However, the interactions with the women in his life are among the most
tense scenes of the film.
Not exact matches
Well the
film was wide release, so it makes sense there wasn't an entirety
of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes
of alien / human
scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past
tense, it could focus on him for a bit then move on, but it stuck with him, and the
film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?
The portrait
of Lincoln that Spielberg presents — in a
film that often plays like a
tense, high - spirited political thriller as influence is peddled behind the
scenes and votes come down to the wire — will no doubt surprise viewers raised on a more staid version
of the Great Man.
There are a handful
of tense scenes in Eddie Coyle too, such as the cold and calculated bank heists and a stake out at a train station which ends in a brief flash
of Yates» car chase handling skills, but these aren't what really make the
film shine.
While I'm all for a
film fading into the heart
of a
tense scene already in progress, that
scene needs either quick context or a hint
of something more cerebral that will payoff later.
The
film is rife with
tense scenes of attack and escape, blended with slower, yet just as unnerving,
scenes between Katniss and Peeta — have the rebels successfully broken through his reprogramming?
Yet, the
film plays out with little sense
of requisite suspense that made the first Psycho such a great
film, and many
of the
scenes, including the murders, play out as if they were made for a psychological drama, rather than in a scary horror flick or
tense, nail - biting thriller.
Director Tobias Lindholm knows how to pile on the tension too: Negotiation
scenes are
filmed from Malling's end, making them unbearably
tense when things go awry, and the
film's biggest shocks come from its casual way
of letting the audience see the passing
of time.
This works particularly well in a couple
of the
film's
tenser scenes.
Indiepix Festival Favorites, Volume 2 Value - priced, three
film set
of music documentaries: «Icons Among Us: Jazz In the Present
Tense,» about the modern jazz
scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives
of Austin's vibrant young musicians as they grapple with questions
of artistic integrity, commercialism, experimentation, and the future
of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product
of filmmaker Quino Piñero's two years
of field recording traditional and modern music from around every corner
of Ethiopia, a country
of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
Schaffner came from TV, and while he has few
of the obnoxious visual affectations
of the TV - trained director, he tends to restrict the most significant actions and relationships in his
films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the
tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle
scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes
of Ian Holm and then Alan Webb, far from the splendor
of St. Petersburg or the shambles
of the Great War.
He gives his
film several
tense action
scenes (thrilling shootouts, car chases conducted in night vision) executed at a perfect clip, but forgets to invest it with a larger sense
of wonder.
The opening
scene that depicts the building's imminent collapse is
tense and superbly sets the
film's tone; clinically stark, devoid
of warmth or any musical score and working within a very drained palette - a style that appears to be straight out
of the Michael Haneke handbook (Amour, Funny Games).
Lawther's face in these unbearably
tense scenes resembles Maxwell Frere's ventriloquist's dummy in Dead
of Night and also brings to mind Michael Redgrave's affecting performance in the same
film.
Anderson thinks that the
tense atmosphere
of the
scenes they were
filming simply infected the atmosphere on the set.
The
tense tracking shots interspersed with static point -
of - view sets the
scene more than any line
of dialogue could - it's two years on from events
of 2014
film Dawn and the battle between humans and apes, fuelled by the traitorous Koba (Toby Kebbell), has rendered the world a post-apocalyptic wasteland.
The flight
scenes, a combination
of stock footage,
filmed flying and some clever miniatures, are cleverly staged and often
tense, as in an early
scene of a half - deployed bomb that makes Nelson the hero
of the unit for his quick thinking, or in the fatal climax.