Given the many realistic - looking and fantastical gadgets and technologies featured in «Ready Player One,» we took a closer look at some of the most exciting
technologies featured in the film to see how they compare with innovation happening in the real world.
Not exact matches
Like the 3 - D Tangled, however, it also represented a leap forward
in movie
technology: It was the first Disney animated
feature filmed in a super-wide, 70 - millimeter format, with a soundtrack
in six - channel stereo.
Particularly notable are the obsession with
technology and surveillance from Benny's Video, here updated from VHS to smartphones and the Internet; the racial suspicion of Code Unknown; the revenge nightmare from Hidden; the euthanasia theme from Amour (which also
featured Trintignant and Huppert as father and daughter, suggesting a sequel of sorts), as well as more general themes of family dysfunction and the obliviousness of the well - to - do towards immigrants — it's no coincidence that the
film takes place
in Calais, yet never once shows the Migrant Jungle.
Now it has been lovingly remastered from the negatives and Janus
films (a partner with Criterion) has applied digital
technology to create a new digital restoration for the U.S., which is the source of Criterion's special edition, which
features commentary by
film scholar James Naremore and new interviews with Keith Baxter, Welles's daughter Beatrice Welles (who has a small role
in the
film), and Welles historians Simon Callow and Joseph McBride among the supplements.
Spike Jonze's return to the
feature director's chair (and first time bringing a script he wrote entirely by himself with him) after a four year break is a thoroughly layered and personal
film that is at times about the awkward nature of new relationships after a break up (and how we cope with that crushing
in - between time), and at times about how
technology shapes our modern world, and at times about how we demonstrate and understand love and relationships changes with both time and
technology.
Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control
features: a Picture
in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information
technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the
film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures
in the story (answering that eternal actor's question: «What's my motivation?»).
Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control
features: a Picture
in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information
technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the
technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the
film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures
in the story (answering that eternal actor's question: «What's my motivation?»).
Featuring Coen brothers masterpieces and an astonishing run by Michael Haneke, this was the decade
in which
film rediscovered its history — and explored its future — thanks to digital
technology
If anything, the point to take is that as
technology continues to advance, it may be easier for studios to make full - length computer animated
features (which was not yet achieved just ten years ago) but the wide gap
in quality which exists allows for some CGI
films to various poor - looking degrees.
This detailed and high quality unit includes: * 15 lesson plans (with 13 differentiation strategies) * 93 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (21 sheets) Unit's lessons include: * Introduction to the AQA GCSE Media Studies course requirements * Introduction to the four key concepts * Activity focused on pupils» own consumption of media texts * Detailed research into the history of the media - creating a timeline of people,
technology and institutions * Applying Maslow's Hierarchy of Needs to
film media * Introduction of camera shots, angles and movement *
Film terminology «speed - dating» to introuce key media language * Analysing a mise - en - scene * Analysing a
film trailer: genre conventions and audience appeal * Creating genre - specific typography and writing a commentary * Analysing logos and slogans * Exploring stereotypes
in the media * Music industry terminology and genre
features * Analysing a CD album sleeve: genre conventions and audience appeal * The history ofvideo gaming * Video gaming genres and gratifications * Analysing a video game cover: genre conventions and audience appeal
In terms of technology integration in this regard, social studies researchers are concerned about media literacy, including the analysis of popular news media and feature films and documentarie
In terms of
technology integration
in this regard, social studies researchers are concerned about media literacy, including the analysis of popular news media and feature films and documentarie
in this regard, social studies researchers are concerned about media literacy, including the analysis of popular news media and
feature films and documentaries.
From muscle cars to compact cars, minivans, crossovers and full - size SUVs, the Dodge brand's full lineup of 2015 models deliver best -
in - class horsepower, class - exclusive
technology, unmatched capability and a slew of cool
features, such as LED headlamps, Dodge signature racetrack tail lamps, dual exhaust, 8.4 - inch touchscreen infotainment centers and 7 - inch thin -
film transistor (TFT) customizable gauge clusters, to name a few.
-- 4G LTE — 5 to 12 Mbps and upload speeds of 2 to 5 Mbps (
in 4G)-- Android 2.2 platform — Adobe ® Flash ® Player compatible — Mobile Hotspot capability — share 4G connection with up to 10 WiFi - enabled devices or a 3G connection with up to 5 devices — Samsung Media Hub — Samsung's own content service, offering a vast lineup of critically acclaimed
films and TV programs for rent or purchase — Virtual QWERTY Keyboard
featuring Swype
Technology
The interactive tablet application - part of Tourism Australia's commitment to utilising cutting edge
technology to tell Australia's story — has also been downloaded more than 6,000 times, allowing tech savvy users to delve deeper into the campaign and explore
in further detail the 12 locations
featured in the
film, together with additional content of the Great Ocean Road and Canberra.
The video was
filmed on location
in London and at McLaren's
Technology Centre by Outrun Films, specialists
in automotive and action
features, and the makers of «McLaren 720S Reveal», and the brutal «Nürburgring & Bentley Racing».
For more than 30 years, Hershman Leeson has employed innovative
technology to probe issues of identity, embodiment and expression
in newly engaging ways, producing complex works of computer engineering as well as powerful documentaries and
feature films.
Art, nature, and
technology meet
in the documentary When Björk Met Attenborough and the concert
film Biophilia Live, which
features the singer and her band performing every song on her Biophilia album.
News from Nowhere
features sculpture, drawing, print, photography and
film from the early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments
in modern science and
technology on the artistic imagination.
Directed by Lynn Hershman Leeson, this
film won the
Feature Film Prize
in Science and
Technology at the Hamptons International
Film Festival
in 2002.
[Editor's note: Science &
Film reached out to Lynn Hershman Leeson, a Sloan grantee for her
feature film TEKNOLUST, to write about the
technology she has pioneered
in her work.
O'Daniel's
feature - length
film Night Sky premiered at the Anthology
Film Archive
in conjunction with Performa 11 as part of the Walking Forward - Running Past show at Art
in General, and has been presented with live musical or Sign Language accompaniment at venues including The Aspen Museum of Art; MOCAD (Detroit); NYU; the Cleveland Museum of Art; the Museum of Jurassic
Technology; and High Desert Test Sites.
The mammoth show — which
features over 100 works rendered
in paint,
film, sculpture and installation, by the likes of Picasso, Laure Prouvost, Kerry James Marshall and Andy Warhol — examines how the studio as a space has evolved and become an important marker of the artist's own identity and style, and takes into account the impact of
technology in our digital age.
Schwerd's works have been
featured in the documentary
film City of Memory directed by Robert Adanto and
in international publications such as Design 360 Magazine, Issues
in Science and
Technology, and FiberArt Magazine.
The exhibition will
feature a new
film produced
in association with Warp Records and a new interactive environment incorporating Oculus Rift
technology, alongside reconfigurations of celebrated existing work.
Pre-publicity material and blogposts suggest that among the climate sceptics and contrarians
featured in the
film will be Professor Judith Curry of Georgia Institute of
Technology, Professor Richard Tol of the University of Sussex, Ivar Giaever a retired physicist, the statistician William Briggs, geologist Dr Robert Giegengack and Canadian climate science denier Patrick Moore.
I went deep into the woods at night to have sex with someone, and later learned that my tryst was captured on
film by a wildlife camera that
featured infrared
technology allowing it to shoot
in the dark.