She teaches Modern and Contemporary Art, Theory, and Criticism in the Department of Art at Sam Houston State University.
Duran
teaches Modern and Contemporary Art at the University of Nebraska - Omaha, prior to which he was on the faculty of the Memphis College of Art.
She holds a PhD in Art History from USC,
teaches Modern and Contemporary Art at Loyola Marymount University, and writes for Flash Art, Art in America and KCET Artbound.
Rosalyn Deutsche
teaches modern and contemporary art at Barnard College / Columbia University.
He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and
taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arts.
Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and
taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arts.
George Baker is associate professor of art history at UCLA, where he has
taught modern and contemporary art and theory since 2003.
She has
taught modern and contemporary art at Mills College, San Francisco State University, and City College San Francisco.
Not exact matches
He has been included in numerous significant group exhibitions including Display — between
art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); In
arts & crafts, Applied
Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); In
Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama
Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
Art Summit (2016), Viehof Collection: International
Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of
Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); In
Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of
Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
Art, New York (2012);
Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of
Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang
Teaching Museum
and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Ind
Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.
Ackland
Art Museum, Chapel Hill, North Carolina Addison Gallery of American
Art, Andover, Massachusetts Albright — Knox
Art Gallery, Buffalo, New York Allen Memorial
Art Museum at Oberlin College, Oberlin, Ohio The
Art Institute of Chicago Berardo Museum - Collection of
Modern and Contemporary Art, Lisbon, Portugal Birmingham Museum of
Art, Alabama Blanton Museum of
Art at the University of Texas, Austin, Texas Boca Raton Museum of
Art, Boca Raton, Florida Brooklyn Museum, Brooklyn, New York Butler Institute of American
Art, Youngstown, Ohio Carnegie Museum of
Art, Pittsburgh Fondation Cartier pour l'
Art Contemporain, Paris, France Castellani
Art Museum, Niagara University, Lewiston, New York Cleveland Museum of
Art, Ohio Colby College Museum of
Art, Waterville, Maine Cranbrook
Art Museum, Bloomfield Hills, Michigan Crystal Bridges Museum of American
Art Currier Museum of
Art, Manchester, New Hampshire Dallas Museum of
Art, Texas The Dayton
Art Institute, Dayton, Ohio Denver
Art Museum, Colorado Des Moines
Art Center, Des Moines, Iowa Detroit Institute of
Arts, Detroit, Michigan The Empire State Plaza
Art Collection, Albany Fonds National d'
Art Contemporain, Puteaux, France Fonds Régional d'
Art Contemporain - Haute - Normandie, Sotteville - lès - Rouen, France Fonds Régional d'
Art Contemporain - Provence - Alpes - Côte d'Azur, Marseille, France Foundation de 11 Lijnen, Oudenburg, Belgium Georgia Museum of
Art, University of Georgia, Athens J. Paul Getty Trust, Los Angeles, California Haggerty Museum of
Art at Marquette University, Milwaukee, Wisconsin Hammer Museum, University of California, Los Angeles Harvard
Art Museums, Fogg Museum, Cambridge, Massachusetts Hirshhorn Museum
and Sculpture Garden, Washington, DC Hofstra University Museum, Hempstead, New York Hood Museum of
Art, Dartmouth College, Hanover, New Hampshire Indianapolis Museum of
Art, Indiana Iwaki City
Art Museum, Japan Kemper Museum of
Contemporary Art, Kansas City, Missouri The
Art Museum at the University of Kentucky, Lexington, Kentucky LAAC - Lieu d'
Art et Action Contemporaine de Dunkerque, Dunkerque, France Linda Pace Foundation, San Antonio, Texas Los Angeles County Museum of
Art, Los Angeles, California LVMH Moet Hennessy Louis Vuitton Foundation, Paris, France Fondation Maeght, Saint - Paul, France The McNay
Art Museum, San Antonio, Texas Magasin 3 Stockholm Konsthall, Sweden The Metropolitan Museum of
Art, New York Milwaukee
Art Museum, Milwaukee, Wisconsin Minnesota Museum of American
Art, Saint Paul, Minnesota
Modern Art Museum of Fort Worth, Fort Worth, Texas Musée de l'Hospice Saint - Roch, Issoudun, France Musée des Beaux -
Arts de Caen, Caen, France Musée des Beaux -
Arts de Montréal, Canada Musée National d'
Art Moderne, Centre Georges Pompidou, Paris, France Museum of
Contemporary Art, Jacksonville, Florida Museum of Fine
Arts, Boston, Massachusetts The Museum of Fine
Arts, Houston, Texas The Museum of
Modern Art, New York National Gallery of
Art, Washington, DC National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne, Australia National Museum of Women in the
Arts, Washington, DC Osaka City
Art Museum of
Modern Art, Japan Peggy Guggenheim Collection, Venice, Italy Philadelphia Museum of
Art, Philadelphia, Pennsylvania The Phillips Collection, Washington, DC Rhode Island School of Design Museum of
Art, Providence Saint Louis
Art Museum, Missouri Samsung Museum, Seoul, South Korea San Francisco Museum of
Modern Art, San Francisco, California Seattle
Art Museum, Seattle, Washington Shizuoka Prefectural Museum of
Art, Shizuoka — shi, Japan Smart Museum of
Art at the University of Chicago, Illinois Smith College Museum of
Art, Northampton, Massachusetts Smithsonian American
Art Museum, Washington, DC The Solomon R. Guggenheim Museum, New York The Frances Young Tang
Teaching Museum
and Art Gallery at Skidmore College, Saratoga Springs, New York Stanford University, Anderson Collection, Palo Alto, California The Tate Gallery, London, England Ulrich Museum of
Art, Wichita State University, Wichita, Kansas Ulster Museum, Belfast, Northern Ireland University of California, Berkeley
Art Museum, Berkeley University of Iowa Museum of
Art, Iowa City (work is currently on loan to Figge
Art Musem) University of Michigan Museum of
Art, Ann Arbor Vancouver
Art Gallery, Vancouver, British Columbia, Canada Frances Lehman Loeb
Art Center, Vassar College, Poughkeepsie, New York University of Virginia
Art Museum, Charlottesville Walker
Art Center, Minneapolis, Minnesota Weatherspoon
Art Museum, University of North Carolina at Greensboro Whitney Museum of American
Art, New York Williams College Museum of
Art, Williamstown, Massachusetts Worcester
Art Museum, Worcester, Massachusetts Yale University
Art Gallery, New Haven, Connecticut
This major touring exhibition organized by the National Gallery of
Art (Washington, DC) examines the shifting identity of American self - taught artists and offers an unprecedented overview of their profound impact on the evolution of modern and contemporary a
Art (Washington, DC) examines the shifting identity of American self -
taught artists
and offers an unprecedented overview of their profound impact on the evolution of
modern and contemporary artart.
Ms. Yun is also a frequent lecturer on
modern and contemporary Chinese art and has taught at SUNY New Paltz, Columbia University, and The Museum of Moder
modern and contemporary Chinese
art and has taught at SUNY New Paltz, Columbia University, and The Museum of Modern A
art and has
taught at SUNY New Paltz, Columbia University,
and The Museum of
ModernModern ArtArt.
Passages: Walking in
Contemporary Art, Perlman
Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang
Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of
Contemporary Art, China (2015); The Persistence of Images, Redtory
Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography
Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times
Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'
Art Contemporain, Villeurbanne, France (2009);
and 55 Days in Valencia, Chinese
Art Meeting, Institut Valencia d'
Art Modern, Valencia, Spain (2008).
Jennie Goldstein, a Joan Tisch
Teaching Fellow at the Whitney Museum since 2011, is currently a Ph.D. candidate in
art history at Stony Brook University where she studies late
modern and contemporary art.
Before
teaching at Goldsmiths, Dyangani Ose was Curator of International
Art at Tate
Modern,
and curated the 2015 Göteborg International Biennial for
Contemporary Art.
Prior to joining the curatorial staff of The Museum of
Modern Art, Pobocha was a Joan Tisch Teaching Fellow at the Whitney Museum of American Art, New York where she lectured on a broad range of subjects in contemporary and moder
Modern Art, Pobocha was a Joan Tisch Teaching Fellow at the Whitney Museum of American Art, New York where she lectured on a broad range of subjects in contemporary and modern a
Art, Pobocha was a Joan Tisch
Teaching Fellow at the Whitney Museum of American
Art, New York where she lectured on a broad range of subjects in contemporary and modern a
Art, New York where she lectured on a broad range of subjects in
contemporary and modernmodern artart.
Presently, Max is an adjunct professor in the Department of History of
Art at Hunter College in New York City, where he
teaches graduate
and undergraduate courses on
Modern and Contemporary Art.
Erika Doss is professor of American Studies at the University of Notre Dame where she
teaches courses in
modern and contemporary American
art and culture.
She is professor of
modern and contemporary art,
art theory,
and historiography at the Universidad Iberoamericana
and has
taught at the Universidad Nacional Autónoma de México (UNAM) in Mexico City.
With more than 15,000 works of
art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
art in its permanent collection, the High Museum of
Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
Art has an extensive anthology of 19th -
and 20th - century American
art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
art; a significant collection of historical
and contemporary decorative
arts and design; significant holdings of European paintings; a growing collection of African - American
art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
art;
and burgeoning collections of
modern and contemporary art, photography, folk and self - taught art, and African a
art, photography, folk
and self -
taught art, and African a
art,
and African
artart.
Robert Slifkin is an Associate Professor of Fine
Arts at the Institute of Fine
Arts, New York University where he
teaches courses addressing various aspects of
modern and contemporary art and culture.
Since 1990 Cruzvillegas has
taught, lectured, given tutorials,
and coordinated seminars
and workshops at the DIA
Art Foundation, Malmö
Art Academy, Ruskin College / Oxford, Duke University, NYU, Glasgow School of
Art, CalArts, the New Museum, California College for the
Arts, the Nasher Museum of
Art, the Museum of
Contemporary Art Chicago, Tate
Modern, the Guggenheim Museum, the University of Houston, Universidad Nacional Iberoamericana, Universidad de Guanajuato, Tamayo Museum, Centro de la Imagen, Centro Nacional de las Artes, Universidad de Sonora, Universidad de Las Américas, San Francisco
Art Institute, UCLA, UCSD, ENAP - UNAM,
and La Esmeralda, among others.
Ms. Aranda - Alvarado is currently on the faculty of the
Art and Art History Department at The City College of New York, where she is teaching a course on Contemporary U.S. Latinx Art and has taught courses in Modern and Contemporary Latin American a
Art and Art History Department at The City College of New York, where she is teaching a course on Contemporary U.S. Latinx Art and has taught courses in Modern and Contemporary Latin American a
Art History Department at The City College of New York, where she is
teaching a course on
Contemporary U.S. Latinx
Art and has taught courses in Modern and Contemporary Latin American a
Art and has
taught courses in
Modern and Contemporary Latin American
artart.
Instructor: Jennie Goldstein, a Joan Tisch
Teaching Fellow at the Whitney Museum since 2011, is currently a Ph.D. candidate in
art history at Stony Brook University where she studies late
modern and contemporary art.
With more than 15,000 works of
art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
art in its permanent collection, the High Museum of
Art has an extensive anthology of 19th - and 20th - century American art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
Art has an extensive anthology of 19th -
and 20th - century American
art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
art; a substantial collection of historical
and contemporary decorative
arts and design; significant holdings of European paintings; a growing collection of African American
art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African a
art;
and burgeoning collections of
modern and contemporary art, photography, folk and self - taught art, and African a
art, photography, folk
and self -
taught art, and African a
art,
and African
artart.
Ostendarp (American, b. 1961) has
taught and exhibited widely,
and his artwork is held in the collections of the
Art Institute of Chicago, the Museum of
Contemporary Art (Los Angeles), the San Francisco Museum of
Modern Art, the Walker
Art Center (Minneapolis),
and the Whitney Museum of American
Art, among other museums.
Instructors: Jennie Goldstein, a Joan Tisch
Teaching Fellow at the Whitney Museum since 2011, is currently a Ph.D. candidate in
art history at Stony Brook University where she studies late
modern and contemporary art.
Subjects regularly
taught by the five full - time faculty include: Pre-Columbian
Art; Medieval Art; Northern Renaissance and Baroque Art; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of Photograp
Art; Medieval
Art; Northern Renaissance and Baroque Art; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of Photograp
Art; Northern Renaissance
and Baroque
Art; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of Photograp
Art; courses in a broad range of
modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of Photograp
art and issues in Europe, the U.S.,
and Latin America;
and the History of Photography.
She
taught art history at New York University
and has lectured widely on
modern and contemporary art.
Her work is included in multiple museum collections including the Los Angeles County Museum of
Art, California; San Francisco Museum of
Modern Art, California; Blanton Museum of
Art, The University of Texas at Austin; Frances Young Tang
Teaching Museum
and Art Gallery, Skidmore College, New York; North Carolina Museum of
Art; Museum of
Contemporary Art San Diego, California;
and San Antonio Museum of
Art, Texas.
Surrounding his work with pieces by artists he admired (like Gérôme),
contemporaries with overlapping styles (from James Ensor to American self -
taught artists),
and those who followed in his footsteps (Frida Kahlo), it provides a fresh look at a figure whose role in the birth of
modern art is sometimes understated.
He has a strong sense of Bay Area
art traditions — his father is a second - generation Abstract Expressionist painter who
taught art at De Anza High School in Richmond — as well being interested in a wide range of
modern and contemporary artists from many countries.
«
Taught in both academic institutions
and community education centers, printmaking has long held a prominent place in South African
modern and contemporary art,» said Dr. Amanda Gilvin, Assistant Curator,
and curator of the exhibition.
Mr. Axsom
taught classes in
modern and contemporary art at the University of Michigan for 28 years
and is the author of eight books on prominent
contemporary American artists.
Sharon Hayes» selected solo exhibitions include Public Appearances, Tanya Leighton Gallery, Berlin, Germany (2013); There's so much I want to say to you, The Whitney Museum of American
Art, New York, NY (2012); Habla, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (2012); Elevator Music 20: Sharon Hayes, The Frances Young Tang
Teaching Museum
and Art Gallery, Saratoga Springs, NY (2012); 9 Scripts from a Nation at War (collaboration), Museum of
Modern Art, New York, NY (2012); focus: Sharon Hayes, The
Art Institute of Chicago, Chicago, IL (2011); In the near future, Vancouver
Contemporary Art Gallery, Vancouver, British Columbia, Canada (2011),
and others.
He has published on the relationship between performance
and its media in journals
and edited collections,
and has
taught courses on
modern and contemporary art at Brooklyn College, CUNY and the Museum of Modern Art, New
modern and contemporary art at Brooklyn College, CUNY and the Museum of Modern Art, New Yo
art at Brooklyn College, CUNY
and the Museum of
Modern Art, New
Modern Art, New Yo
Art, New York.
Molly Nesbit (born October 21, 1952) is a contributing editor at Artforum
and a Professor of
Art at Vassar College, where she writes and teaches on modern and contemporary art, film, and photograp
Art at Vassar College, where she writes
and teaches on
modern and contemporary art, film, and photograp
art, film,
and photography.
Dr. Reilly has
taught contemporary art history at Tufts University, written art criticism for Art in America, and has worked as a Public Programs Lecturer in the Education Department at the Museum of Modern Art (MoM
art history at Tufts University, written
art criticism for Art in America, and has worked as a Public Programs Lecturer in the Education Department at the Museum of Modern Art (MoM
art criticism for
Art in America, and has worked as a Public Programs Lecturer in the Education Department at the Museum of Modern Art (MoM
Art in America,
and has worked as a Public Programs Lecturer in the Education Department at the Museum of
Modern Art (MoM
Art (MoMA).
Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle on 57th Street 1 Part 1: Lessons
and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A
Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice
and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting
and Encaustic 203 James L. McElhinney: Journal Painting
and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning
and Teaching 251 Knox Martin: Learning from Old
and Modern Masters 269 Concours: Painting
and the Public at the
Art Students League by Dr. Jillian Russo 282 Index 286
With a PhD in Theory
and History of the
Arts, she has
taught History of
Modern and Contemporary Art since 2008 at Bocconi University in Milano.
The curators at Stanford's Iris
and B. Gerald Cantor Center for Visual
Arts, mindful of working for a
teaching museum, have given some thematic order to «Picasso to Thiebaud:
Modern and Contemporary Art From the Collections of Stanford University Alumni
and Friends.»
They have had one - person exhibitions at the San Francisco Museum of
Modern Art; University
Art Museum, Berkeley;
Contemporary Arts Museum, Houston,
and the Tang
Teaching Museum at Skidmore College
and their works are in the permanent collections of The Museum of
Modern Art, The Whitney Museum, Los Angeles Museum of
Contemporary Art, the Brooklyn Museum, The Studio Museum in Harlem,
and many others.
Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of
Modern and Contemporary Art, who has
taught the undergraduate course History
and Theory of Curatorial Practice, part of the new Concentration in Museum Theory
and Practice, a collaboration between the Nasher Museum
and Duke's Department of
Art,
Art History & Visual Studies.
The 2014 edition is curated by Stuart Comer, chief curator of media
and performance at New York's Museum of
Modern Art; Anthony Elms, associate curator at the Institute of
Contemporary Art Philadelphia;
and Michelle Grabner, an artist
and curator who
teaches at the School of the
Art Institute of Chicago
and at Yale University.
«Ernest C Withers
and Glenn Ligon: I Am A Man
Teaching Galleries One
and Two,»
Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — Febru
Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American
Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California
Modern,» Orange County Museum of
Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members
and Recipients of Honors
and Awards,» American Academy of
Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies:
Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — Febru
Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present:
Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — Febru
Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art and Memory,» Museum of Fine
Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series,
and Sets,» Des Moines
Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of
contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — Febru
contemporary african - american
art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
art,» Zacheta National Gallery of
Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park
Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process
and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop
and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1
Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — Febru
Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting
and Sculpture,» American Academy of
Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of
Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American
Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
Geselecteerde solotentoonstellingen van Sharon Hayes zijn onder andere Public Appearances, Tanya Leighton Gallery, Berlijn, Duitsland (2013); There's so much I want to say to you, The Whitney Museum of American
Art, New York, NY (2012); Habla, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spanje (2012); Elevator Music 20: Sharon Hayes, The Frances Young Tang
Teaching Museum
and Art Gallery, Saratoga Springs, NY (2012); 9 Scripts from a Nation at War (samenwerking), Museum of
Modern Art, New York, NY (2012); focus: Sharon Hayes, The
Art Institute of Chicago, Chicago, IL (2011); In the near future, Vancouver
Contemporary Art Gallery, Vancouver, British Columbia, Canada (2011).
Other jurors are Ian Berry, director of The Frances Young Tang
Teaching Museum
and Art Gallery at Skidmore College; Lauren Haynes, curator of contemporary art at Crystal Bridges Museum of American Art; Eungie Joo, curator of contemporary art at the San Francisco Museum of Modern Art and Lilian Tone, assistant curator in the Department of Painting and Sculpture, at the Museum of Modern A
Art Gallery at Skidmore College; Lauren Haynes, curator of
contemporary art at Crystal Bridges Museum of American Art; Eungie Joo, curator of contemporary art at the San Francisco Museum of Modern Art and Lilian Tone, assistant curator in the Department of Painting and Sculpture, at the Museum of Modern A
art at Crystal Bridges Museum of American
Art; Eungie Joo, curator of contemporary art at the San Francisco Museum of Modern Art and Lilian Tone, assistant curator in the Department of Painting and Sculpture, at the Museum of Modern A
Art; Eungie Joo, curator of
contemporary art at the San Francisco Museum of Modern Art and Lilian Tone, assistant curator in the Department of Painting and Sculpture, at the Museum of Modern A
art at the San Francisco Museum of
Modern Art and Lilian Tone, assistant curator in the Department of Painting and Sculpture, at the Museum of Modern A
Art and Lilian Tone, assistant curator in the Department of Painting
and Sculpture, at the Museum of
Modern ArtArt.
The artist recipient of the 2020 Prize will be announced in July 2018, chosen by this year's independent advisory committee, which includes: Ian Berry, Dayton Director of The Frances Young Tang
Teaching Museum
and Art Gallery
and Professor of Liberal
Arts at Skidmore College, Saratoga Springs, NY; Lauren Haynes, Curator,
Contemporary Art at Crystal Bridges Museum of American
Art, Bentonville, AR; Eungie Joo, Curator of
Contemporary Art, San Francisco Museum of
Modern Art, San Francisco, CA; Helen Molesworth, critic;
and Lilian Tone, Assistant Curator, Department of Painting
and Sculpture, The Museum of
Modern Art, New York, NY; along with institutional advisors Heather Pesanti, Chief Curator
and Director of Curatorial Affairs at The
Contemporary Austin,
and Stephanie Roach, Director of The FLAG
Art Foundation.
The Sheldon Memorial
Art Gallery, University of Nebraska, Lincoln Nelson - Atkins Museum of
Art, Kansas City, MO Newark Museum, NJ Orange County Museum of
Art, Newport Beach, CA Neuberger Museum of
Art, Purchase, NY Allen Memorial
Art Museum, Oberlin College, OH Parrish
Art Museum, Watermill, NY The Phillips Collection, Washington, D.C. Princeton University
Art Museum, NJ Portland
Art Museum, OR Rhode Island School of Design Museum, Providence, RI John
and Mable Ringling Museum of
Art, Florida State University, Sarasota Rose
Art Museum, Brandeis University, Waltham, MA Museum of
Contemporary Art, San Diego, CA San Francisco Museum of
Modern Art, CA San Jose State University, CA Seattle
Art Museum, WA Smith College Museum of
Art, Northampton, MA South Mall, Albany, NY Stanford University Museum of
Art, Stanford, CA University of Northern Iowa, Cedar Falls Stedelijk Museum, Amsterdam St. Louis
Art Museum, MO City
Art Museum of St. Louis, MO Tang
Teaching Museum
and Art Gallery, Skidmore College, Saratoga Springs, NY Tate
Modern, London U.S. State Department Collection, Hagerstown, MD Vassar College, Poughkeepsie, NY Virginia Museum of Fine
Arts, Richmond The Fralin Museum of
Art, University of Virginia, Charlottesville, VA Walker
Art Center, Minneapolis, MN Washington University, St. Louis, MO Whitney Museum of American
Art, New York Williams College Museum of
Art, Williamstown, MA Wight Gallery, University of California, Los Angeles Worcester
Art Museum, MA Yale University
Art Gallery, New Haven, CT
Albright - Knox
Art Gallery, Buffalo, NY
Art, Design & Architecture Museum, University of California, Santa Barbara, CA Birmingham Museum of
Art, AL Carnegie Museum of
Art, Pittsburgh, PA Center for Creative Photography, The University of Arizona, Tucson, AZ Centro Cultural Arte Contemporaneo, Mexico City, Mexico Currier Museum of
Art, Manchester, NH J. Paul Getty Museum, Los Angeles, CA Groninger Museum, Groninger, Netherlands Guggenheim Museum, New York, NY Hammer Museum, Los Angeles, CA Samuel P. Harn Museum of
Art, University of Florida, Gainesville, FL Heide Museum of
Modern Art, Melbourne, Australia Henry
Art Gallery, University of Washington, Seattle, WA The Israel Museum, Jerusalem, Israel Mildred Lane Kemper
Art Museum, Saint Louis, MO Library of Congress, Washington, DC Leslie Lohman Museum of Gay
and Lesbian
Art, New York, NY Long Beach Museum of
Art, CA Los Angeles County Museum of
Art, CA Louisiana Museum of
Modern Art, Humlebæk, Denmark
Modern Art Museum Fort Worth, TX Montreal Museum of Fine
Arts, Canada Museum of
Contemporary Art, Los Angeles, CA Museum of
Contemporary Art, Chicago, IL Museum of
Contemporary Art, North Miami, FL Museum of
Contemporary Art San Diego, La Jolla, CA Museum of Fine
Arts, Boston, MA The Museum of Fine
Arts, Houston, TX Museum of
Modern Art, New York, NY National Portrait Gallery, Smithsonian Institution, Washington, DC Nevada Museum of
Art, Reno, NV New Orleans Museum of
Art, LA NSU
Art Museum Fort Lauderdale, FL Orange County Museum of
Art, Newport Beach, CA Perez
Art Museum Miami, FL Saint Louis
Art Museum, MO San Francisco Museum of
Modern Art, CA Seattle
Art Museum, WA Sheldon Museum of
Art, Lincoln, NE Si Shang
Art Museum, Beijing, China The Frances Young Tang
Teaching Museum
and Art Gallery, Skidmore College, Saratoga Springs, NY Tate, London, UK Walker
Art Center, Minneapolis, MN Whitney Museum of American
Art, New York, NY Worcester
Art Museum, Worcester, MA Yale University
Art Gallery, New Haven, CT