Sentences with phrase «television episodes made»

Not exact matches

Original series like House of Cards, Orange Is the New Black and BoJack Horseman are redefining how television is distributed and consumed, making available complete seasons of new episodes in one fell swoop, to the delight of binge - watchers everywhere.

Though no video footage of season six has surfaced this year, many significant details are becoming public knowledge before the episodes make it to television.

After first being introduced in 1998 to promote the film Mulan, the sauce gained a cult following, stoked by the television series Rick and Morty, which made an episode featuring the sauce.

Annenberg countered that comic content (such as cartoons) is indeed a highly effective form of conveying serious lessons; that when a new person or agent enters a scene a «single» violent episode becomes «multiple»; that a six - week analysis made by the researchers revealed the same general results as the one - week sample; and that the risk ratio validly takes into account the fear that potential victims (such as young women) have when viewing violent television.8.

I'll admit I've only seen parts of a few episodes of Dawson's Creek, but it seems like there are whole sections of the my college years where I missed television completely:) I'm featuring this post as part of Food Fetish Friday (with a link - back and attribution) and thanks for making me drool!

Beef Products Inc, the world's biggest processor of MSM, is suing US television broadcaster ABC for $ 1.2 billion over «false and defamatory» comments made by Jamie Oliver in an episode of Oliver's Food Revolution.

Following the series» demise in 1991, Helgenberger returned to television guest - star status on ER, where she had a four - episode - long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature - film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000).

In 2000, Jessica made her television debut in an episode of the UPN's sci - fi drama 7 Days.

Director Mimi Leder made the step up from television for her first big feature (she had directed numerous episodes of ER, starring Clooney and executive produced by Dreamworks's Steven Spielberg) and it received reasonable notices, though I can't really think why (it was nowhere near as good as the other big, dumb action movie of that year, Air Force One).

One thing, however, made OSB different and guaranteed it a unique place in television history: every episode was allegedly a true story!

I'll also admit that it isn't easy to notice or appreciate what a director brings to a single television show episode; the show's DNA and storytelling tend to overshadow any stylistic choices made.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

To the Duplass» credit, out of twelve episodes, seven feature women directors, a few making their television debuts.

What makes Mad City more than just another «hostage of the week» episode, is the education that can be learned about what television news is becoming.

«Atlanta's» 10 episodes shift between seriousness and slapstick, examining issues like identity and appropriation with an immediacy and intelligence that made it unlike anything else on television.

It's certainly an intriguing premise for a film, with a plot that would have made a fantastic episode of Rod Serling's classic television show, «The Twilight Zone».

After breaking out in 2004 with the acclaimed Maria Full of Grace, director Joshua Marston moved into television, helming episodes of Six Feet Under, In Treatment, and How to Make It in America.

The one clunky bit of exposition is smoothed over by swathing it in a reference that will make those fans swoon with delight, and the half - gulp that Checkov (Anton Yelchin) does when told to swap his command gold for a red shirt is a tribute to all the nameless red shirts who met their doom in the first five minutes of the television episodes.

She noted that even with her experience in television and having directed episodes of «Buffy» and «Girlfriend's Guide,» making her first feature film was still something new.

,» she made her mark on television (unequivocally the best episode of «The Leftovers» was the atypical one that focused on her for practically the whole episode), but Coon really had us at «There's some wood, bitch!»

Directed by Jim Burrows (Partners), who also directed episodes of «Laverne and Shirley» with Penny Marshall, this is a small television movie that has more wit, charm and grace than most romantic comedies made today.

Since «The Twilight Saga: Eclipse,» Slade has focused on working in television, making five episodes of «Hannibal» (as well as acting as a producer), and episodes of «Breaking Bad», «Awake» and «Crossbones.»

It seems a shame now that only fourteen episodes of this series were made for television, as it seems likely «Firefly» could have grown legs on the basis of its characters and their portrayal of the realities of this world — if only it had been allowed time to do so.

The fullscreen, Dolby Surround feature presentation is adequate (mild grain mars some exterior and recycled shots), but both specs make it clear — as do the commercial break fadeouts arising about every 7 minutes and 64 - minute runtime — that Dark Wish was shot as three television show episodes and would have no business anywhere near a movie theater, Blockbuster subtitle or not.

Based on Travis Beacham's Black List feature script, which Guillermo del Toro tried to get made, the eight - episode fantasy series will be directed by Paul McGuigan (Victor Frankenstein) and produced by Legendary Television, along with Bloom.

Director Craig Zisk, who made a name for himself in television as a director / producer for such shows as «The Larry Sanders Show», «Weeds», and «The United States of Tara», does treat the film like an extended episode of a quirky comedy, not striving for anything cinematic, but perfectly in keeping with your typical indie flick release, except with well known actors.

Episode 1: «Pilot, Part 1» On January 21, 2016, DC's «Legends of Tomorrow» television show premiered on The CW, and the first episode Episode 1: «Pilot, Part 1» On January 21, 2016, DC's «Legends of Tomorrow» television show premiered on The CW, and the first episode episode made...

Dialogue is always intelligible, the dynamics levels are consistent, and everything sounds as it should for your standard made - for - cable television episodes.

Spoils doesn't just ape and parody melodramatic»70s television, but all sorts of gimmickry (one scene is in 3D and the first episode is preceded by a half dozen of made - up technical format acknowledgements) and egomaniacal storytellers (Jonrosh kind of resembles Francis Ford Coppola at the height of his vision and power).

Three years after launching the ABC Player app that makes full episodes available on mobile devices the day after they are broadcast, Disney / ABC Television Group announced that the app has passed some significant milestones, with over 10 million downloads.

The making of the installation was documented in KCET's Artbound television series in the episode «Electric Earth: The Art of Doug Aitken,» which aired this past Thursday — but you can watch it below:

The Monthy Python-esque plots of each episode can seem familiar to those found in mainstream television sitcoms, but instead of trying to make the audience laugh Mellors unpicks the familiar comedic methods these programmes rely on.

Laughing Gas is the pilot episode of a situation comedy titled SHE MAD, a television series that Syms initiated in 2015 with the work Pilot for a Show about Nowhere, which in its early stages took the form of an installation of documents, images, and research materials filtered through a semiautobiographical account of Syms's life as a young black woman trying to «make it» as an artist in Los Angeles.

With each 30 minute episode, you'll find powerful human drama, suspense and a resolution — making for a compelling 30 minutes of Television.