Not exact matches
Traditional short - run metal manufacturing applications that utilize
techniques such as investment
casting, sand
casting and powder injection molding are limited
by high costs for tooling and labor.
In the article, the MSM propagandist states such things as: 2017 has seen, according to his one time Goldman Sachs source, a «dramatic crash in [physical gold coin] demand,» that interest in gold coins is linked to «political conservatism, or anarcho - libertarianism» and «end of the world right wing sentiments,» that gold has been implicated in a «conspiracy to commit money laundering,» that gold is «financed
by people in the narcotics trade,» that it comes from «illegal mines and drug dealers in Peru, Bolivia and Ecuador,» that «the federal authorities assume the NTR Metals [case] represented only a fraction of illegally sourced and financed gold,» that therefore the US attorney is broadly investigating the gold industry, that gold is «produced
by exploited workers,» that «crude [gold] extraction
techniques create serious and lasting environmental damage,» that gold plays an important part in «tax evasion,» that it is related to American gun sales, which the author abhors; that «drug dealers [use] gold imports as a way of laundering their proceeds,» and that «they came to realize that illegal gold [is] an intrinsically better business» than drug dealing; to name but a few of the aspersions
cast against gold in the short article.
In addition, the fuel cells are made
by a combination of tape
casting - lamination - cofiring (TLC)
techniques that are commercially viable for large scale SOFC.
A new
technique enables 3 - D visualization of chromatin (DNA plus associated proteins) structure and organization within a cell nucleus (purple, bottom left)
by painting the chromatin with a metal
cast and imaging it with electron microscopy (EM).
In the past few years, Morton's
technique has been enthusiastically used
by defence lawyers in Britain seeking to
cast doubt over confessions allegedly made
by their clients.
Director David Fincher («Alien 3,» Madonna's «Vogue» and «Express Yourself» videos) used a film - processing
technique that deepens tonal qualities, making whites harsher and
casting lots of shadows, as if the city were blanketed
by a sinister shroud.
Shyamalan's
by - the - numbers
techniques seem hackneyed here and that he serves as writer and director with a style so identifiable, it's safe to say the blame lies with him rather than the serviceable
cast and crew he has employed.
Released in theaters 40 years ago in October, the super -»70s flick had a cool title, a killer poster, a score
by Jerry Goldsmith, a
cast that included George Peppard, Jan - Michael Vincent, Paul Winfield, Jackie Earle Haley, and Dominique Sanda — and the ultimate post-apocalyptic survival vehicle: The Landmaster.It capitalized on cold - war fears that nuclear armageddon was right around the corner, and what we'd be left with would be a radioactive wasteland, plagued
by bizarre weather patterns and populated
by mutated insects and deadly scavengers.The film also had a gimmick: Like BATTLESTAR GALACTICA's limited 1978 theatrical run that was released in «Sensurround,» DAMNATION ALLEY boasted a big - screen release bathed in «Sound 360» — basically full - range stereo speakers turned up to 11 to envelop the viewer and make the seats vibrate (a
technique also used for the release of DAMIEN: OMEN II).
By delving deeply into the religious legacies of Van Gogh and Gauguin, and forging new connections between their disparate spirituality and revolutionary artistic
techniques, subject matter, and styles, Silverman
casts new light on these two seminal figures and their timeless masterpieces.
The system of lighting fallbacks is exceptionally cool -
by using the ray -
casting technique, there are admittedly limitations.
While in Nepal, Rachel studied ancient copper
casting techniques practiced
by Newari Buddhist icon makers and sojourned to sites that are sacred to Buddhist and Hindu pilgrims.
Craft,
technique, and awareness of the history of materials are very much in evidence in Simone Leigh's work, which takes up subjects
cast as inherently abject
by the cultural mainstream for the fact of their unapologetic Blackness, but appeals on a technical and material level to curators and audiences who might otherwise marginalize the work and its message.
This one is defined
by Whitten's innovative collage
techniques using paint that has been transformed through a variety of
casting methods.
The selection of sculptures chosen for the project represent a diverse list of names in terms of
techniques, styles and artists» backgrounds: from an oversized «liquid» bronze tower
by the Englishman Tony Cragg, which took four month of negotiations with the adjacent building to install, to Manolo Valdez's stately Spanish queen gazing at the sleek new Northwestern Mutual building across the street (one of the project's sponsors), to a bronze horse
cast from twigs found in Montana woods
by Deborah Butterfield.
By using the
technique of Mixografía, prints are made from a
cast copper plate, which is then inked, paper pulp added, and pulled through the press in one pass.
The secret lies in a
technique invented
by Milne in 2006 which involves aspects of knitting, lost - wax
casting, mold - making, and kiln -
casting.
All of the artworks that populate The Conjured Life bear close scrutiny, both in observing and exploring the subject matter and noting the various visual strategies and formal means, from the straightforward representation of Magritte to the low - relief plaster
technique of Max Ernst; from the shamanistic deer skin, wood, and felt used
by Jimmie Durham to the full - size rubber life raft
cast in bronze
by Jeff Koons.
Ahearn's distinctive
technique is derived from traditional plaster life
casting and is greatly influenced
by the artist's longtime collaboration with his assistant Rigoberto Torres, whose uncle worked in a factory that produced traditional plaster statues of Christian saints.
He then
cast the clay in bronze using the lost - wax
technique and completed the work
by placing the
casts next to each other so as to create the semblance of a human being.
The
techniques used
by climate science «skeptics» to
cast doubt are clear.
CAST takes the form of an intricate weave, heavily influenced
by traditional craft and textile
techniques.