Here,
she tells of a narrative film that she made with her friends, as a badass, film and music - loving teenager, living in Singapore in the «90s.
Not exact matches
In a neat piece
of narrative structuring on Tanovic's part, this David - and - Goliath story is
told partially through the eyes
of a
film crew making a documentary on Ayan's astonishing findings.
As a member
of the
film's advisory board, I was able to see an early cut
of the documentary and can
tell you it's a very compelling
narrative.
Stories We
Tell explores the elusive nature
of truth and memory, but at its core is a deeply personal
film about how our
narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture
of the larger human story.
It's just that the
film feels so unusually empty; even if he has subtly snuck his usual hallmarks into the mechanics
of the
narrative itself, he's populated the foreground with characters who never come alive as anything more than archetypes, who trade in so much exposition it's hard to see how any audience member could be overwhelmed with confusion at the story being
told.
Compared to Steve McQueen's previous
films, Hunger and Shame, the
narrative style is conventional and straightforward, the director understanding that this history needs no embellishment, no interpretation, that just the raw
telling of it will cut us to the quick.
The jury statement: «The Alliance
of Women
Film Journalists presents the EDA Award for Best Female - Directed
Narrative Feature to a
film in which we are observers in a story
told with a fully naturalistic approach.
From giving an anti-Superhero movie Best Picture to trying to
tell the public they're sick
of the genre, Hollywood believes that by crafting a fake «Superhero Fatigue»
narrative people will stop going to see movies they like and will instead see boring Oscar - bait
films.
I love the
narrative structure
of the
film,
telling two different stories about the parents
of a boy who is supposedly killed - in - action, and the story
of the boy on assignment at a remote military outpost (where nothing happens all day).
The plot borrows many
narrative elements from The Matrix, which itself, truth be
told, borrowed many elements
of its own from comic books and martial arts
films, so it's hard to qualify this feature as a direct rip - off.
However, it is detrimental to the
narrative, causing it to lack pace, and leads to the
film feeling overburdened by the scale
of the story it is trying to
tell.
Throwing out conventional
narrative, Mike Mills dug into his memories
of growing up in a matriarchy in Santa Barbara in the 70s, «trying my hardest not to think
of it as
film,» he
told me in December.
Told with great
narrative economy, and featuring two sublime performances, the
film charts the experiences
of a teenage girl (talented newcomer Thomasin McKenzie), who grows tired
of the peripatetic lifestyle she leads with her... Read
Sarah Polley's new
film, Stories We
Tell, is an exploration
of the functions
of narrative as they relate to the
telling of our life stories.
Where so many docs are content to fit into simple categories, often attempting to mimic the
narrative formulas
of fiction
films, Stories We
Tell embraces the form and then reaches beyond its usual confines.
As an astounding Shakespearean director and actor, he is also proven to make bigger budget
films work for him and
tell interesting
narratives for characters we didn't think we'd care about i.e. Thor and his live - action remake
of Cinderella for Disney.
The
film opens with then Attorney General John Ashcroft announcing Hanssen's arrest for espionage, and while that clearly undermines the surprise
of the revelation within the
narrative, it still has a significant impact when Burroughs finally
tells Eric the real reason for investigating Hanssen.
The second
narrative,
told in words and set in 1977, chronicles Ben (played in the
film by Oakes Fegley) as he travels to Manhattan in search
of clues about his long - lost father.
Stanley Tucci's fifth
narrative feature
film as a director
tells the story
of Swiss painter and sculptor Alberto Giacometti.
The
film's
narrative, set in multiple eras and
told through different styles, might suggest a work aimed an audience
of sophisticated
film historians rather than kids, but Haynes, Lachman notes, had faith in the younger audience and he screened it for audiences
of children.
Outside
of the talking heads segments, which feature some
of the most delightfully edited interweaving into the
narrative, is a
film that wants to do more than just
tell us this story
of expensive books and robbery.
Hasford also contributed to the screenplay, although the
film version is
told in two «chapters» instead
of the book's three (The boot camp depiction is faithful to its source; the war reporter and Vietnam battle sequences are condensed and combined for
narrative brevity.)
Since then, some
of her other
films, such as 2004's «Yes,» have feature abstracted
narratives, but in «Ginger and Rosa» Potter
tells a relatively straightforward story in a relatively straightforward way.
She
tells her life story, she is the
film's writer and director, but she also positions herself throughout as a theorist
of autobiographical
narrative.
Flawed yet undeniably chilling, each
of those earlier
films is
told with a psychological and
narrative precision that allows us to empathise (if not sympathise) with the callous bourgeois protagonists.
With «Stories We
Tell,» which evades both the pitfalls
of overly personal filmmaking and those
of fiction - documentary hybrids — not to mention the philosophical trap
of making a
film «about
narrative» instead
of simply
telling a story — Polley has delivered the first masterpiece
of what promises to be an important career.
«The new
film does indeed
tell the same tale as J. R. R. Tolkien's lean «Rings» precursor, charting the exploits
of Frodo Baggins» uncle Bilbo (Martin Freeman) some 60 years before the quest to destroy the One Ring, but the
narrative soars because it also operates as something tangential to the almost - decade - old movie trilogy, setting the stage while also expanding this rich universe.
The
narrative alternation between outlaw and pursuing Ranger mirrors that
of Clint Eastwood's A Perfect World (though in contrast to that unbalanced
film, here both halves are equally well -
told).
The
film is faithful to the main movements
of Tolkien's novels but
told in the kind
of narrative shorthand that favours truncation over summary.
But I, Tonya too often feels glib and glancing, holding the public responsible for many
of the easy assumptions and
narrative shortcuts the
film itself indulges in while
telling Harding's story.
Unfortunately, the
film is also overblown and scattered in its
telling, sacrificing some
of the story's thematic and
narrative potency along the way.
Voiceover accounts — and strong lead performances — on behalf
of the six main characters punctuate the
film, and there is plenty
of story to
tell as the
narrative spans continents, generations and points
of view.
You can kind
of see why Netflix ended up with the third
film, the
narrative matching their slow - burning roundabout way
of telling stories.
As soon as the trailer opens with Max's narration I could instantly
tell that Rockstar have not totally chucked out the
Film Noir core that makes the Max Payne franchise unique.Which makes a lot
of sense as one
of Rockstars biggest releases this year has been LA Noir, which again follows a
film noir
narrative.
The main menu gives a great representation
of the turtles sewer - home, Mikey will constantly express his love
of pizza (including a long description
of pizza toppings), group taunts and attacks mirror those from the live - action
films of old, and the comic style cut scenes used to
tell the game's
narrative express the TMNT's comic origins brilliantly.
I believe that they have the power to
tell compelling, engaging
narratives that rival those
of the best novels and
films.
More recent works include puppet
films telling open - ended
narratives about the abuse
of power.
Her
films, drawings, photos and installations often seek to examine the concept
of narrative, exploring the subjective nature
of memory and «the means by which artefacts are borrowed, adapted and reconfigured to
tell various stories».
Blending his obsession with the history
of conflict and pop culture influences from video games,
films and TV shows, the artist
tells a wartime
narrative starring an imagined cast
of fascinating characters.
Shot at the Smithsonian Institute in New York, this
film weaves sound,
film and
narrative as the artist attempts to
tell the story
of the universe's creation.
Here's what they will
tell us: for abstract painting look elsewhere (
narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based versions; performance figures in the planning; and
film and video will «be selected from the point
of view
of two curators
of contemporary art.»
Keen's watercolor drawing series from the 1970s accompanying the
film features fragmented
film - noir inspired
narrative told through a combination
of words and images; the works are significant expressions
of the artist's complex and idiosyncratic creative philosophy.
They
tell stories in the manner
of surrealists like Remedios Varo or Leonora Carrington, to whom Heffernan has been compared.4 Furthermore, such ambiguous
narratives more closely parallel the postmodern work
of Cindy Sherman's untitled
film stills or Kara Walker's silhouettes, than the clear and didactic
narratives of history painting.