane Got a Gun, and being labelled «difficult».

After a six year break from features, director Lynne Ramsay (We Need to Talk About Kevin) is back with You Were Never Really Here, a film that looks to be a cross between Taken and Taxi Driver.

Here, he talks about his latest film, THE ADDRESS, a current - day documentary chronicling the herculean effort by students at a school

In my own mind, it is tangentially related as to how we talk about film around here.

Here's a brand new international movie trailer for the upcoming film «Priest» by director Scott Stewart (What We Talk About When We Talk About Love, Legion) and starring Cam Gigandet (Pandorum, Twilight, The Unborn), Karl Urban, Maggie Q, Lily Collins, Brad Dourif, Stephen Moyer, Christopher Plummer and Paul Bettany (Iron Man 2, Inkheart).

Here, she talks about new film, «small time,» a coming - of - age drama co-starring Christopher Meloni, Devon Bostick and Dean Norris.

It's been quite a ride for the cast, and here they talk about filming up in Calgary, watching Jacob fighting storms, playing with goats and riding a horse.

Here, she talks about her latest film, A Thousand Words, a comedy co-starring Eddie Murphy.

If you want to know a little more about the films of Claire Denis, check out our Cheat Sheet here, and then download the latest episode of Hell Is For Hyphenates, featuring Lynn Shelton talking the films of Claire Denis.

And the Kevin James MMA film we've talked about a couple of times gets a title, Here Comes the Boom, and a release date of July 27, 2012.

The festival here provides the (mandatory) service of bringing the most talked about international titles on the festival circuit (mostly from Cannes) to the local audience, often as domestic premieres, as is the standard of mid-sized European film festivals.

Here, she talks about A Question of Faith, her highly - anticipated Christian film co-starring stars Richard T. Jones, Kim Fields, T.C. Stallings, C. Thomas Howell, Jaci Velasquez, Gregory Alan Williams and Renee O'Connor.

Here's a potential partnership to get excited about; Variety is reporting Jennifer Lawrence is in talks to star in Darren Aronofsky's next film...

There's something distinctly off - putting about Lynne Ramsay's two American films, 2011's We Need to Talk About Kevin and her most recent effort, You Were Never Really about Lynne Ramsay's two American films, 2011's We Need to Talk About Kevin and her most recent effort, You Were Never Really About Kevin and her most recent effort, You Were Never Really Here.

While there is no formal text review of the film around here, Andrew, Matt & Myself talk about some of this in our latest Row Three Cinecast

Carroll, a unique figure notable for his exemplary rigour in discussions of the avant - garde and film criticism, talks freely here about his work and past.

But what happens in this film (which I won't detail here, but you'll know what I'm talking about when you see it) just doesn't sit well.

And here it is... Flicks on 6 Movie Reviews Film critic Jeff Bayer has two wide releases and one good smaller film to talk about this week.

Anyone who writes film criticism (at least the «serious» kind), or reads it on a semi-regular basis, probably knows exactly what I'm talking about here.

Meanwhile, Daisy Ridley and John Boyega talked about how their characters interact with each other and shared their thoughts on favourite characters and moments from previous films, which you can read here...

In «Home Movies», Howard talks about three short 8 mm westerns he made as a teenager, and those three films («The Deed of Daring Do», «Cards, Cads, Guns, Gore, and Death», and «Old Paint») are included here.

With the anticipated release of director John Carney's (Begin Again, Once) new film Sing Street finally upon us this weekend [read our review here], Flickering Myth's Scott J. Davis sat down with the director and his young cast this week to talk about the film and everything 80's.

I love listening to Tommy Wiseau talk about the film and there is a nice interview included here, which is highly recommended.

Not one person hasn't been talking about Before Midnight here at Sundance, and it's the favorite film for many attendees, including myself.

Here, he talks about his career, the passing of fellow King of Comedy Bernie Mac, and about Still Trippin», a DVD of his latest stand - up act which was recently filmed in front of a live audience in Newark, New Jersey.

Here, he talks about his short film, American, a historical drama about the above - mentioned roundup and relocation of over 100,000 Japanese - American citizens during World War II.

Returning to the A.V. Club office after almost two weeks in the trenches of Cannes, film editor A.A. Dowd sits down with staff writer Ignatiy Vishnevetsky to talk about the best (and, as luck would have it, last) film he saw at the world's most important film festival: You Were Never Really Here, a nightmarish noir...

• Always eager for a «look, we said something about it first» story, Steve Weintraub calls an exclusive (seriously, we need to define this term already) on a story Eric Roth has been talking about here and there for a while now... his desire to pen a space film, among other scripts the writer is working on, all reported elsewhere long ago.

Director Whit Stillman and I talking about the film, here.

This sucks any spontaneity out of the commentary, but there is some good information here, as the actors talk about their experiences making the film, while the producers speak more of the logistics of the project.

Any movie like this made for the most part since the 1980s would talk the talk about showing the changes, but not show it, show it badly and / or be more sexually oppressed than not, but Russell has zero trouble from this first film he had control over himself dealing with all kinds of human sexuality, yet that freedom is incidental to character study, capturing the story and bringing it to life as he does so well here.

But there's a major disadvantage here as well, as Xiao Hong herself remains something of a cipher for much too long in her own film, being talked about by others but not being allowed to simply be experienced without any direct filter, so the audience can make up its own mind about her.

«We chose Robert Altman as our inaugural director, who really crystallizes and illustrates what we're all about here: talking about film history, about filmmakers who were independent and sort of pushed the medium further, and Altman is emblematic of all that stuff that we love.

Here, Billie Jean King talks with Emma Stone, who plays her in the film, and Andrea Riseborough, who stars as Marilyn, about turning life into art, teaching girls to be ambitious, and why the issues of 1973 are just as vital and resonant today.

Even more hypnotic in terms of sheer craft is the Amazon Studios release «You Were Never Really Here,» the latest declaratively titled film from the Scottish director Lynne Ramsay («We Need to Talk About Kevin»).

I didn't know what to expect from this talk, as Linklater seems cold towards Black in the making - of featurette, but they come across as buddy - buddy here and talk at length about the making of the film.