Sentences with phrase «talking about films as»

We didn't grow up in an area where a lot of the guys talked about films as incessantly as we did, so we sort of found a commonality with each other.»

Ellis hits the nail on the head when he talks about the film as a «sequence of connections.»

Not exact matches

She and her now - fiancé had talked about her wishes for a rock that wasn't mined by exploited workers or used to fund endless internecine conflicts, as highlighted in the 2006 film starring Leo DiCaprio, Blood Diamond.

Furthermore, they can easily parody the whole position so that (as one critic, a friend of mine who is not unsympathetic to the wider process conceptuality, has phrased it) talk about divine memory may be taken as nothing more than indicating God's continually re-playing some old film or continually listening to some old soundtrack.

However, after «scheduling conflicts» forced Smith's departure, Jamie Foxx ended up as the star of one of the year's most talked about films.

Many in Hollywood say they see the spiritual - memoir - turned - movie as the next hot genre, suggesting there are ongoing talks about turning Lauren Winner's «Girl Meets God» into a romantic comedy, Ian Cron's «Jesus, My Father, the CIA, and Me» into an action flick, Anne Lamott's «Traveling Mercies» into an indie road trip film, Kathleen Norris» «The Cloister Walk» into something really creepy involving monks.»

It could be easy to write off Coco as a film meant mostly for kids, but this is Pixar we're talking about.

And that evolution continues as even the McMahons themselves begin to talk about wrestling the same way that the film and television industry is discussed.

Jamie and I were talking about this — the requests to Jamie on this matter happened somewhere near the end of filming, like episode 4 (as LAUSD was banning him from the West Adams campus).

Coastal Ecologist, and Mass Audubon's Salt Marsh Science Project co-founder, Dr. Robert Buchsbaum talks about about birds and vegetation on salt marshes in this 6.32 minute video filmed by Rick Hydren, as part of his «Danger in the Reeds» video series.

In this model, in other words, the arrangement of points would be fractal (a term also tossed out as an answer to the shape - of - the - world question), meaning that the distribution is the same whether you're talking about the macro level (the top online publishers) or the micro level (the handful of blogs and Twitter feeds about some obscure film genre).

As the film of her other half talking about «compassion» and «decency» did the rounds, actress Amanda Abbington tweeted:

If you're interested in the most talked about talent from the worlds of fashion, film and music we predict you'll be following all the ELLE Style Awards action as it happens via elleuk.com/elle-style-awards.

(I had forgotten all about it as it was filmed way back in August) It's a video from JD Williams of me introducing myself and talking about shoes and stuff!

As McAvoy's character escapes and is talking to himself in a mirror about his supernatural abilities, the film cuts to a small diner with the news being broadcast on the TV.

Read my latest article on The Huffington Post where I talk about the film, It's Complicated, as well as the trend to reach out to an ex at the holidays to either rekindle a spark or sometimes just for a one - night - stand.

Kate Winslet has made the shock confession that she never actually fancied her Titanic co-star Leonardo DiCaprio, as the film approaches its 20th anniversary Kate Winslet talks about relationship with Leonardo DiCaprio - and shares her views on working Hollywood mums

As interesting it is to see Peter Jackson talk about the film, it's just as interesting (and somewhat disturbing) to look at Harry Knowes über - geeky reactionAs interesting it is to see Peter Jackson talk about the film, it's just as interesting (and somewhat disturbing) to look at Harry Knowes über - geeky reactionas interesting (and somewhat disturbing) to look at Harry Knowes über - geeky reactions.

The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.

When you hear «pre-code women's prison film» you may have an impression based other films, such as «Ladies They Talk About» (1933), but this one is refreshing in its portrayal of the inmates.

The film was once talked about as the beginning of a possible trilogy, and the finished product feels desperate to start a franchise instead of doing the thing that would actually make such a series compelling: telling an interesting story with skill.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Let's talk about that (much better) film's heroine, Leeloo Dallas (multipass), played by Milla Jovovich: She's a super-skilled, «perfect» warrior, but as the story unfolds, she learns about humanity; she discovers laughter, trust, sacrifice, and love.

As a portrait of modern journalism, though, it leaves quite a lot to be desired; this is the kind of film that has characters trade grandiose talking points about the ethics of reporting, but can't be bothered to show its reporter hero — still recovering from the damage factual inaccuracies did to his career — using a recording device during interviews.

Dial M remains more of a filmed play than a motion picture, unfortunately revealed as a conversation piece about murder which talks up much more suspense than it actually delivers.

If you make a good film, then it's worthy of talking about, just as an indie drama that's up for Oscars is.

As far as the film itself is concerned, its a credit to its genre, another incredible reason to follow / watch / talk about indie animation and to share it with your kids so that they can be educated in film beyond the typicaAs far as the film itself is concerned, its a credit to its genre, another incredible reason to follow / watch / talk about indie animation and to share it with your kids so that they can be educated in film beyond the typicaas the film itself is concerned, its a credit to its genre, another incredible reason to follow / watch / talk about indie animation and to share it with your kids so that they can be educated in film beyond the typical.

This was a blank - slate film experience for me, and it's not a sequel or prequel so much as an independent movie operating laterally to Suicide Club, so why am I even talking about all this.

When talking about films and ideas we often reference what has come before as to not repeat it.

Zemeckis talks about how he approached the film as a regular live - action movie, with a particular emphasis on a non-stationary camera, thereby complicating the efforts of the animators.

You Were Never Really Here This grim, artful New York crime thriller about a tormented thug - for - hire (a rivetingly contained Joaquin Phoenix) confirms writer - director Lynne Ramsay («We Need to Talk About Kevin») as one of the most exciting and exacting film stylists of her generaabout a tormented thug - for - hire (a rivetingly contained Joaquin Phoenix) confirms writer - director Lynne Ramsay («We Need to Talk About Kevin») as one of the most exciting and exacting film stylists of her generaAbout Kevin») as one of the most exciting and exacting film stylists of her generation.

The movie kicks off with a poorly CGI'd (for Zemeckis) shot of the hero standing in the Statue of Liberty's torch with the Towers looming across the water behind him, talking and talking and talking not to you but at you, often in bizarrely gargoyle - ish close - ups, about the amazing thing he's about to do, or is doing — as if convincing us to buy a ticket to the film we're already sitting there watching.

If what you want is to hear people talk about Petit (including Petit), you might as well buy a copy of the memoir upon which the «The Walk» is based, or watch James Marsh's great 2008 nonfiction film «Man on Wire,» which includes so many re-enactments that it's half a drama, anyway.

Perhaps a life and career as impressive as Nichols» needs to be segmented to be appreciated, but I'd be interested if O'Brien and others who clearly know and adore Nichols followed through on this film's set - up and talked about what happened to stage and screen after «Becoming Mike Nichols.»

The most compelling parts of the film are recordings where McQueen himself appears to be trying to dispel his title as «The King of Cool» and talks quietly and humbly about the pain that led him to Christ.

As well as talking about her experiences and thoughts on the film she discusses the memoirs she has written on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert MarshallAs well as talking about her experiences and thoughts on the film she discusses the memoirs she has written on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshallas talking about her experiences and thoughts on the film she discusses the memoirs she has written on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshall).

It's a film of genuine beauty, one where you come away as eager to talk about the set design and the choreography as you do the fate of the galaxy or what might happen next.

He joined us to talk about his attraction to James J. Bulger as a character, his approach to structuring his true crime films, and how the role of media footage and the performative nature of some of his subjects can affect the «case» presented in his documentaries.

Continuity and growth are tricky things to consider when you're talking about a film role as opposed to a stage performance.

It seems that lost in all the talk about computers, and space travel, and the harshness of space, etc., we have somehow lost the essential drama that is the centre of the film: Dave Bowman's existential condition as he stumbles into old age and is later transfigured once again into a child.

The 44 - year - old actress talked about filming commercials as a kid, her five - year - old daughter Sadie «s fashion sense, and her awful character in her latest film Bad Moms — Watch the interview below!

Jack and Rob will both be on hand to talk about the film and discuss Black's turn as the legendary author himself, R.L. Stine.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

Phil Ring and Jonathan Smith from TT games talk about playing with huge licensed film franchises in the video game sphere, as well as making dark themes and death safe...

Over in the acting categories, George Clooney and Tilda Swinton won for «The Descendants» and «We Need To Talk About Kevin» respectively, with both films also ranking as one of the best of the year.

Eloise braved the heat to talk some film with us for an hour, and for the sake of audio quality we had to turn off the air conditioner and the fan and swelter as we tried to be erudite about all aspects of cinema.

Meanwhile, the guide lists Cassian as 26 years old, and in the film, he talks about having been a rebel since he was 6 years old.

Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»

Much of the talk at Sundance this year, where, despite everything, sales and attendance were up, was as much about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselves.

Director Peter Vack also talks about enlisting friend and costar Julia Garner as the film's lead