This nonlinear, seemingly intuitive middle stretch is where the film could most use some tightening, rich as it is with social and sensual detail; its rheumy -
eyed gaze takes in everything from bizarre spider - racing rituals to
tender declarations of love on the town scrap heap.
The wide -
eyed,
tender grace of Larry Jens Anderson's
gaze shines through in the 35 drawings, paintings and mixed - media canvases currently on exhibit in his solo show titled The Past is Never the Past, through April 12 at Kai Lin Art.