Sentences with phrase «technique gives the surface»

The technique gives the surface of Folsom's work a rich patina that suggests the layers of history accumulated in the Lowcountry landscape.

Not exact matches

Professionals were ready to give up on her, writing her off and offering outdated, one size fits all techniques, but Iris's mother, Arabella Carter - Johnson knew that there was so much beneath the surface that wasn't being seen.

Using a technique similar to what bats and dolphins use, human echo - locators navigate using audio cues given off by reflective surfaces in the environment.

«We ended up developing a multilayer technique to first deposit a very thin ITO film at low temperature, followed by another thicker ITO film at a high temperature — and it gave us great optoelectronic and surface roughness properties.»

«In conclusion, we demonstrated how sub-natural line width vibrational resolved RIXS gives direct experimental access to the ground state potential energy surface around selected atomic sites and moieties, not accessible with other techniques.

«This tool gives us the capability to get better resolution by three orders of magnitude than some other techniques, which has opened a very wide field for catalysis and surface - chemistry studies.»

This covers more surface and gives a gentle pull on the skin, which is also necessary for the correct technique.

«It's difficult to say how to drive this rally route ideally and give tips on the technique to use for this surface.

In 1989, Milhazes developed a process for mixing collage and printing techniques with painting, giving her canvases an almost «distressed» surface.

Nature printing is a name given to the technique of taking impressions from the surface of an organic form, such as a leaf, flower, feather, skin, shell, bone, or mineral.

This color is itself cut with beeswax, at a low enough level not to conjure up associations with well known purveyors of the encaustic technique, like Jasper Johns and Brice Marden; it instead increases the sensation of the paint as dense and saturated, and gives it a subtle, changing play of light over the surface as the viewer moves around the work.

Already dissatisfied with traditional materials and techniques, Vasa first used acrylic lacquer because, as he explained in 1966, «I am working with mechanically applied industrial finishes, because no classical medium can give me the fine surface.»