When
talking about their work history, they often sound as if they're reading an official job description straight out of human resources, not describing an endeavor in which they have spent most of their waking hours.
Preparation is the key to having confidence while
talking about your work history and future goals.
Include just enough so he knows you have the requisite skills for the job and leaving enough so you can
talk about your work history when you meet.
Own it and practice
talking about your work history and why your past positions have ended.
Not exact matches
According to this study's criteria, Plato's Symposium (which
talks ENTIRELY
about LOVE) would be regarded as merely an emotional piece... despite being one of the most foundational * analytical * literary
works in
history.
But you know it's a lot better to be
talking about it and trying to
work through it than ignoring it because I think for a lot of people in this city and in this country, they feel that their
history has been ignored or affronts to their
history have been tolerated.»
Overall, «STEM CELL REVOLUTIONS» is a great film for anyone wanting to learn more
about the
history of stem cells, hear legendary researchers
talk about their ground - breaking
work and patients
talk about how stem cell therapies have changed their lives, and still get a down - to - earth idea of what is realistically being accomplished with these cells.
During your Health
History, you'll have the chance to
talk openly (and, of course, confidentially)
about your health concerns and health goals — and to consider whether you want to
work with me as your Holistic Health Coach, in 12 Good For You Health Coaching sessions, over 6 months (enough time for you to make real changes in your life).
I really think depending on your
history, as long as you don't have this type of trauma that we're
talking about, you're gonna typically have to be focusing on the gut primarily to get things
working again.
Our professional membership consultant and matchmaker will spend the time
talking with you
about your background, your relationship
history, your
work, what you like to do on your free time and what you are looking for in a potential partner.
The more you think
about the choices the filmmakers put into a movie and the more deeply you place the results (intended or otherwise) into context, the better you can
talk about to a movie in terms of how it
worked and the more you can actually write
about a film while respecting the filmmaking process and the
history of film.
Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside:
talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film
history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts
about several months or years of their own
work than you do after 90 to 120 minutes with it.
She decided that, instead of
working with objects, she wanted to
work with people and spend her days
talking about history.
Don't wait until Women's
History, Black
History, or Hispanic Heritage months to collect, display, and
talk about the
work of women, black, and Latino scientists.
The six promising practices in afterschool for the arts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to
History and Culture; Thinking and
Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and Communities.
Get inspired by Addie as she
talks about the type of
work she and other Facing
History Student Leaders from Memphis are getting done together.
Hank is a great interviewer (so check out his site), and I was particularly happy that we not only got to
talk about my Victorian San Francisco Mystery Series but that I was also able to introduce his listeners to the
history behind the Paradisi Chronicles — the open source science fiction universe I have been
working on with six other authors for the past year.
I could bore you with the
history of the em and
talk about the old days when typesetters like myself would
work with lead characters, but to make things easy for you, simply think of one em as the space taken up by the character M.
The group
talked about what day jobs they were doing when they decided to write
about comics, the
history of their respective websites and how they get contributors, the attitudes of news sites now and how it compares to early TCJ, them looking at other sites and how they cover comics, how they deal with interviews that are given under the condition that they focus on upcoming product, the ethics in covering comics and
working in them, why they keep writing
about comics and where do they want comics journalism to go.
Timothy Egan discusses his National Book Award winning
work of non-fiction, The Worst Hard Time: The Untold Story of Those Who Survived The Great American Dust Bowl; he
talks about the people he interviewed, the trigger events that led up to the 10 - year drought and whether
history is likely to repeat itself.
The Wall Street Journal recently
talked a company called AudioGo, whom has produced
about 25
works exclusively for audio, including «Baseball Forever,» a remix of radio broadcasts of some of the top moments in the
history of baseball.
No, I'm not
talking about researching technology or dress or
history for a current
work in progress.
Kayla «Z06» Bianchi
talks mostly
about her own gaming
history and preferences in the little interview, but you can also see some of her
work for both the concept art and interior level design.
In this podcast, we
talk about what inspires him, how it is to
work on one of the most successful gaming franchises in
history, and how the team at Blizzard keeps things new and exciting with each expansion.
The artist
talks about his
work researching natural
history collections, how he crosses the divide b...
In the gig, they play music, videos, show slides and
talk about the
history of their
work, how it has evolved.
Yinka Shonibare MBE weaves together themes of
history and education, James Turrell unveils never - before - seen
works, Jeff Koons
talks about his iconic balloon dogs, and more.
Women in Arts Brunch We
talked with Teresita Fernández
about the
history of Art Basel Miami Beach in our October issue and featured her in our January / February Departures 100, so we're thrilled to see her honored for her
work at this brunch hosted by Art Basel Magazine.
A representative from St. George Gallery will
talk about their
history of
working with Ethiopian artists.
Raad's
works include The Atlas Group, a fifteen - year project between 1989 and 2004
about the contemporary
history of Lebanon, and the ongoing projects Scratching on Things I Could Disavow and Sweet
Talk: Commissions (Beirut).
«Art Critic Estelle Lovatt FRSA has the experience of being on both sides of the canvas; having trained as a painter, read art
history and as a gallery exhibition curator, Estelle is able to teach, judge and
talk about works of art, from Cave Art to Banksy, with expert opinion.»
He has written for international art magazines and exhibition catalogues; delivered
talks about modern and contemporary art and his
work at Artsy globally;
worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art
History and Archaeology from the Institute of Fine Arts.
Israel has written for international art magazines and exhibition catalogues; delivered
talks about modern and contemporary art and his
work at Artsy globally;
worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art
History and Archaeology - from NYU's Institute of Fine Arts.
He
talked with curator Nicholas Cullinan
about works in the National Portrait Gallery, how they've influenced his practice, and the «role of
history, questions of representation, biography, masculinity, and portraiture in a broader sense» in his
work.
Chief Curator Heather Pesanti joins McMillian to
talk about his new art in the context of a larger body of a
work that weaves elements of US social and political
history, the body, and architecture into complex tapestries entrenched in myth, memory, and storytelling.
In this week's roundup Yinka Shonibare MBE weaves together themes of
history and education, James Turrell unveils never - before - seen
works, Jeff Koons
talks about his iconic balloon dogs, and more.
Fionn Meade and Walid Raad discuss the artist's
work, which includes The Atlas Group, a 15 - year project (1989 — 2004)
about the contemporary
history of Lebanon, and the ongoing projects Scratching on Things I Could Disavow and Sweet
Talk: Commissions (Beirut).
Artists like Hicks and Stuart, the latter an American artist who began creating environmental earth - based and minimalist
works in the 1970s — and a recent addition to Jacques's roster — are «getting up there in age, leaving less time to
talk to them first hand
about the scope of their practices,» Jacques said, which is key to putting them on par on the marketplace and in
history with their male peers.
The experience of
talking with Lemieux in her studio
about these and other notable
works, both finished and in - process, made me very appreciative of her eccentric and enigmatic wit, conceptual feminism, meticulous craftsmanship, and reverence for art
history.
We want to
talk about Amanda McGowan and Mattie Rivkah Barringer, and their
work with Women's
History Museum.
The interviews
talk with artists
about their
history, practice, and driving concepts to their
work.
Talk: Destination London — South African Exiles in the 70s and 80s George Hallett will give a unique talk about his work in relation to exile and share his experience of South African hist
Talk: Destination London — South African Exiles in the 70s and 80s George Hallett will give a unique
talk about his work in relation to exile and share his experience of South African hist
talk about his
work in relation to exile and share his experience of South African
history.
Wunderbaum
talks about collectively making
work and their latest exploration The
History of my Stiffness
We look at the rich
history of protest art and, on the eve of a new group show,
talk to radical artists
about their
work
And in The Guardian, Charlotte Higgins
talks to artist Sonia Boyce
about the recent furore over the temporary removal of Hylas and the Nymphs (1896) at Manchester Art Gallery (on the
work's much earlier reception
history, see Peter Trippi's essay for Apollo).
Christiana Spens went to the Saatchi Gallery to
talk to Quilty
about his exhibition, as well as his past
work as an official war artist, embedded in the Australian Defence Force in Afghanistan, and his wider ideas
about history, identity and brutality.
In her NYC Studio, Carrie Moyer
talks about pivotal events in her life that brought her to painting, and the influence
history has had in her
work.
Delta
talks about the ideas behind his
work, as well as discussing his
history as a legendary -LSB-...]
Delta
talks about the ideas behind his
work, as well as discussing his
history as a legendary Graffiti writer.
An inspirational and humorous public speaker whose breadth of knowledge spans art
history and philosophy with ease, the opportunity to hear Scully
talk about his life and
work at the Nyack Library on April 28th is one not to be missed.