My fear is the themes and topics covered in my fantasy series wouldn't be to
the taste of publishing houses.
Not exact matches
This excerpt is a
taste of what you need to know to build a platform so a top New York
Publishing House will consider you an author who deserves a six - figure book advance.
Get a
taste of what's hot, what's not, and what's next for manga in North America and Japan from top
publishing pros, including Kurt Hassler (publisher and managing director, Yen Press), Michael Gombos (director
of international
publishing and licensing, Dark Horse Comics), Ben Applegate (associate director, publisher services, Penguin Random
House), Erik Ko (chief
of operations, Udon Entertainment) and Stu Levy (TOKYOPOP).
You write in a vacuum or for a professor who frowns on genre; you workshop with other writers; you craft a query letter; you appeal to the
tastes of an intern at a literary agency; you claw your way out
of the slush pile; you hope to win over an editor at a major
publishing house; your book comes out a year later and sits spine - out on a bookshelf for six months; it gets returned to the publisher and goes out
of print; you start over.
I strongly believe your and my
taste regarding the likes and dislikes
of a particular book are more honest than a paid book reviewer a major
publishing house contracts with to have in a book's advertising materials, and my motto is to keep it short and sweet on the likes and dislikes without providing a Cliff's Notes version
of the book.