Sentences with phrase «talks by contemporary artists»

Part of our series of talks by contemporary artists that focus on our special exhibitions.

This series of intimate, in - gallery talks by contemporary artists illuminates exhibitions with fresh and alternative perspectives.

This series of intimate, in - gallery talks by contemporary artists will illuminate our special exhibitions with fresh and alternative perspectives.

Not exact matches

The Trustees of The Linda Pace Foundation announce an artist talk by Teresita Fernández, a renowned contemporary artist whose work has been exhibited both nationally and internationally, at 11AM, Saturday, September 6, 2014 at SPACE.

The exhibition is co-organized by testsite and The Contemporary Austin and opens at testsite on Sunday, May 3rd with a public reception from 4 to 6 pm and an artists - curators talk at 4:30 pm.

DHC / ART Foundation for Contemporary Art and Art Speaks are proud to present The Black Madonna, a talk by the artist Theaster Gates.

The smART Talks lecture series serves to increase awareness of regional contemporary art through a series of three talks a year by local artists about their work, careers, and creative proTalks lecture series serves to increase awareness of regional contemporary art through a series of three talks a year by local artists about their work, careers, and creative protalks a year by local artists about their work, careers, and creative process.

MUST - SEE EXHIBITION openings and interesting talks and appearances happening this week in black art: Through June 21, 2014 Brenna Youngblood at Contemporary Art Museum St. Louis A selection of muted abstracts by Los Angeles - based artist Brenna Youngblood are on view at the Contemporary Art Museum St. Louis.

Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vienna.

Canada's leading public gallery devoted exclusively to contemporary visual art hosts regular talks by high - profile artists, curators and cultural commentators from around the world.

DISPLAYS Artist Talk: Simon Fujiwara in conversation with Lisa Le Feuvre, Head of Sculpture Studies, Henry Moore Institute, with introduction by Caroline Douglas, Director, Contemporary Art Society (30 January 2014) from Contemporary Art Society on Vimeo.

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.

Based in New York they maintain an expansive inventory of 15,000 titles by over 6,000 artists as well as maintaining a busy programming calendar which includes exhibitions of contemporary and historically significant artists books, artist talks, book launches and performances.

Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer Museum.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African art.

/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery

These contributions are «interrupted» by a transcript of a talk Williams delivered on the work of John Chamberlain, and by historical and contemporary textual and visual materials that were selected by the artist himself.

These Artists Would Be Better Choice to Design Oscars» Stage Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer Artists Would Be Better Choice to Design Oscars» Stage Edward talks about imaginative video works by contemporary artists at Marciano Art Foundation and Hammer artists at Marciano Art Foundation and Hammer Museum.

Curated by Tim Marlow (Artistic Director, Royal Academy of Arts, London), Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

Andersen's lecture will be followed by talks from compelling thought leaders including President Barak Obama's director of video field production, Arun Chaudhary; nationally recognized installation artist Jean Shin; environmentalist David de Rothschild; contemporary artist Mary Temple; world - famous architect Carlos Zapata; and expert in global foresight and innovation Andrew Zolli.

2016 talks included a panel on contemporary art in historical museums and vice versa with Okwui Enwezor (Haus der Kunst, Munich), Hou Hanru (MAXXI, Rome) and Sheena Wagstaff (The Metropolitan Museum of Art, New York), chaired by Jennifer Higgie; Lynette Yiadom - Boakye (Artist) and Gabriele Finaldi (National Gallery, London) in conversation; a panel on feminist art chaired by writer and curator Alison Gingeras with Nancy Grossman and Joan Semmel — two artists featuring in this year's Frieze Mas - ters Spotlight section; Marlene Dumas (Artist) on portraiture; and Cornelia Parker (Artist) in conversation with Dr Maria Balshaw CBE (the Whitworth and Manchester Art Gallery).

We were fortunate to see the Birmingham Museum of Art and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcan.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Housed within a newly commissioned and site - specific installation by Scottish artist Mike Inglis, an active programme of talks and events will provide a platform for bigger discussions on the accessibility and diversity of contemporary art in Scotland.

Artist's Writing as Site of the Artwork October 24, 2014 10:30 am - 1:30 pm The talk addresses the function of writing by artists such as Donald Judd and his contemporaries: from Duchamp to Brian O'Doherty to Carl Andre, Hélio Oticicia, Robert Smithson, Eva Hesse, Robert Barry, Lucy Lippard, Mel Bochner and others.

On the occasion of a talk by Martin Creed at Sotheby's Institute, an MA Contemporary Art student offers her thoughts on one of the artist's most rememberable works, «Work No. 360.»

Friday, Sept. 5, 2014 @ 6 p.m. Nick Cave Talk with Denise Markonish at Jack Shainman Gallery New York Denise Markonish, curator at the Massachusetts Museum of Contemporary Art, will engage artist Nick Cave in a conversation about «Rescues» and «Made for White by Whites,» the new body of work he is exhibiting at both Chelsea locations of Jack Shainman Gallery.

She participated in «5 x 20 x 20,» in 2009 — a series of talks by artists represented in the Judith Rothschild Contemporary Drawings Collection at the Museum of Modern Art, New York.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

THE GROUND BENEATH OUR FEET: ARCHAEOLOGICAL PRACTICES IN CONTEMPORARY CYPRIOT ART BP Lecture Theatre British Museum London, UK Developed by Christina Lambrou and Elena Parpa Artists» talks with Alev Adil, Haris Epaminonda, Maria Loizidou and Christodoulos Panayiotou, followed by a round - table discussion chaired by Dr. Gabriel Koureas.

At Tate, Paul creates platforms for cultural engagement with contemporary art by programming talks, symposia, workshops and live art events including The Status of Difference (ideas / debate series, 2008 - 2010), Conversation Pieces (ongoing artist talks series), Global Modernities (Tate Triennial conference, March 2009) and Afrodizzia (Late at Tate, Feb 2010).

Over the following years, these included presentations by artists such as Matthew Barney and Elizabeth Peyton, as well as curators like Catherine David and Okwui Enwezor, giving informal takes on practice and theory and the goings - on in the contemporary art scene: what Eccles calls ««what's - on - your - mind» kind of talks.»

Morten Korsgaard, partner at Galerie Bo Bjeggaard talks about the work of Brigitte Waldach, a contemporary German artist, represented by the gallery for the last several years.

The talk is to coincide with Hayward Gallery's group exhibition «The Human Factor» which brings together major works by 25 leading international artists who have fashioned new ways of using the human body in contemporary sculpture.

Learn the fundamentals of drawing with contemporary artists and drop in for talks led by creatives from a variety of disciplines.

Jenny Holzer, Talking Politics, 2008, Pigment print, ed 1/5, 60 x 75 in., Given by the artist, UM 2014.32 40 Years / 40 Artists is an exhibition of work by renowned local, national, and international artists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and sArtists is an exhibition of work by renowned local, national, and international artists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and sartists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and society.

OPENING: September 7, 1 - 2 pm, Performance of Joane Cardinal - Schubert's The Lesson and 2 - 4 pm, Opening remarks and reception ARTIST TALKS: September 8, 1:30 pm with Jamasie Pitseolak and Tania Willard PERFORMANCE: September 26, 12:30 pm by Peter Morin ARTIST TALK: October 10, 12:30 pm with Beau Dick ARTIST TALK: October 31, 12:30 pm with Cathy Busby SYMPOSIUM: November 15 Traumatic Histories, Artistic Practice, and Working from the Margins — Watch the MORNING SESSION and AFTERNOON SESSION BELKIN 101: A Weekly Reading Group CONCERT: Friday, November 29, 2 pm with UBC Contemporary Players PERFORMANCE: Sunday, December 1, 12:30 pm by Peter Morin

Besides the gallery programme at the fair, the annual programme also includes Frieze Projects and the Frieze Artist Award, presenting new, site - specific works by contemporary artists; Frieze Film, new film commissions premiered at the fair; Frieze Music, the fair's off - site music programme; and Frieze Talks, a dynamic series of panel discussions, conversations and keynote lectures.

Talk: «Jeff Koons in Conversation with Glenn Fuhrman» at the Flag Art Foundation In conjunction with «Cecily Brown, Jeff Koons, Charles Ray,» an exhibition that brings together works addressing themes of youth, nostalgia and intimacy by the three contemporary artists, Flag Art Foundation founder and mega-art-collector Glenn Fuhrman sits down with famed artist Jeff Koons to discuss the remarkable sculptures from his Celebration, Banality, and Popeye series», all of which are on view at the foundation's gallery through May 14.

Talk by CAC Curator Andrea Andersson with P. 4 Artist Ellen Gallagher 11AM Contemporary Arts Center New Orleans 900 Camp Street

JULY 15 — August 22 Contemporary painters Ro Lohin and Kevin Wixted will discuss how the East End has influenced their work during an artist talk and exhibition reception on July 23rd at 6 pm Hamptons Art Hub Show Review by Charles A. Riley II Ro Lohin received a BFA from... Read more»

Artist's Talk with Leticia Obeid Moderated by co-curator Zuna Maza Thursday, February 15, 2018, 6:30 — 8 pm Presented in conjunction with the exhibition Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros

Frieze Talks: Curated by Tom Eccles (Executive Director, Center for Curatorial Studies, Bard College, New York) for the sixth year, Frieze's program of Talks will also return this year, providing visitors an opportunity to delve into a discourse on critical issues in the contemporary art world with some of today's most significant artists, cultural figures, and thought - leaders.

2014Video Playlist, Museum of Contemporary Photography, Chicago, IL, curated by Karthik Pandian Colour, ICA London; traveling Cornerhouse, Manchester; Tramway, Glasgow; MK Gallery; Milton Keynes; and Turner Contemporary; Margate Artist Talk and Screening, Columbus Museum of Art,, Columbus, OH Artist Talk and Screening, California Museum of Photography, University of California, Riverside, CA Artist Talk and Screening, Henry Art Gallery, Seattle, WA

Artist talk at Chandra Cerrito Contemporary, moderated by Caitlin Haskell, Associate Curator of Painting and Sculpture at SFMoMA, 2 - 3:30 PM 5/13/2017

Talking to Action addresses critical issues such as migration and memory, spatial mapping, environmental issues, gender rights and legislation, indigenous knowledge, and racial violence in work created by contemporary social practice artists and collectives from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and the United States.

Stay: May 13, 2015 - July 31, 2015 Co-organized by: The Backers Foundation Group exhibition: «TIME OF OTHERS» (April 11, 2015 - June 28, 2015 at Museum of Contemporary Art Tokyo) Artist Talk: «TIME OF OTHERS» Meeting the artist Vol.1 Rattana Vandy (15:00 - May 30, 2015 at Museum of Contemporary Art Tokyo Upcoming Exhibition: The BAR vol.8 (The Backers Foundation and AIT Residence Programme) «Today of Yesterday» New works by Rattana Vandy and Kanitha Tith from Cambodia (Saturday, July 11 - Saturday, July 25, 2015 at YAMAMOTO GENDAI) Opening reception: 18:00 - 20:00, Saturday, July 11, 2015 at YAMAMOTO Artist Talk: «TIME OF OTHERS» Meeting the artist Vol.1 Rattana Vandy (15:00 - May 30, 2015 at Museum of Contemporary Art Tokyo Upcoming Exhibition: The BAR vol.8 (The Backers Foundation and AIT Residence Programme) «Today of Yesterday» New works by Rattana Vandy and Kanitha Tith from Cambodia (Saturday, July 11 - Saturday, July 25, 2015 at YAMAMOTO GENDAI) Opening reception: 18:00 - 20:00, Saturday, July 11, 2015 at YAMAMOTO artist Vol.1 Rattana Vandy (15:00 - May 30, 2015 at Museum of Contemporary Art Tokyo Upcoming Exhibition: The BAR vol.8 (The Backers Foundation and AIT Residence Programme) «Today of Yesterday» New works by Rattana Vandy and Kanitha Tith from Cambodia (Saturday, July 11 - Saturday, July 25, 2015 at YAMAMOTO GENDAI) Opening reception: 18:00 - 20:00, Saturday, July 11, 2015 at YAMAMOTO GENDAI

«Kinetic: Conversations in Contemporary Art,» American University, Washington D.C., November 6, 2012 «Featured Artists Lecture Series: Theaster Gates,» Anderson Ranch Arts Center, Snowmass Village, CO, August 13, 2012 «Our Literal Speed,» presented by the Jackson Pollock Bar, Princeton University, Princeton, NJ, April 19, 2012 «SAM Talks: Theaster Gates and The Listening Room,» Seattle Art Museum, Seattle, WA, March 24, 2012 «A Story About Space: Public Lecture with Theaster Gates,» Southern Methodist University, Dallas, TX, March 23, 2012 «My Labor is My Protest / Artist Agency in the Re-Creation of Space,» Maryland Institute College of Arts, Baltimore, MD, February 8, 2012

A free programme of films by contemporary artists featuring film screenings, live music, live performances, talks and audience Q & A.

Artist talk at 6:30 PM, followed by reception at 7:30 PM Friday 5 September 2014 The work of Laurent Montaron (b. 1972, lives and works in Paris) is suffused with the contemporary history of the media.