Sentences with phrase «tema celeste»
My writing has been published in Slate, The Wall Street Journal, The New York Sun, Smithsonian, ARTS Magazine, New Art Examiner, Tema Celeste and The New York Observer, where my column, «Currently Hanging», appeared on a weekly basis from 1999 - 2009.
https://mnaves.wordpress.com/
His writing has been published in Canadian Art, Vanguard, Tema Celeste, Z G, Capilano Review, Framework, and elsewhere.
Her work appears in various anthologies (Oulipo Compendium, Fetish, Brooklyn Rail, Fence) and journals (Art in America, Infinite Mile, Detroit Research, Hyperallergic, Tema Celeste, McSweeney's, Lilies and Cannonballs, Parkett, Bookforum, Metro Times).
«Punchy Statements» Art News Summer Walker Art Center, Tema Celeste, May / June Nguyen, Jan. «emerging vision» Gravity Magazine, Columbia College, Chicago, Spring 2002 Schleifer, Kriten Brooke.
Kimmelman, Michael, «Touching All Bases At the Biennial,» The New York Times, March 11, 2004, pp.E27, E38 Chloe Kinsman, «Raymond Pettibon at Sadie Coles HQ,» Tema Celeste, March 2004 Young, Paul, «Money, Power and Picasso's Bathroom,» V Life, February / March 2004, pp. 80 — 87, ill.
Such as: Flash Art, Artforum, Artpress, UOVO, Tema Celeste, as well as participated in the development of numerous exhibition catalogs for museums or private institutions.
He is corresponding editor for Art Nexus, and his texts have appeared in numerous periodicals including Contemporary, TRANS > Arts Culture Media, Estilo, Art in Culture, Art Map, Zingmagazine, Art Notes, Laboratory, Framework: The Finnish Journal of Contemporary Art, Journal of the West, Tema Celeste, La Tempestad, Public Art, and Flash Art.
The following year three issues of Tema Celeste were devoted to the same type of painting, including artists like Valerie Jaudon, Jonathan Lasker, David Reed, Sean Scully, Peter Halley, Moira Dryer, Lydia Dona, etc..
Tilman's work has been featured in publications, such as ARTnews, Artnet Magazine, Sculpture Magazine, and Tema Celeste, among many others.
He is a frequent contributor to Time Out New York, Art in America, Modern Painters, ArtPulse, ArtInfo.com, New York Observer, and On-Verge.com and has written for Interview, Paper, Flash Art, Newsweek, Bomb Magazine, TheDailyBeast.com, 99percent.com, Avenue, Tema Celeste, amNew York, and Artnet.com.
She has also published art writing in The Brooklyn Rail and Tema Celeste.
2002 M.Anderson,» Artist Tinkers with Notions of Sculpture», The Korea Times, p. 30 M.Kerr, «Michael Joo at Anton Kern Gallery», Tema Celeste, no. 94, December A.Church «Michael Joo at Anton Kern Gallery», Flash Art, v. 35, no. 227, November / December N.Princenthal, «Michael Joo at Anton Kern», Art in America, v. 90, no. 11, November, p. 153 City Edition, no. 16193, November, p. 16 «Michael Joo», The New Yorker, 30 September M.Schwendener, «Michael Joo — Anton Kern Gallery», Time Out New York, no. 364, 19 - 26 September «The Mind is a Horse», Time Out London, 18 September, p. 55 A.Dannat, «Michael Joo — Anton Kern Gallery», The Art Newspaper, no. 128, September M.Meneguzzo, «Michael Joo at Paolo Curti & Co», Artforum, v. 40, no. 10, Summer, p. 184 E.Heartney, «Import / Export: The Body East», Art in America, v. 90, no. 4, April, pp. 44 - 7, 49 H.Cotter, «Calligraphy, Cavorting Pigs and Other Body - Minded Happenings», New York Times, 25 January, Late Edition — Final, Section E, Column 1, p. 45
Wei has also written for Asian Art News, Art Papers, Sculpture Magazine, Tema Celeste, Flash Art, Art Press and Art and Auction, among others, and has frequently reported on international biennials such as those of Sydney, Cairo, Athens and Reykjavik.
McCollum, Allan, Simona Vendrame, and Andrea Zittel, Andrea Zittel Diary # 01, published by Tema Celeste Editions, Milan, Italy, 2002
There has to be a better way of elucidating one's curatorial aspirations — a point argued in the publication Tema Celeste nearly two decades ago where I raised the question: «What is a Group Show?»
Tema Celeste no. 86, 2001, 82.
Her criticism has appeared in Art in America, Tema Celeste, Metro Times, Zing, Parkett, Modern Painters, American Ceramics and The Brooklyn Rail.
Tema Celeste, January / February 2006, 97.
Her work has been written about in Art Forum, Flash Art, Art Review, Art in America, Tema Celeste and the New York Times, and is included in the collections of the Henry Art Gallery, the Hirshorn Museum and the Guggenheim, among others.
«Tony Oursler,» Tema Celeste, Milan, March / April, p. 75 Reena Jana.
«Reviews: Tony Oursler» tema celeste, p. 66
«Tony Oursler,» Tema Celeste, Summer, p. 87 Hitchcock et L'Art: Coïncidences Fatales, Dominique Paini, Guy Cogeval (ed.)
She writes for Time Out New York and has published in international art magazines including Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste.
This exhibition is curated by Joan Kee, Visiting Scholar at the Centre for the Study of Globalization and Culture at the University of Hong Kong, and a frequent contributor to Art Asia Pacific, Tema Celeste, Afterimage, Art Journal and Third Text.
Described as a significant international voice on cultural difference, Hou is the French correspondent for Flash Art International and a regular contributor to several other journals on contemporary art including Frieze, Art Monthly, Third Text, Art and Asia Pacific, Domus, Atlantica, Texte Zur Kunst, and Tema Celeste.
Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY
Tema celeste.
Chamberlain's work has been reviewed in Artforum, The New York Times, Art in America, Artinfo.com, The Boston Globe, Flash Art and Tema Celeste, among others.
From 2004 to 2008 he was London correspondent to Tema Celeste magazine and contributed some 40 plus articles and reviews.
1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102
Made In Scotland, Tufnell, Rob, Tema Celeste, Milan, January / February, p45.
Her reviews include, The New York Times, The Chicago Sun Times, The Reader, NY Press, Art Press Magazine, W Magazine, Elle, Fiber Arts, Textile Plus, Surface Design, Art In America, Tema Celeste, Interior Design, Art News, Time Out Chicago, Time Out New York, The American Art Collector and Art Forum.
Tags: Andy Goldsworthy, Artist in the Marketplace, Bronx Museum of the Arts, California College of the Arts, David Reed, George W. Bush, Hunter College, Interviews, Joan Mitchell, Jonathan Lasker, Laura Sue Phillips, Lydia Dona, Matthew Deleget, Moira Dryer, Peter Halley, Richard Tuttle, Sean Scully, Sidney Janis Gallery, Sigmund Freud, Tema Celeste, Tom Nozkowski, Valerie Jaudon, Vincent Longo
Herbert, Martin, «Catherine Opie,» Tema Celeste, March / April 2002, p. 77 [ill.].
Boriani, Glenda, «Micropolitics,» Tema Celeste, March / April, 2003, p. 113 [ill.].
Wayne Gonzales, Tema Celeste, January - February, p. 81, illus.
Formerly Managing Editor at Flavorpill.com and Art + Books Editor at LA CANVAS, other publications have included Modern Painters, Art Review, Artweek, ARTnews, the Believer, tema celeste, Angeleno, Art Asia Pacific, Coagula, and Juxtapoz.
An art historian and curator, in 1983 he founded the magazine of contemporary art, Tema Celeste, which he directed until 2000.
Her work has been reviewed in Artforum, TimeOut, The Village Voice, Tema Celeste, Artnews, Art in America, BOMB, The Paris Review, The New York Times, The New Yorker Magazine, and other publications.
Tema Celeste August 2002.
He is a frequent contributor to Time Out New York, Art in America, Modern Painters, ArtPulse, New York Observer, ArtInfo.com, and OnVerge.com and has written for Interview, Paper, Flash Art, Newsweek, Bomb Magazine, 99percent.com, Avenue, Tema Celeste, amNew York, and Artnet.com.
Tema Celeste, 84.
Wei has also written for Asian Art News, Art Papers, Sculpture Magazine, Tema Celeste, Flash Art, Art Press and Art and Auction, among others.
He co-founded the Journal of Contemporary Art in 1988 and has written extensively for publications, such as Art in America, ARTS, Flash Art, ArtNet, and Tema Celeste, among others.
1991 «Abstraction and Culture,» Tema Celeste, n. 32 — 33 (Autumn 1991): 56 — 60.
Demetrio Paparoni, «Peter Halley: Waddington Galleries, London; Grant Selwyn Fine Art, New York,» Tema Celeste (Aug — Sep 1999): 75 — 76.
David Carrier, «Peter Halley, Mary Boone,» Tema Celeste (Sep 2002): 92.
«Abstraction and the Linguistic Paradigm,» Tema Celeste, n. 58 (Sep 1996).
Peter Halley,» Tema Celeste (Jul — Sep 1989): 55 — 57.
Gianfranco Mantegna, «The Transcendence of Technology: Peter Halley,» Tema Celeste (Dec 1987 — Feb 1988): 34 — 36, 71 — 72.