While
these technological modes of representation seem ill - fitted for poetic musings on David Foster Wallace or the carnal moment of orgasm, it is precisely the limitations and inadequacies of these awkward avatars that elicit a profound kind of tenderness — one that mirrors our fears and failings with intimacy and love.
Rejecting established
modes of representation, the works featured in the exhibition exemplify the artists» shared quest for a new beginning in art, as in life; one that could respond to a social reality filled with potential and new
technological advances in the aftermath
of World War II.