He has also been
teaching curatorial practices in different postgraduates and MA programs, as in Honours in Curatorship of Michaelis University of Cape Town or the Independent Studies Program of MACBA in Barcelona, and now being the annual tutor professor of École du Magasin in Grenoble.
She teaches curatorial practice and contemporary visual art at UBC and Emily Carr University of Art + Design, Vancouver, and is currently Course Leader of ECUAD's Low Residence Masters of Applied Art program.
These galleries will present a forum in which to
teach curatorial practice and exhibition - making, providing the chance for both undergraduates and graduate students to learn how to «spatialize» arguments using artworks and other objects.
Not exact matches
Berry is a leader in the field of college and university museums, and is a regular speaker on interdisciplinary and inventive
curatorial practice and
teaching in museums.
She has been a visiting lecturer and critic at numerous art schools and other institutions throughout the country, and
taught seminars on
curatorial practice and contemporary art at Art Center College of Design in Pasadena and the Rhode Island School of Design.
A contributing editor with Fuse, Jacques also sits on the board of directors of Vtape and
teaches in the
Curatorial and Critical
Practice program at OCAD University.
Debbie joined Hauser & Wirth Somerset from Bath Spa University where, since 2004, she worked as an Associate Lecturer
teaching Critical Studies, Fine Art and
Curatorial Practice.
With a focus upon artistic and
curatorial practices from the 1960's to the present day, the expansion creates a unique platform for research, exhibition preparation, and
teaching.
Since 1994, the Center for
Curatorial Studies and its graduate program have provided one of the world's most forward - thinking
teaching and learning environments for the research and
practice of contemporary art and curatorship.
Abigail is the Grant Administrator for the Propeller Fund and she
teaches courses at School of the Art Institute of Chicago on social and
curatorial practice.
Alongside
teaching in the Graduate Program in
Curatorial Practice at California College of the Arts since the program's inception in 2003, he is a member (with Joanna Szupinska - Myers) of the curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibiti
Curatorial Practice at California College of the Arts since the program's inception in 2003, he is a member (with Joanna Szupinska - Myers) of the
curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibiti
curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibition making.
Wyman
teaches in the faculties of Liberal Studies and Art (Criticism and
Curatorial Practice), and supervises graduate students in the CCP and IAMD programs.
In Spring 2011, I was invited by Rene de Guzman, senior curator of art at the Oakland Museum of California, to be a visiting lecturer in a course that he was
teaching in the
Curatorial Practice graduate program at the California College of Art (CCA), San Francisco.
In 2010, she co-founded Node Center, establishing it as a place for
teaching researching, and experimenting with subjects related to
curatorial studies and contemporary art
practices.
He
teaches and has run workshops on
curatorial and publishing
practice internationally.
Following graduation from UTSA, she returned to Dallas where she continued her studio
practice along with
teaching and
curatorial endeavors at Red Arrow Contemporary.
María del Carmen Carrión is an independent curator and art critic, who received an MA from the
Curatorial Practice Program at California College of the Arts, in San Francisco, and
taught at Universidad Católica in Quito.
Candidates must have an advanced postgraduate degree (M.A., M.F.A, or Ph.D.) in a field pertinent to the graduate program, close familiarity with the contemporary visual arts and current
curatorial and exhibition
practice, and significant experience
teaching at the graduate level.
In addition to her
curatorial work, Golden
teaches, lectures, and writes about contemporary art, cultural issues, and the
curatorial practice nationally and internationally.
A significant proportion of this is taken from the gallery's own impressive collection of folk and self -
taught art, offering a fascinating insight into the increasing importance of peripheral work in contemporary
curatorial practice.
Berry is a leader in the field of college and university museums, and is a regular speaker on interdisciplinary and inventive
curatorial practice and
teaching in museums, and he is well known for his active publication record including monographs on artists Terry Adkins, Nancy Grossman, Corita Kent, Nicholas Krushenick, Tim Rollins and K.O.S., Alma Thomas, and Fred Tomaselli.
Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has
taught the undergraduate course History and Theory of
Curatorial Practice, part of the new Concentration in Museum Theory and
Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.
She is currently an adjunct professor at California College of the Arts
teaching in the Graduate Program in
Curatorial Practice.
The author of three books of poetry and numerous exhibition catalogs, Pritikin has
taught in the graduate
curatorial practice program of California College of the Arts since 2003.
James has
taught seminars on
curatorial practice and contemporary art at ArtCenter College of Design and the Rhode Island School of Design.
Through their research, writing, lectures, and
curatorial projects, Donahue and Ortiz share insight informed by extensive experience in this field as
practicing artists, artist facilitators, dedicated disability rights advocates, and most significantly in building and co-managing a studio for eighty self -
taught artists with developmental disabilities in Nevada.
In addition to her studio
practice, Donahue has maintained the ongoing interdisciplinary project Disparate Minds with collaborator Tim Ortiz since 2014, the scope of which includes
curatorial projects, exhibition reviews, essays, and research dedicated to discussing the work of marginalized self -
taught artists in the context of contemporary art.
Alongside
teaching in the department of
Curatorial Practice since the program's inception in 2003, he is a member (with Joanna Szupinska) of the curatorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibition
Curatorial Practice since the program's inception in 2003, he is a member (with Joanna Szupinska) of the
curatorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibition
curatorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibition - making.
Her
curatorial practice operates across exhibitions, writing, public speaking, and
teaching.
She has also
taught professional development,
curatorial practice and art history at the Corcoran College of Art + Design, American University, and St. Mary's College of Maryland.