Sentences with phrase «talks by contemporary»

Part of our series of talks by contemporary artists that focus on our special exhibitions.

This series of intimate, in - gallery talks by contemporary artists illuminates exhibitions with fresh and alternative perspectives.

This series of intimate, in - gallery talks by contemporary artists will illuminate our special exhibitions with fresh and alternative perspectives.

March 13, 2018 — Ucross, Wyoming — Ucross Foundation and Whitney Center for the Arts will co-host a performance and talk by contemporary Native American artist Sydney Pursel on Tuesday, March 20 from 4:00 - 5:00 p.m. in the WCA Concert Hall.

Not exact matches

There are four affirmations about Jesus Christ that historically have been stressed in Christian faith: (1) Jesus is truly human, bone of our bone and flesh of our flesh, living a human life under the same human conditions any one of us faces — thus Christology, statement of the significance of Jesus, must start «from below,» as many contemporary theologians are insisting; (2) Jesus is that one in whom God energizes in a supreme degree, with a decisive intensity; in traditional language he has been styled «the Incarnate Word of God»; (3) for our sake, to secure human wholeness of life as it moves onward toward fulfillment, Jesus not only lived among us but also was crucified for us — this is the point of talk about atonement wrought in and by him; (4) death was not the end for him, so it is not as if he never existed at all; in some way he triumphed over death, or was given victory over it, so that now and forever he is a reality in the life of God and effective among humankind.

Becoming a Better Confessor Baltimore, Maryland July 7 — 9 Guided by the wisdom of the Thomistic tradition, this fourth annual summer conference will consist of practical talks and roundtable discussions on issues of immediate relevance to the life of contemporary priests.

Through checking Alan's personal papers, looking at his service files held by the Ministry of Defence and the Household Cavalry, and by talking to contemporaries at Eton and Oxford, Trewin concluded that while Alan had been nominally on the books of the Household Cavalry Training Regiment he probably never completed his National Service.

Trash talking has been a part of science for centuries; Newton's seemingly magnanimous remark that he stood «on the shoulders of giants» was, to the contrary, likely understood by his contemporaries to be a disparaging reference to the short stature of his main rival, Robert Hooke.

There's a little bit of farcical spoof humor in place as well, with Django's strut now accompanied by contemporary soundtrack rhymes from Rick Ross, with the irreverent sass - talk of Samuel L. Jackson's postmodern Sambo as Candie's reliable assistant Stephen, clouding the audience's sympathies.

TALKING: While playing upon contemporary nerves, the dialogue in the film spoken by Eckhart's President echoes recent political sentiments; there's even one moment in which he says, «United States of America does not negotiate with terrorists.»

Insightful Screen Talks were given by celebrated directors, actors and industry professionals: Annette Bening, Guillermo Del Toro, Jake Gyllenhaal, Lucrecia Martel and Takashi Miike, offering festival audiences the opportunity to learn more about these leaders of contemporary cinema.

Stock performance with the 2.2 was not up to the Daytona's looks, but the turbocharged cars could walk the talk; few automakers made a fast, affordable sporty car at the time, and even the base 2.2 did fairly well by contemporary standards when connected with the five - speed manual transmission.

Double Fine's upcoming platformer The Cave, directed by click - master Ron Gilbert, deals with a variety of contemporary topics, such as the vagaries of subterranean carnival workers and the possible population of a magical talking cave.

The Trustees of The Linda Pace Foundation announce an artist talk by Teresita Fernández, a renowned contemporary artist whose work has been exhibited both nationally and internationally, at 11AM, Saturday, September 6, 2014 at SPACE.

An unrivaled talks program for both public and VIP audiences on two stages, / Dialogues and Exchange by Northern Trust continue to feature the most established and respected voices in contemporary art and culture.

The relationship between historical art and contemporary practice is further explored through the acclaimed Frieze Masters Talks programme, which was curated in 2017 by Tim Marlow (Royal Academy, London).

The exhibition is co-organized by testsite and The Contemporary Austin and opens at testsite on Sunday, May 3rd with a public reception from 4 to 6 pm and an artists - curators talk at 4:30 pm.

DHC / ART Foundation for Contemporary Art and Art Speaks are proud to present The Black Madonna, a talk by the artist Theaster Gates.

The smART Talks lecture series serves to increase awareness of regional contemporary art through a series of three talks a year by local artists about their work, careers, and creative proTalks lecture series serves to increase awareness of regional contemporary art through a series of three talks a year by local artists about their work, careers, and creative protalks a year by local artists about their work, careers, and creative process.

MUST - SEE EXHIBITION openings and interesting talks and appearances happening this week in black art: Through June 21, 2014 Brenna Youngblood at Contemporary Art Museum St. Louis A selection of muted abstracts by Los Angeles - based artist Brenna Youngblood are on view at the Contemporary Art Museum St. Louis.

Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vienna.

4 pm Talk: The State of Contemporary Art — Texas Moderated by Virginia Rutledge, curator - at - large, The Texas Biennial; Participants: Fairfax Dorn, Executive Director and co-founder, Ballroom Marfa; Jeremy Strick, Director, Nasher Sculpture Center, Dallas; and Amada Cruz, Executive Director, Artpace, San Antonio.

Canada's leading public gallery devoted exclusively to contemporary visual art hosts regular talks by high - profile artists, curators and cultural commentators from around the world.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

DISPLAYS Artist Talk: Simon Fujiwara in conversation with Lisa Le Feuvre, Head of Sculpture Studies, Henry Moore Institute, with introduction by Caroline Douglas, Director, Contemporary Art Society (30 January 2014) from Contemporary Art Society on Vimeo.

There is no more appropriate moment to examine new and recent contemporary art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 2013.

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.

Based in New York they maintain an expansive inventory of 15,000 titles by over 6,000 artists as well as maintaining a busy programming calendar which includes exhibitions of contemporary and historically significant artists books, artist talks, book launches and performances.

Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer Museum.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African art.

/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery

He gave a talk on October 13 at Atlanta Contemporary about his book The Miraculous, published by Paper Monument.

These contributions are «interrupted» by a transcript of a talk Williams delivered on the work of John Chamberlain, and by historical and contemporary textual and visual materials that were selected by the artist himself.

These Artists Would Be Better Choice to Design Oscars» Stage Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer Museum.

Curated by Tim Marlow (Artistic Director, Royal Academy of Arts, London), Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

BURNAWAY and Flux Projects are pleased to announce a free public talk on June 15 by Lauren Haynes, curator of contemporary art at Crystal Bridges Museum of American Art in Bentonville, Arkansas.

Andersen's lecture will be followed by talks from compelling thought leaders including President Barak Obama's director of video field production, Arun Chaudhary; nationally recognized installation artist Jean Shin; environmentalist David de Rothschild; contemporary artist Mary Temple; world - famous architect Carlos Zapata; and expert in global foresight and innovation Andrew Zolli.

2016 talks included a panel on contemporary art in historical museums and vice versa with Okwui Enwezor (Haus der Kunst, Munich), Hou Hanru (MAXXI, Rome) and Sheena Wagstaff (The Metropolitan Museum of Art, New York), chaired by Jennifer Higgie; Lynette Yiadom - Boakye (Artist) and Gabriele Finaldi (National Gallery, London) in conversation; a panel on feminist art chaired by writer and curator Alison Gingeras with Nancy Grossman and Joan Semmel — two artists featuring in this year's Frieze Mas - ters Spotlight section; Marlene Dumas (Artist) on portraiture; and Cornelia Parker (Artist) in conversation with Dr Maria Balshaw CBE (the Whitworth and Manchester Art Gallery).

On Sunday, Schnitger further explores feminist speech by inviting filmmaker Kerri Koch to share her work, Don't Need You: A Herstory of Riot Grrrl; followed by a screening of Inez Milholland: Forward Into Light, a short film by Martha Wheelock on the preeminent suffragette; and a talk on contemporary witchcraft and closing ceremony by Amanda Yates Garcia, the Oracle of Los Angeles.

Alongside the work of Atkins's contemporaries, from Benedict Drew to Laure Prouvost, Us Dead Talk Love represents a new viscerality in digital filmmaking — not only in its abject subject matter, but also in the queasily direct sensory response provoked by its disjunctive montage of sound, image and word.

We were fortunate to see the Birmingham Museum of Art and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcan.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Derek Blasberg sat down with Agnes Gund in New York City to talk about her life surrounded by, acquiring, and promoting contemporary art.

Housed within a newly commissioned and site - specific installation by Scottish artist Mike Inglis, an active programme of talks and events will provide a platform for bigger discussions on the accessibility and diversity of contemporary art in Scotland.

The scholars will give a brief talk about their research followed by a discussion moderated by Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art and curator of Jackson Pollock: Blind Spots.

Following the Contemporary Art Society's recent acquisition of two works by Anthea Hamilton for Hepworth Wakefield, and in advance of her first solo US museum exhibition at the SculptureCenter, New York in September, Anthea talks about her recent work.

Artist's Writing as Site of the Artwork October 24, 2014 10:30 am - 1:30 pm The talk addresses the function of writing by artists such as Donald Judd and his contemporaries: from Duchamp to Brian O'Doherty to Carl Andre, Hélio Oticicia, Robert Smithson, Eva Hesse, Robert Barry, Lucy Lippard, Mel Bochner and others.

Moderated by Andrew Shiue (founder of the contemporary culture site Beyond Chinatown), the discussion inaugurated Klein Sun Gallery's panel talk series, which aims to provide a platform for engaging, critical and inclusive dialogue on contemporary Chinese art and culture.

Cathcart, Linda L, The Americans: The Collage, catalogue, Contemporary Arts Museum, Houston Kalil, Susie, «Americans: The Collage, Review,» Houston Post, 18 July, section AA, pp. 1 & 16 Johnson, Patricia C, «Amusements: Art: American Collages spotlighted in stunning don't miss CAM exhibit,» Houston Chronicle, 21 July, section 6, p. 6 Knaff, Deborah L, «Collage captures current whimsy,» Rice Thresher (Rice University, Houston), 20 August, p. 7 Kalil, Susie, «American Collage since 1950,» Artweek (Oakland, California), 18 September, volume 13, no. 30, p. 1 Rose, Barbara, «Talking about Art: Photos from a Cold Climate: more artworks by Scandinavians: collages made in U.S.A.,» Vogue (New York), October, volume 57, no. 10, p. 135

On the occasion of a talk by Martin Creed at Sotheby's Institute, an MA Contemporary Art student offers her thoughts on one of the artist's most rememberable works, «Work No. 360.»