Not exact matches
In Chapters 5 and 6 we considered the electronic church preachers who have adopted a «Christ of
culture» response which uses the techniques of the world of the
technological era, a world of means that values technique («whatever
works is good») over human values.
Another example of
technological optimism is to be found in the writing of Professor Marshall McLuhan and in the
work of the Institute of
Culture and Technology in Toronto.
The stories forged in Israel that the entire world has come to know have changed people and nations and inspired countless
works of art, music, literature, speech, science, and valor for thousands of years; and today, Israel's
technological innovation, diverse
culture, and ongoing adventure captivate millions of visitors every year.
All of the
works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of
technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within
culture at large.
His
work and interests explore our relationship with
technological cultures.
Her
work explores the
technological mediation of self - identity, contemporary feminism,
culture, and perversion.
Drawing on a wealth of concepts and subjects from the atomic and the cosmic, geometry and optics, to time, rotation and visual perception, Seeing Round Corners will also include a selection of objects and images from world
cultures, religions and history such as scientific instruments,
technological images and
works from spiritual and mystical traditions.
After 50 years of new media
culture — the world of TV, the internet, and virtual reality — and 50 years of new media art — creative computer - based and digital expression —
technological ways of thinking have permeated the creative processes of artists
working in all media.
In her
work, Aleksandra Domanović takes a probing look at a wide range of phenomena of contemporary society, among them cultural techniques, scientific and
technological developments, history and
culture, popular
culture and the shaping of national and cultural identity.
Simon Denny / / THE ARTIST Denny's
work challenges numerous themes entrenched in modern society's globalized
culture: the Internet,
technological obsolescence, corporate
culture, television broadcasting, and national identity.
The eighteen
works in the exhibition explore subjects including imagery related to advertising, branding, and corporate
culture; the flattening of hierarchies between perceived high and low art; the blurred boundaries between the handmade and the
technological; and the visual manifestation and capturing of speed as images move through digital frameworks.
Her
works embody the experience of colliding time frames marked in cultural, ecological and
technological terms and the ongoing construction of
culture through the forces of creolization, migration, ecology, speculative fiction and desire.
In this way, the
work is meant to physically intervene and flexibly circulate in the spatial,
technological, and ideological infrastructures of an increasingly rationalized and distributed
culture.
His
work has challenged numerous themes entrenched in modern society's globalized
culture: the Internet,
technological obsolescence, corporate
culture, television broadcasting, and national identity.
Italian architect Ippolito Pestellini Laparelli, partner at OMA
working on preservation, scenography and curation, is both leading OMA Urban Studies, as well as the team of creative mediators, which includes the Swiss contemporary art curator Mirjam Varadinis, who
works in Kunsthaus Zurich and was co-curator of TRACK, a large scale city - wide international exhibition in the tradition of «Chambres d'amis» in Ghent, Belgium; Spanish architect, artist and scholar based in New York and Madrid, Andrés Jaque, the founder of the Office of Political Innovation,
working on the intersection of research, politics and design; and Dutch filmmaker and journalist Bregtje van der Haak, who has been directing international documentaries and transmedia projects on long - term social change with a special focus on urbanisation and
technological culture.
A traditional
working culture may also be holding law firms back from embracing
technological change: roughly 87 % of those surveyed said they still use pen and paper for completing legal
work.