Sentences with phrase «teaching portfolios from»

A collection of sample teaching portfolios from K - 12 teachers to professors from the University of Virginia

To - the - point information on course and teaching portfolios from the University of Washington's Department of Fisheries

Not exact matches

Step - by - step instructions for developing a teaching portfolio, from the Sheridan Center for Teaching and Learning at Brown Unteaching portfolio, from the Sheridan Center for Teaching and Learning at Brown UnTeaching and Learning at Brown University

Excerpts from The Teaching Portfolio - A Practical Guide to Improved Promotion and Promotion / Tenure by Peter Seldin

One of the things that has helped me both financially and from a growth perspective is to have a portfolio of different teaching opportunities.

Teaching portfolios also encourage self - reflection (McLaughlin & Vogt, 1996) and the construction of knowledge from teaching (Norton - MeierTeaching portfolios also encourage self - reflection (McLaughlin & Vogt, 1996) and the construction of knowledge from teaching (Norton - Meierteaching (Norton - Meier, 2003).

In the future, however, the teaching standards could provide overall structure to the portfolio, allowing students to add assignments from any of their teacher education courses.

Education faculty from various campuses in the University of California and California State University systems partnered with Stanford University's Center for Assessment, Learning, and Equity (SCALE) to develop and validate the Performance Assessment for California Teaching (PACT), a subject - specific portfolio.

Because the six professional studies aspects were already closely related to each of the preexisting college - based assessment tasks, the portfolio process tended to lead students to select artifacts from their course work, which represented teaching in the abstract rather than to identifying evidence from their own classroom teaching.

And I mean, and EdTPA is one instrument, but this is a portfolio - based assessment where you're submitting lesson plans, videos or tapes of yourself teaching, reflective commentary, artifacts that you've cultivated from your student teaching, scored against a really rigorous professional rubric.

In our monthly Saturday sessions (September through April from 9:00 am - 12:00 pm) we provide facilitated time for teachers to engage with their peers as they study the standards, questions, teaching elements, and student work samples involved in Components 2,3 and 4 of the National Board portfolio.

A paper from the Center on Reinventing Public Education (CRPE) notes there are four distinct approaches portfolio districts tend to take when considering who teaches in their district:

Click below for vignettes of selected classroom projects (from both faculty and student perspectives) and the resulting student work; a student roundtable on teaching and learning at HTH; and exemplary digital portfolios.

To apply, submit a single PDF File to include: — Cover letter — Artist Statement — Teaching philosophy — CV — Portfolio: ten images (individual file not exceed 100 DPI) from the recent works described with size and medium; art historians and writers: submit 10 — 15 pages writing sample.

At The Art Students League of New York (Manhattan and Sparkill campuses) and at Silvermine Guild School of Art (New Canaan, CT), Shalen has taught courses in Drawing and Painting from Life, Portfolio Development, Landscape Painting and Self - Portraiture, and French Inspired Drawing at the Metropolitan Museum of Art.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».