Sentences with phrase «talking about a film like»

Not that it's saying much when we're talking about films like Bold Eagles, Mummy I'm a Zombie, and Justin and the Knights of Valor.

Not exact matches

If you had told me, your job is going to be just filming yourself talking about stuff, I would have been like, that's crazy.

EASTWOOD: Well that was an interesting project because Steven had asked me to do Flags of Our Fathers and so I was having a meeting with him and we were talking about that war and that battle and I was going off into Iceland to film the beaches because Iceland has black sand much like Iwo Jima does.

Editor's Note: Academy Award winning actress Mira Sorvino sat down with CNN's Belief Blog to talk about her new film Like Dandelion Dust.

We recently sat down with the band and the film's director to talk about what it was like making the film, how it came about and what the real message of Hillsong United is.

When he was called to talk about his film, he was in the process of moving furniture out of his house, which he sold to help finance the filming of «Blue Like Jazz.»

It's not like Star Wars films are known for always having huge cliffhangers, but it was fun to talk about the possibilities after The Force Awakens.

Jamie and I were talking about this — the requests to Jamie on this matter happened somewhere near the end of filming, like episode 4 (as LAUSD was banning him from the West Adams campus).

Flint compared herself to the hugely outnumbered band of Spartans in the film 300 when talking about the onslaught from Ukip - turned - Tory voters that she and others like Gloria de Piero and even Dennis Skinner faced.

And it does show film clips of prominent scientists, like Richard Dawkins, for example, who happen ed [s] to be atheist, and it quotes them sometimes talking about their atheism and how that atheism happens to accord with the evolutionary science that they understand.

i prefer not to talk about myself but here goes... i am 175 cm with blond hair and ive studied architecture.i like taking long walks because i like natures surroundings, i adore animals, going to the beach (summer of course hanging out with friends watching films and reading books about philosophy and phsycology.

Successful dating is about finding common ground and establishing a connection, so start by finding a film you've both seen or a book you've both read and talking about why you liked it or loathed it.

Instead of watching old films or picking up a new book, consider this dating advice to improve your relationship and love: Bond with your partner by snuggling up by the fire, cherishing old memories, celebrating how far you've come, and talking about where you'd like to be in the future.

I do find it hilarious how almost no one really talking about the actual film (they are, but it just do not feel like it).

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Although some of you may think I'm talking about the portrayal of the beauty consultants (like the one portrayed by Doherty), having been around them, I can tell you that is one thing in this film that is, sadly, realistic.

I'm just so annoyed with both Scott and Crowe for talking shit about the original script's premise for a film told from the Sheriff of Nottingham's perspective, and how this wouldn't work because it played like a medieval police procedural.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

Witherspoon noted, that now there's talk about «seeing a more dynamic woman on film» and explained «I think this is just the beginning, and we hope to continue that and even make it more diverse and make it more inclusive, make it more look like the world really looks.

It feels like only yesterday that we were talking about the best films of 2011, and yet here we are, nearly at the end of June, and we've seen pretty much everything that the first half of the year has to offer.

For someone who performs so many roles on this film [writer, director, producer, composer, editor, production designer, art director, costume designer, etc.], it seems like the screenwriting aspect gets talked about the least.

During B - D reporter Chris Eggertsen's recent discussion with director Brad Anderson about his latest film Vanishing on 7th Street (currently playing on VOD before it begins a limited theatrical run February 18th), the Session 9 helmer talked about the next project he'd like to get off the ground, serial killer flick Jack.

Its director, Tom McGrath, talked to Flickering Myth's Freda Cooper about why he wanted to make the film — and why the «micro manager» doesn't intentionally look like the current occupant of The White House.

Before Andrew caught his flight home, we had the chance to collaborate on a salon - like interview, where different personalities talked about film alongside Andrew's anecdotes.

Man in the Dark — Stephen Lang, who is absolutely brilliant in the film, talks a little bit about his character and how he thinks of the Blind Man almost like an urban legend.

And I don't like having to say «The Thing 2011» whenever I talk about this film.

Signs, like M. Night Shyamalan's previous two films The Sixth Sense and Unbreakable, is virtually impossible to talk about without spoiling something, with the film undoubtedly faring best among viewers with little foreknowledge of the plot (which follows Mel Gibson's former preacher as he investigates the emergence of a huge pattern in his crops).

Bay's focus has always been first and foremost about the human character - shaped stereotypes the likes of which populate all of his other films, from the wisecracking, fast - talking protagonist to the various grumbling, dorky comic - relief characters to the inevitable no - nonsense Special Forces guys.

FILM COMMENT caught up with the English - born, Iranian - American writer - director to talk about her movie, which opens New Directors / New Films tonight at MoMA, and why filmmaking is like dancing naked.

We talked about what it was like to walk on the yellow brick road for the first time, her reaction to the finished film, 3D, doing so much press, and does she get to visit Disneyland for free after being in a huge Disney movie.

Helen Hunt talks to Jason Solomons about directing her first film, Then She Found Me, and what it's like to have Bette Midler playing your mother

Roger praised Kore - eda's film often in context of Ozu, like when he talks about the similar beauty to its simple camera work: «the camera does not move, but regards.»

Jake Howell caught up with Matt Johnson to talk about his life and momentum post-The Dirties, his new project Operation Avalanche, and what it was like to receive the love of Toronto film critics.

There's been a lot of talk about comic book movie fatigue these days, but the people at Marvel Studios clearly aren't letting that affect their productivity, because just like fellow Disney - owned company Pixar, they've continued to deliver the same high - quality films as when they started.

A few weeks ago, we got a chance to talk about the film, NASA and a couple extra tidbits like... will George become a father soon... [Read more...]

«I want to take a moment to talk about the international artists like these award winners, they are such an important part of our community,» Putnam added after announcing the Institute's Global Filmmakers awards winners, that included Iran's Massoud Bakhshi and her Yalda film.

When we did manage to stay on topic, they talked about the great cast, their memories of National Lampoon, how Emmy Rossum got cast at the last minute, Mr. Robot, memorable moments from filming, what it was like for McHale to play Chevy Chase after working with him on Community, the way they like to work on set, and so much more.

It's one of those films, like «The Babadook,» that will transcend horror fans and become one of the most talked - about films of 2016 in any genre.

You were talking about how you don't like when filmmakers put themselves on screen, but this is clearly such a personal film in every way.

During our wide - ranging interview they talked about how the new season compares to the first, what the atmosphere was like on set, how much they knew about the arc of season 2 when filming began, what it's like to work with a new director almost every episode, and much more.

In addition, Grant talked about why he wanted to play the villain and how he's never happy on a film set and likes to spread his misery around.

Especially with our audience who like to talk about the documentaries, animated and foreign films.

Also, good friend of the show Christopher Jason Bell sits down for a snack - «n» - chat with Bernard to talk about what it's like to be an independent filmmaker presenting a movie at a film festival and conducting a Q&A with a (sometimes tiny) audience.

Faithful to the original: Like any fanatic worth his salt, director Rob Zombie idolizes John Carpenter's 1978 original — we're talking about the defining work of the slasher - film genre, after all.

Although there are several major contenders — from the likes of Quentin Tarantino, David O. Russell and Alejandro González Iñárritu — scheduled for release at the end of the month, the highly anticipated seventh installment in the «Star Wars» film series is what everyone will be talking about during the holidays.

Naturally, Gerwig would have preferred to film all of Lady Bird in Sacramento — just like she and Levy, also the cinematographer for this movie, talked about doing back in the day — but proved her budget savvy by shooting, for instance, the interior of the McPherson home in L.A.'s San Fernando Valley.

And that's the way it was for a number of decades, and then about three years ago, I was having dinner with this Polish director who had done the film «Ida» about a Polish nun, and it was a film in the spiritual style, and we got to talking about how much I like the film and how much he liked my book.

The Primary Instinct (2015) Something about this film feels like a TED talk about stories Pawn Sacrifice (2015) I love chess, it isn't cinematic to say the least Joy (2015) watching Jennifer Lawrence take hold of the world is fun, kind of.

We talked about what it was like to get the offer to direct Star Wars, how he arrived at some of the themes of the film, and how he's dealing with the polarized reaction from fans.