Sentences with phrase «taxidermy goat»

Formed with the use of mix media materials, including a taxidermy goat, the piece pushed many buttons in the art community.
The work, considered a «combine,» juxtaposes seemingly unrelated objects — including a painted taxidermy goat, a car tire and a tennis ball.
These are Rhyme (1956; Fractional and promised gift of Agnes Gund in honor of Richard E. Oldenberg to the Museum of Modern Art), which in an early state was paired with the famed taxidermy goat of Monogram (1955 — 59; Moderna Museet, Stockholm), and Painting with Red Letter S (1957; Albright - Knox Art Gallery, Buffalo), whose square format, isolated painterly daubs, and matter - of - fact title mirror those of Gloria.
LONDON (AP)-- Paintings, prints, sculptures and a taxidermy goat are on display in the first posthumous retrospective devoted to pop - art pioneer Robert Rauschenberg.
Iconic works from his six decade career include large - scale pop art screen prints picturing the likes of JF Kennedy; Monogram, a paint splattered taxidermy goat in a car tyre surrounded by street signs; and Bed, soiled sheets spattered with brushmarks.
Iconic works from his six - decade career include large - scale pop art screen prints picturing the likes of JF Kennedy; Monogram, a paint splattered taxidermy goat in a car tyre surrounded by street signs; and Bed, soiled sheets spattered with brushmarks.
Specifically, Rauschenberg's famous combine Monogram (1955 - 59, Moderne Museet, Stockholm, Sweden), which featured a taxidermied goat adorned with an automobile tire and mounted on a wooden platform, had a profound effect and signaled to Bauermeister the artistic freedom the United States, and New York especially, could offer her that Germany at the time could not.
There are classic examples here, and they're plain great, art as rich, perplexing and permission - giving to other artists as anything the 20th century offered: «Monogram,» with its regal, tire - girdled, taxidermied goat; «Short Circuit,» with its cabinet of funky all - American treasures, from Judy Garland's autograph, to a print of Abraham Lincoln's face, to a Johns flag painting, or rather an Elaine Sturtevant version of the same, replacing a Johns that someone had walked off with.
On the walls, if one could focus on the walls, were four new paintings of the taxidermied goat that Schnabel keeps in his New York studio.

Not exact matches

Goats, hessian & taxidermy are all in my top 200 of things that frighten me, but I'd happily sleep in a house with this stunning head on the wall.
«DNA from taxidermy specimens explains genetic structure of British and Irish goats
Oil, paper, fabric, printed reproductions, metal, wood, rubber shoe - heel, and tennis ball on two conjoined canvases with oil on taxidermied Angora goat with brass plaque and rubber tire on wood platform mounted on four casters, 42 × 53 1/4 × 64 1/2 in.
Two rarely lent works are included: «Charlene» (1954), the last and largest from the artist's series of «Red Paintings», and «Monogram» (1955 — 59), Rauschenberg's famous «Combine» assembled from a taxidermied angora goat and a tire, positioned on a painted and collaged wooden platform.
In this solo exhibition of installation - based works, Taku Dazai employs a taxidermied cast of characters — a rattlesnake, an owl, a mountain goat and a mouse — in order to explore boyhood fascination with animals in battle.
When he flooded his silkscreens with images of JFK and rocket launches snatched from newspapers, magazines or TV; when he affixed a taxidermied bald eagle to a painting («Canyon») or made an Angora goat encircled by a rubber tire the centerpiece of a combine («Monogram»); when he riveted road signs and car parts together in a sculpture («Stop Side Early Winter Glut»), he was pursuing an omnivorous communal imperative.
Jennifer Catron A Feat of Extraordinary Nature: The Ballad of Newnimals and Vegemals, 2009 Performance, Newnimals — taxidermied ram, goat, bear, deer (all modified), Vegemals — hybrids of mice and plastic vegetables, 156» x 120» x 144»
The most famous of the combines is Monogram (1955 - 59), a taxidermied Alpaca goat with a tire around its waist, standing on a silk - screened painting, which features prominently in the exhibit.
Combine: oil, paper, fabric, printed reproductions, metal, wood, rubber shoe - heel, and tennis ball on two conjoined canvases with oil on taxidermied Angora goat with brass plaque and rubber tire on wood platform mounted on four casters.
Among its many highlights, Robert Rauschenberg presents the artist's widely celebrated Combines (1954 — 64) and silkscreen paintings (1962 — 64) in fresh ways, including two rarely lent works: Charlene (1954), the last and largest from the artist's series of Red Paintings, which incorporates mirrors, part of a man's undershirt, an umbrella, comic strips, and a light that flashes on and off; and Monogram (1955 — 59), Rauschenberg's famous Combine assembled from a taxidermied angora goat and a tire, positioned on a painted and collaged wooden platform.
She had an unconventional upbringing, raised in the country alongside goats, llamas, hens, hamsters and every other popular domesticated animal, but only discovered taxidermy some years after coming to live in London at 18.
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