At this point, it seems like every black actor / actress is in
talks for the film since the cast will be «90 per cent African or African American.»
Not exact matches
Since word came on Tuesday that Warner Bros. is developing a reboot of The Wachowski's groundbreaking 1999
film The Matrix, it got many people
talking about how The Matrix should never be rebooted, or how now is the perfect time
for a reboot of the franchise.
After the excitement of David Arnold's three scores
for Emmerich and then the brief diversion to the great John Williams on The Patriot, the change in musical approach
since Kloser (later joined by Wander) took over is so extreme, it doesn't really make sense — it's hard to
talk about any of the previous four Kloser / Wander scores
for Emmerich without repeatedly using the word «bland» — I've just never been able to reconcile the outlandish extravagance of every other aspect of the
films with the understated timidity of their scores, which seem to serve no purpose whatsoever.
In an interview with The Hollywood Reporter, Jackman revealed plans
for a musical adaptation have been in
talks since before the
film was completed.
Since both
films well pre-date the preservationist era of
film - as - art - and - heritage — Greed was released in 1925, The Magnificent Ambersons in 1942 — they have suffered the further indignity of being unreconstructible; studios back in those days didn't hang on to excised footage
for the sake of future director's cuts on DVD, so the reels upon reels of nitrate
film trimmed from the original versions were — depending on which movie you're
talking about and which story you believe — burned, thrown in the garbage, dumped into the Pacific, or simply left to decompose in the vaults.»
It's more of a shock than the Ranger situation
since Proyas had gathered his crew and started building a cast that included Bradley Cooper (who
talked to us about the
film last week), Benjamin Walker, Diego Boneta and Camilla Belle ready
for a shoot set to start next month in Australia.
After hearing the hype
for this
film from various festivals
since all the way back in 2011, it's nice to find that You're Next is both as good and as fun as it's been
talked up to be.
In the latest episode of my new Deadline video series Behind The Lens, in which I explore the art and style of directors in one - on - one conversations, I
talk to a relative newcomer to helming, Stephen Chbosky whose third feature
film, Wonder, has turned into an out - of - the - b0x hit
for Lionsgate
since it opened in November, so far grossing well over $ 100 million domestically and going strong.
Acclaimed as one of Marvel's best solo
films since the very start, where the movie leaves T'Challa and his kingdom of Wakanda will have fans
talking for months to come.
Despite whispers of a sequel ever
since the release of the first movie, it's taken twenty years
for the follow - up to the blockbuster alien invasion flick Independence Day to become a reality, and during an anniversary screening of the
film, director Roland Emmerich has been
talking to Entertainment Weekly about why we've waited so long -LSB-...]
It has also become a favorite
film of yours among fellow filmmakers — in the «One Day
Since Yesterday» documentary, we see people like Quentin Tarantino, Wes Anderson and Noah Baumbach
talking about their love
for it.
Any movie like this made
for the most part
since the 1980s would
talk the
talk about showing the changes, but not show it, show it badly and / or be more sexually oppressed than not, but Russell has zero trouble from this first
film he had control over himself dealing with all kinds of human sexuality, yet that freedom is incidental to character study, capturing the story and bringing it to life as he does so well here.
I've had this idea percolating in my head
for a while, as a way to highlight and
talk about both new and older
films,
since I enjoy both.
Before Ready Player One screened to a packed audience in The Paramount last night, Steven Spielberg took the stage and
talked animatedly about how much he loves Ernie Cline's book, and how he knew this was the right movie
for him to make because, «I've been a gamer
since 1974, when I played Pong on Martha's Vineyard while
filming Jaws.»
We haven't had a satisfying fictional look at the world of Mexican cartels
since «Traffic,» but Villeneuve's assembled a killer cast, including a much - deserved leading role
for the great Emily Blunt, and if this «dark poem» lives up to the director's promises, this could be one of the most
talked - about
films at the festival.
But this isn't
for that Zombieland sequel that most of the principals have been
talking about ever
since the first
film turned into a surprise hit.
I'm
talking Oscar - worthy cinematography here and what do you know, it just so happens that the
film has been lensed by Oscar winner Janusz Kaminski, i.e. the man responsible
for the visionary look of «Le Scaphandre and le papillon» and Spielberg's go - to guy
since «Schindler's List»!
I've been on the hunt
for info about the upcoming movie version of We Need to
Talk About Kevin
for almost a year now, but there hasn't been much news
since filming started in April.