Sentences with phrase «teaching curatorial practices»

He has also been teaching curatorial practices in different postgraduates and MA programs, as in Honours in Curatorship of Michaelis University of Cape Town or the Independent Studies Program of MACBA in Barcelona, and now being the annual tutor professor of École du Magasin in Grenoble.
She teaches curatorial practice and contemporary visual art at UBC and Emily Carr University of Art + Design, Vancouver, and is currently Course Leader of ECUAD's Low Residence Masters of Applied Art program.
These galleries will present a forum in which to teach curatorial practice and exhibition - making, providing the chance for both undergraduates and graduate students to learn how to «spatialize» arguments using artworks and other objects.

Not exact matches

Berry is a leader in the field of college and university museums, and is a regular speaker on interdisciplinary and inventive curatorial practice and teaching in museums.
She has been a visiting lecturer and critic at numerous art schools and other institutions throughout the country, and taught seminars on curatorial practice and contemporary art at Art Center College of Design in Pasadena and the Rhode Island School of Design.
A contributing editor with Fuse, Jacques also sits on the board of directors of Vtape and teaches in the Curatorial and Critical Practice program at OCAD University.
Debbie joined Hauser & Wirth Somerset from Bath Spa University where, since 2004, she worked as an Associate Lecturer teaching Critical Studies, Fine Art and Curatorial Practice.
With a focus upon artistic and curatorial practices from the 1960's to the present day, the expansion creates a unique platform for research, exhibition preparation, and teaching.
Since 1994, the Center for Curatorial Studies and its graduate program have provided one of the world's most forward - thinking teaching and learning environments for the research and practice of contemporary art and curatorship.
Abigail is the Grant Administrator for the Propeller Fund and she teaches courses at School of the Art Institute of Chicago on social and curatorial practice.
Alongside teaching in the Graduate Program in Curatorial Practice at California College of the Arts since the program's inception in 2003, he is a member (with Joanna Szupinska - Myers) of the curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibitiCuratorial Practice at California College of the Arts since the program's inception in 2003, he is a member (with Joanna Szupinska - Myers) of the curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibiticuratorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibition making.
Wyman teaches in the faculties of Liberal Studies and Art (Criticism and Curatorial Practice), and supervises graduate students in the CCP and IAMD programs.
In Spring 2011, I was invited by Rene de Guzman, senior curator of art at the Oakland Museum of California, to be a visiting lecturer in a course that he was teaching in the Curatorial Practice graduate program at the California College of Art (CCA), San Francisco.
In 2010, she co-founded Node Center, establishing it as a place for teaching researching, and experimenting with subjects related to curatorial studies and contemporary art practices.
He teaches and has run workshops on curatorial and publishing practice internationally.
Following graduation from UTSA, she returned to Dallas where she continued her studio practice along with teaching and curatorial endeavors at Red Arrow Contemporary.
María del Carmen Carrión is an independent curator and art critic, who received an MA from the Curatorial Practice Program at California College of the Arts, in San Francisco, and taught at Universidad Católica in Quito.
Candidates must have an advanced postgraduate degree (M.A., M.F.A, or Ph.D.) in a field pertinent to the graduate program, close familiarity with the contemporary visual arts and current curatorial and exhibition practice, and significant experience teaching at the graduate level.
In addition to her curatorial work, Golden teaches, lectures, and writes about contemporary art, cultural issues, and the curatorial practice nationally and internationally.
A significant proportion of this is taken from the gallery's own impressive collection of folk and self - taught art, offering a fascinating insight into the increasing importance of peripheral work in contemporary curatorial practice.
Berry is a leader in the field of college and university museums, and is a regular speaker on interdisciplinary and inventive curatorial practice and teaching in museums, and he is well known for his active publication record including monographs on artists Terry Adkins, Nancy Grossman, Corita Kent, Nicholas Krushenick, Tim Rollins and K.O.S., Alma Thomas, and Fred Tomaselli.
Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.
She is currently an adjunct professor at California College of the Arts teaching in the Graduate Program in Curatorial Practice.
The author of three books of poetry and numerous exhibition catalogs, Pritikin has taught in the graduate curatorial practice program of California College of the Arts since 2003.
James has taught seminars on curatorial practice and contemporary art at ArtCenter College of Design and the Rhode Island School of Design.
Through their research, writing, lectures, and curatorial projects, Donahue and Ortiz share insight informed by extensive experience in this field as practicing artists, artist facilitators, dedicated disability rights advocates, and most significantly in building and co-managing a studio for eighty self - taught artists with developmental disabilities in Nevada.
In addition to her studio practice, Donahue has maintained the ongoing interdisciplinary project Disparate Minds with collaborator Tim Ortiz since 2014, the scope of which includes curatorial projects, exhibition reviews, essays, and research dedicated to discussing the work of marginalized self - taught artists in the context of contemporary art.
Alongside teaching in the department of Curatorial Practice since the program's inception in 2003, he is a member (with Joanna Szupinska) of the curatorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibitionCuratorial Practice since the program's inception in 2003, he is a member (with Joanna Szupinska) of the curatorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibitioncuratorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibition - making.
Her curatorial practice operates across exhibitions, writing, public speaking, and teaching.
She has also taught professional development, curatorial practice and art history at the Corcoran College of Art + Design, American University, and St. Mary's College of Maryland.
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