Again, is this movie actually
talking about cinema?
I think that it is essential that there is a sense of energy around the festival, and creating spaces for people to
talk about cinema — whether that's the Hub, which has such a broad range of activities that allow people to express their passion for cinema outside the cinema.
Sisters Kate and Laura Mulleavy, who design together as the fashion label Rodarte, have long
talked about cinema as one of their key influences, from hosting a screening of Dario Argento's stylish horror gem «Suspiria» to featuring iconography from «Star Wars» in one of their collections.
We like to get together and
talk about cinema.
Not exact matches
Talking about bringing these people to SilverBird
Cinemas means is what i mean by monkeys will be displayed at Black Monkey premiere».
Have a think
about what might be interesting for your date and try to ensure that the venue allows you ample opportunity to test your connection and chemistry; a night at the
cinema might appeal to you as a cosy option, but would mean less time to
talk and get to know one another.
Like the
cinema, a cultured date gives you something to
talk about and connect over, but unlike a
cinema, you can discuss while you're there!
Jon tells us
about his favourite, off - the - beaten - track
cinemas and
talks about the importance of matching your date venue with your personality (and you don't even have to watch a rom - com either, unless you want to)!
While the weather outside might be frightful, the
cinema always makes for a cosy date, plus you know there will be lots to
talk about over a drink afterwards.
Am omaren janedy cute and sexy good looking and God fearing person likes hanging out with friends doing
cinema thing i mostly like doing the
talks and curious
about other people feelings
about me, fair with a blonde hair, tall
about 5 + fitam so carring for the fact that people arround me gives compli...
Would Ang Lee's name not coming up when
talking about Hong Kong
cinema have something to do with his being from Taiwan and not Hong Kong?
You wan na
talk about new types of
cinema, Harry.
The famed film scholar
talks about four writers who redefined film criticism (and
cinema): Otis Ferguson, James Agee, Manny Farber, and Parker Tyler
Eloise braved the heat to
talk some film with us for an hour, and for the sake of audio quality we had to turn off the air conditioner and the fan and swelter as we tried to be erudite
about all aspects of
cinema.
I said you'll never catch me skating on that thin ice,» Schrader said,
talking about spiritual
cinema.
Anthony Stokes with a response to Alejandro Gonzalez Inarritu and directors who might be jealous of comic book movies... We're in the age of
cinema that focuses on comic book movies and as such everybody is
talking about them, even big powerhouse directors.
«We Need to
Talk About Kevin» is one of the most beautifully bleak psychological fake - outs the
cinema's given us in years, as Lynne Ramsay («Ratcatcher,» «Morvern Callar «-RRB- directs an adaptation of Lionel Shriver «s 2003 novel.
Clothes on Film
talk exclusively to simulation supervisor for Brave, Claudia Chung,
about this process and whether or not costume truly has a viable, practical function outside of live action
cinema:
Lucy Mazdon on Henri - Georges Clouzot, the French
cinema expert and academic
talks at length
about the films of Clouzot and the troubled production of Inferno
This year, Hirschberg asked the selected coterie to
talk about their favorite
cinema sex scenes.
I was
talking about corruption in British
cinema distribution.
Disturbingly, Bertolucci, a poet raised on the
cinema in Langlois's Cinematheque, a «true artist» now refusing interviews to anyone not associated with a «major daily,» has crafted a film that
talks about growing out of movie love as something inevitable and to be accepted with resignation.
Sham Kaushal, one of the most sought - after action directors in Bollywood,
talks about his struggle, and painting
cinema with action
While at the Toronto International Film Festival for the North American premiere of Happy End, which opens this week in New York, Haneke sat down with me to
talk about his early experiences falling in love with
cinema and the films that have shaped his singular aesthetic.
In this presentation he'll
talk about «what's next for him», as well as the influence of
cinema on his work, according to the schedule on the official Tribeca website.
Extras: «Lucy Mazdon on Henri - Georges Clouzot»: The French
cinema expert and academic
talks at length
about the films of Clouzot and the troubled production of «Inferno»; «They Saw Inferno,» a featurette including unseen material, providing further insight into the production of «Inferno»; filmed introduction by Serge Bromberg; interview with Serge Bromberg; stills gallery; original trailer; reversible sleeve featuring original and newly commissioned artwork by Twins of Evil; First Pressing Only: Illustrated collector's booklet featuring new writing on the film by Ginette Vincendeau.
It is a cornucopia, a smörgåsbord, a veritable potpourri of
cinema, as the Cinecast regulars get together with nothing on the agenda other than to
talk about what they have watched, in the
cinema, on the DVD and streamed from the internet or (in an exciting technology development, from the Computer Hard Drive.)
With «Iron Man» in
cinemas this week, CBR brings you more chats with the talent behind the film including the glamorous Gwyneth Paltrow, who
talks about quality entertainment and the softer side of Tony Stark.
The champion of our Best of the Nineties Poll
talks about his poetic conception of
cinema and gives us an exclusive glimpse of his landscape photographs.
Sheeni is pretty and worldly,
talking with Nick
about music and
cinema in ways he never imagined with someone his age (She corrects him on the director of Tokyo Story, unlike a classmate who jokes
about tampons coming with a copy of La Strada).
The actor who plays Begbie
talks about playing one of British
cinema's most monstrous — but weirdly lovable — creations
While genre films are often dismissed when people are
talking about classic
cinema, there is absolutely no denying the seismic impact his movies have had and continue to have in the world of film, TV, comics, video games and literature.
Prequel Insidious: Chapter 3 hits
cinemas on Friday June 5, and we sent our man Anton Bitel to
talk about the film with writer / director Leigh Whannell, co-creator (with James Wan) of the Saw films.
Certainly, we are
talking about the most astonishing project of a German genius named Fritz Lang, who definitely had the guts of experimenting with something different in order to create
cinema.
No, it's not the latest «'' Hunger Games» movie or the sequel to «Thor,» but rather a showcase of philosopher and cultural critic Slavoj Zizek
talking at length
about cinema for over two hours.
The master of thrillers is back» ¦ For those who are thinking of Michael Jackson, I understand, but for those who are
cinema aficionados, you know I'm
talking about David Fincher.
At the film's recent press day, McKay, Lewis, Bale, Carell, Gosling, Hamish Linklater, Jeremy Strong, producer Jeremy Kleiner, and screenwriter Charles Randolph
talked about turning the book into a movie and adapting it to the screen, why McKay was the right person to direct, what drew them to the project, how the actors met their real - life counterparts in preparation for their roles, the decision to combine a
cinema verite documentary approach with other stylized elements, breaking the fourth wall, and using celebrities and pop culture figures as an entertaining storytelling device to explain complex financial concepts to the audience.
At the Glasgow Film Festival, I
talked to McArdle
about making the leap from music video directing to narrative feature filmmaking, creating the aesthetic of dreams vs. reality, the influence of horror
cinema on her film, and depicting female friendship on screen.
With «The Hunger Games» hitting
cinemas lots have people have been
talking about the origins of the idea for a teen death match with many citing the influences of a cult Japanese film «Battle Royale».
Riggan Thomson (Michael Keaton), a man who once delighted
cinema audiences with his crime fighting escapades as the iconic feathered superhero; Birdman, now tries to reboot his failing career by directing and staring in the ambitious Broadway play; «What We
Talk About When We
Talk About Love».
The director, who just finished his movie Kong: Skull Island, spoke with website We Got This Covered and
talked a bit
about the challenges of translating the series to
cinema, and what the series means to him.
People are starting to
talk about superhero films ruining
cinema; whether you believe that or not, it's definitely something to discuss.
When people
talk about the «best years of
cinema», they're
talking about the quality of major releases and other films released wide commercially in a single year, like 1999, 1994, 1977, and 1939.
Host Eric Hynes
talks to Palme d'Or — winning filmmaker Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives)
about the Thai jungle, time and duration, and the transformative qualities of life and
cinema.
People love to
talk about the nebulous concept of capturing some long lost childlike sense of wonder though the magic of
cinema — «Doctor Strange» is one of the only movies I've watched as an adult that really accomplishes that.
At Sydney Film Festival, Lidiya Josifova caught up with Teona Strugar Mitevska to
talk about the socio - political and economic issues plaguing Macedonia, achieving emotional authenticity in her work, and the avenues for the distribution of Macedonian
cinema.
Insightful Screen
Talks were given by celebrated directors, actors and industry professionals: Annette Bening, Guillermo Del Toro, Jake Gyllenhaal, Lucrecia Martel and Takashi Miike, offering festival audiences the opportunity to learn more
about these leaders of contemporary
cinema.
When we
talk about «style» in
cinema, it's likely in relation to the work of a film director.
This could be a case study for when we
talk about how there's nothing on at the
cinema, it's all the same kind of middle - brow costume drama or whatever.
We're
talking about a century of
cinema, but it's still rock & roll to me.