Sentences with phrase «talks about an abstract painting»

In previous shows, I was loosely alluding to those things but primarily talking about abstract painting.

If we were talking about abstract painting she could discuss the major abstract painters of Yugoslavia in the Fifties.

Youthful memory: the first time some jerk, upon overhearing talk about abstract painting, held up a blank sheet of paper and jokingly claimed, «Look, it's a landscape in a snowstorm.»

Not exact matches

And in their talk about an abstract show, called The Painted World, the students are concerned with how the art — and the world — makes them simultaneously laugh and learn.

We began talking about it, and they were astounded because they had been painting abstract art, so I had twenty years they didn't remember, they didn't realize anybody remembered that they made collages with matchsticks and tried to look like Picabia.

Formalists like to talk about the space of an abstract painting.

Talking about his latest works McDermott said, «In the Sonnet Paintings, I have tried to depict the abstract with clarity... The paintings possess a photographic quality but what they depict is not ever obviouPaintings, I have tried to depict the abstract with clarity... The paintings possess a photographic quality but what they depict is not ever obvioupaintings possess a photographic quality but what they depict is not ever obvious.»

Speaking of the figurative aspect of works that largely appear abstract, Kim has said, «I love a good abstract painting, but I'm often not interested in what people talk about when they talk about abstraction, so I prefer to apply my own content.»

Noland used to talk about one - shot painting - it comes out of abstract expressionism and Pollock.

SK You were talking earlier about whether abstract painting can meet the challenge.

I think abstraction is impossible actually — even paintings that we talk about as being abstract.

Reading the discussion between Harry Hay and Simon Gardam they talk about «feeling» space in abstract painting which actually resonates and could help to experience space as abstract rather than figurative when looking at abstract painting.

In the short film above, called Jackson Pollock 51, the American abstract painter talks about his work and creates one of his distinctive drip paintings before our eyes.

Artists of our generation tend to be self - taught because our instructors, many of them older abstract painters, liked to talk about content and form, but not necessarily about how to paint.

There is something of Jacqueline Humphries» meteorological turbulence and lean viscosity, and like Humphries, she remains wary of the esoteric baggage attached to abstract expressionism but open to the possibility that painting can shoulder a newer metaphorical weight that neither confirms nor denies the place of data in meaningMy sense is that these works offer a less encumbered romanticism, something I was reminded of when talking with Erin in her London studio about her works and those of Günter Umberg.

Toby Kamps, Director and Chief Curator of the Blaffer Art Museum, Houston and curator for the section Spotlight talks about its incarnation at Frieze New York 2018, with themes and through - lines including abstract painting, Conceptualism, African diaspora traditions, and West Coast artists; Kamps alights on two fascinating artists whose careers are brought to light this year in the section: Cameron (1922 - 1995), presented jointly by Marc Selwyn Fine Art and Nicole Klagsbrun and Mestre Didi (1917 - 2013), presented by Galeria Marilia Razuk.

The painter and professor talks about her feminist, artist - first approach to the Biennial and the women driving abstract painting today.

Alan Gouk: Personally, I see no need to talk about «content» in abstract painting or sculpture at all.

At your recent talk there was a lot of discussion about light in abstract painting which I thought, along with others, was very confused.

You and I have been talking lately about how much we like Katherine Bradford's term «freedom painter» because it describes an approach to painting and does away with categories like abstract and figurative.

And maybe drawing is the key to talking / thinking about ««real spatial content» in abstract painting.»