Sentences with phrase «target audience for this film»

THIS CHRISTMAS Obviously I'm not the target audience for this film (read: I'm white), but as a fan of Mekhi Phifer, Delroy Lindo and Idris Elba (who plays Stringer Bell on The Wire), I may just end up checking it out anyway.

He's been one of my writing heroes since I was 11 years old — so I think that puts me pretty squarely in the target audience for his films.

Not exact matches

But for the film to work, it has to appeal to the targeted audience.

Showfilmfirst.com hold film previews for the target audience to review before they open.

Important messages and underlying themes surround Captain Underpants, a gorgeously animated film that is surprisingly effective and nostalgic for those who have grown up, and funny as hell for its target audience.

To be fair, I'm probably pretty far from the intended target audience for this movie, and I'm sure those who enjoyed the first two films will find plenty to like here.

As for the target audience, I have a lot of trepidation recommending the film to a general audience.

When I saw this for the first time at Sherlock Holmes; my friend thinks that this film is targeted to a much broader audience due to the fact that Morgan carried the trailer.

Luckily for the producers of this film, a PG - 13 rating was awarded, because now their target audience can be reached, namely 13 - year - old boys who find jokes about pooping, farting, belching, and urinating in one's pants to be the height of comedic glory.

Most of the film achieves this aim if only by travelling a completely predictable path; however, there are several out of place jokes hitting beyond the family realm that kids won't understand and are inappropriate for the target audience.

When the games commence, the triumphs of this film adaptation scurry to the forefront, including the sound design, and the score by T - Bone Burnett and James Newton Howard, which nicely steps in for the bloodcurdling screams of dying teens perhaps too terrible for the target YA audience.

I would have assumed my fellow critics, most of them years past the target audience, would loathe the film, which is loaded with the style and music of a generation behind them (with one cringeworthy tattoo parlor Wu - Tang Clan sing - along tossed in for good measure).

Critical responses have ranged from «dumb» to «winningly dumb», and it's fair to say the makers of Rampage weren't aiming for anything else, even from their target audience: the film's wink - wink stupidity is part of the CGI - heavy package.

Taken at face value, the film presents an engaging adventure tale for its target audience.

For the panda's target audience, children and younger teens, that will be just fine, and the film presents his adventures in wonderfully drawn Cinemascope animation.

After a six - picture run with Sony Classics, this time Allen has chosen to go with Amazon Studios for the film's domestic release on July 29, which will test the new distributor's ability to hit the auteur's target theatrical audience prior to home viewing availability.

The film's makers, including director R.J. Cutler and screenwriter Shauna Cross (working from Gayle Forman's novel), are clearly playing to a target audience — the same folks who lined up earlier this summer for the vastly superior The Fault in Our Stars — though they do so with dismayingly little effort to freshen up the formula.

The lesson of the film is taught in a way that might resonate with the target audience without alienating people who already knew that suffering is bad, both for the sufferers and for the people who inflict it.

It may seem strange that Tarantino manages to get away with telling such potentially provocative stories, but the fact of the matter is that slave owners and Nazis are easy targets for a revenge movie — the audience will have a hatred of them before the film has even started, so the filmmaker's job of encouraging us to revel in their killing is that much easier.

It's also telling how some who saw the film have pointed out that they, along with most of the people attending that screening, were basically the perfect audience for the film to pander to, which does call into question whether the positive reactions will be shared among those who aren't in the target demographic.

That the cast is played by actual teenagers (centered on the dramatically challenged Justice) and some barely in their twenties instead of older actors who only pass as teens to those years removed from high school underscores the film's target and its limited appeal for adult audiences, who can easily enjoy films like Mean Girls and Superbad.

If that shift is a nod to the film's target audience, it's probably spot on: this is a sanitised, bubble - wrapped picture of the global village that provides ersatz - serious viewing for those seeking reassurance about the big lie of the twenty - first century — that We're All In It Together.

Plenty of children, however, probably will be bored, unfortunately, and unwilling or unable to appreciate the poetry of the presentation, which should be evident for the niche audience that Sony Pictures Classics targeted in the film's limited North American theatrical release.

The younger adolescent audience that the film is targeting may get some chills out of the images of old ladies stalking sexually active teenagers — especially if they haven't seen The Shining — but those looking for the next big thing in horror will have to keep on looking because It Follows does as its name suggests — follows, but it never leads.

Club Dread starts in typical fashion for a dumb comedy, with the usual foul - mouthed gags tinged with sex and alcohol references that should no doubt appeal to the college age crowd that is the target audience for this kind of film.

They also deserve a certain amount of respect for what they've accomplished these past five years, including figuring out a way to lower production costs while maximizing their profits, and targeting a dependable niche audience dumb enough to see films like «Scary Movie» and «White Chicks.»

Series creator Robert Rodriguez had shown such respect for his target audience with the first two films, as he didn't dummy - down the story and presented two fleshed - out film.

Reflecting on the selection process, Iranian - born independent filmmaker and producer Shahin Yazdani, said: «As jurors we are obviously looking for films which have absorbing narratives, are engaging in their cinematic articulation and unique in their tone, but given the nature of SICFF, we are equally concerned about how artfully a film can convey some strong moral values to our target audience.»

We are offering your company the opportunity to reach a highly targeted audience by sponsoring the upcoming documentary film, A Voice for Lil Olive.

Showfilmfirst.com hold film previews for the target audience to review before they open.

Imagine how much more successful the salesperson would be if they knew in advance what films made the most money for the studio, which were the biggest losers, the target audience they wanted to reach and what kind of films the studio was looking for.

Showfilmfirst.com hold film previews for the target audience to review before they open.