Sentences with phrase «talking about making this film»

Talks about making a film about transgender issues when the subject is so relevant and such a part of the zeitgeist.

«Passion Project: Martin Rosen on Watership Down» (16:21) lets the film's screenwriter - director - producer talk about making the film with no prior experience in animation and with no participation by author Richard Adams.

We've seen plenty of other trailers for Dunkirk so far, but it's cool that they're promoting this with a discussion among the actors talking about making this film.

«Notes From the Red Carpet» features the cast talking about the making the film and their characters.

They also talk about making the film in general, from their desire to make Captain America relevant to modern audiences to their decision to keep the relationship between Black Widow and Cap platonic.

Not exact matches

Producer and director Davis Guggenheim talks about making documentaries, his new film It Might Get Loud, and the differences between Jack White, Jimmy Page, and The Edge.

We recently sat down with the band and the film's director to talk about what it was like making the film, how it came about and what the real message of Hillsong United is.

Besides seeing all the nominated films, talking about Oscar politics with one of my best friends, and making statistically - based predictions, I have a traditional Oscar Night meal that always ends with Red Velvet Cake...... or at least it used to.

Knowing of my interest in crime fiction and detective stories my late father - in - law, John Thynne — who had supported Arsenal from before the war — was always talking about a film made in 1939 called The Arsenal Stadium Mystery.

During the concert, he kept talking about how his band's music makes it into films.

Jennifer Siebel Newsom, MBA talks about what inspired her to make the documentary film, «Miss Representation»

In the interview, she talks about the challenges and joys of making music for a very modern, epic film.

Such a strong reaction persuaded Pixar to avoid making uncannily realistic human characters — it has since focused its efforts on films about living toys, curious robots and talking cars to win Academy Awards and moviegoers» hearts.

In this wide - ranging, humorous talk, Seth Shostak takes a look at Star Wars and other science fiction films from the point of view of a skeptical scientist, tells stories about the movies he has been asked to advise, and muses about aliens from space and how we might make contact with them.

Whether deciding what film to watch, which wine to drink, what to wear, or what to talk about, make your first, second or third dates memorable with The Great Date Handbook.

Talk about your favorite tv shows / films / music, your particular hobbies, or those things in life that make you laugh, smile, or cry.

Kate Winslet has made the shock confession that she never actually fancied her Titanic co-star Leonardo DiCaprio, as the film approaches its 20th anniversary Kate Winslet talks about relationship with Leonardo DiCaprio - and shares her views on working Hollywood mums

Wes Bentley was a relative newcomer to film when he starred in Sam Mendes» American Beauty (1999), but his haunting portrayal of the battered, enigmatic Ricky Fitts made him one of the most talked about young actors of the year.

VIOLENCE / GORE 8 - A great deal of talk about violent acts which have occurred makes the film psychologically violent.

He's talked lately about hanging it up after ten films, hoping to get out before he loses touch and starts making «old, limp, flaccid - dick movies.»

The film was once talked about as the beginning of a possible trilogy, and the finished product feels desperate to start a franchise instead of doing the thing that would actually make such a series compelling: telling an interesting story with skill.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Or you can sit in the dark and talk about how consistently solid the animation has been between the three films and that there are just enough jokes aimed at adults to make this a watchable film when you take your children.

If you make a good film, then it's worthy of talking about, just as an indie drama that's up for Oscars is.

We sat down with Boston - area library maven Margaret Willison to talk about the film, the 2014 documentary that partly inspired it, and how hard it is to make a comedy in which there's a lot of physical abuse.

They talk about how film, both onscreen and those they make, keeps them going, keeps them from losing their minds completely.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

Phil Ring and Jonathan Smith from TT games talk about playing with huge licensed film franchises in the video game sphere, as well as making dark themes and death safe...

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

Witherspoon noted, that now there's talk about «seeing a more dynamic woman on film» and explained «I think this is just the beginning, and we hope to continue that and even make it more diverse and make it more inclusive, make it more look like the world really looks.

«It wasn't until I saw Greta talk about the film and making it and putting it together, and how all of this came from her and she's done something brilliant that people truly love and it's a great piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.

During our discussion, we talked about how long she has to sit in the make - up chair to apply Okoye's tattoos, how she got inducted into the Marvel Cinematic Universe, her relationship with the other women in the film, comic book research, and what Wakanda thinks about the Winter Soldier.

We talk about Avedisian's dual roles as actor and director, the aesthetic of the film, the difficulties of making comedies, and his writing process.

After the excitement of David Arnold's three scores for Emmerich and then the brief diversion to the great John Williams on The Patriot, the change in musical approach since Kloser (later joined by Wander) took over is so extreme, it doesn't really make sense — it's hard to talk about any of the previous four Kloser / Wander scores for Emmerich without repeatedly using the word «bland» — I've just never been able to reconcile the outlandish extravagance of every other aspect of the films with the understated timidity of their scores, which seem to serve no purpose whatsoever.

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

Jon Watts tells us how he made Spider - Man great again, Terry Gilliam explains what his films have taught him, and William Friedkin talks about the creation of Sorcerer on its 40th anniversary.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

They share insights into the making of the film, pay tribute to Christopher Reeve, and talk about their future, as well as the state of paralysis research.

WATCH: Kristen Stewart talks about the free - form aspect of making her short film, «Come Swim,» which screened at the 2017 Sundance Film Festival.

Its director, Tom McGrath, talked to Flickering Myth's Freda Cooper about why he wanted to make the film — and why the «micro manager» doesn't intentionally look like the current occupant of The White House.

When he talks about film - making, it is very often «we».

When he isn't trying to talk about films with words he is making tweets you'd regret reading.

It was a pretty forgettable horror film, and they had no scenes together, but it made for some nice small talk with Paul McGuigan before we settled down to our conversation about FILM... Read More&rafilm, and they had no scenes together, but it made for some nice small talk with Paul McGuigan before we settled down to our conversation about FILM... Read More&raFILM... Read More»

That big moment charged the hype machine for the film in a way that major summer blockbusters aren't capable of achieving with an entire year of buildup and spoiler - filled trailers, making this film one of the most talked about projects in the past year simply due to the fact that no one knew what it actually was.

This week in home video releases features one of the most talked - about films of last year, a trilogy from one of America's best directors, a documentary about the people who launched the careers of John Belushi and Bill Murray, the sequel to one of the best horror films ever made, and much, much more.

Yes it's a Michael Bay film and I know I talk a lot of trash about the man but two factors have made me curious about 13 Hours - 1.

The Blu - ray is out now and is worth picking up if for no other reason than to hear Fede, Rogo and Stephen Lang talk about the making of the film.

They talked about the positive reaction to the film, whether the project changed during development, the making of the film, getting it ready for Sundance, and more.

City of God and The Constant Gardener director Fernando Meirelles talks to Jason Solomons about his new film Blindness, working with cinematographer César Charlone and his dream of making a hopeful, funny film

Director of Y tu mamá también Alfonso Cuaron talks to Jason Solomons about his latest film, Año uña, and his plans to make a road movie in Britain