Sentences with phrase «term pop art»

The term Pop Art was coined in Britain in the 1950s.

The term Pop Art was coined by British art critic Lawrence Alloway back in 1954, but it was during the 1960s that this playful movement took off.

During the 1950s, the critic and curator Lawrence Alloway (1926 - 1990) made his name by coining the term Pop Art, before settling in New York to become a curator at the Samuel R Guggenheim Museum and art critic for The Nation.

The term Pop art came into use in the 1950s during discussions led by the artist collective known as the Independent Group at London's Institute of Contemporary Arts.

Soon after, Hamilton coined the term pop art.

Not exact matches

Also, when hearing the term color blocking Andy Warhol and pop art come in our minds too.

Directed by Brad Bird (Ratatouille), the picture ups the ante in terms of state - of - the - art gadgetry and eye - popping feats on land, sea and in the air.

At Sundance 2013, there was something for everyone and also a feeling of come - one - come - all to movies that in a more stratified environment would have been classified in either / or terms: queer or het, art or pop.

A fun Pop Art word search PDF with key terms relevant to this art movemeArt word search PDF with key terms relevant to this art movemeart movement.

In the spirit of that question, here is the trailer for Soft Body, which, in addition to being the fashion thinkpiece term of art for yours truly, is apparently «an action - puzzle game set in a meditative, musical world»: Soft Body is what happens when bits of every arcade game you have ever loved escape the zoo and join forces to form a chilly synth - pop band.

This is a crucial show for admirers of Johns» work, but also in terms of the position of Neo-Dada and Pop Art today.

Peckham has been ripe for blooming for a number of years now, placed between Camberwell School of Art and Goldsmiths, with the South London Gallery and a healthy number of alternative art spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the communiArt and Goldsmiths, with the South London Gallery and a healthy number of alternative art spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the communiart spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the communiart students and graduates form a substantial part of the community.

«Pop art» as a moniker was then used in discussions by IG members in the Second Session of the IG in 1955, and the specific term «pop art» first appeared in published print in the article «But Today We Collect Ads» by IG members Alison and Peter Smithson in Ark magazine in 19Pop art» as a moniker was then used in discussions by IG members in the Second Session of the IG in 1955, and the specific term «pop art» first appeared in published print in the article «But Today We Collect Ads» by IG members Alison and Peter Smithson in Ark magazine in 19pop art» first appeared in published print in the article «But Today We Collect Ads» by IG members Alison and Peter Smithson in Ark magazine in 1956.

Alloway clarified these terms in 1966, at which time Pop Art had already transited from art schools and small galleries to a major force in the artworArt had already transited from art schools and small galleries to a major force in the artworart schools and small galleries to a major force in the artworld.

The essay was one of the first on what would become known as pop art, though Factor did not use the term.

The term «pop art» was officially introduced in December 1962; the occasion was a «Symposium on Pop Art» organized by the Museum of Modern Apop art» was officially introduced in December 1962; the occasion was a «Symposium on Pop Art» organized by the Museum of Modern Aart» was officially introduced in December 1962; the occasion was a «Symposium on Pop Art» organized by the Museum of Modern APop Art» organized by the Museum of Modern AArt» organized by the Museum of Modern ArtArt.

[9] Alloway used the term «mass popular art» in his oft quoted 1958 article but he did not use the specific term «Pop Art» in the pieart» in his oft quoted 1958 article but he did not use the specific term «Pop Art» in the pieArt» in the piece.

[1] In a footnote to his essay Pop Art the words, he also states, «The first published appearance of the terms that I know is: Lawrence Alloway, «The Arts and the Mass Media,» Architectural Design, February 1958, London.

He first used the term «mass popular art» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of imagart» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of imagArt» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of imagart has a basis in the popular culture of its day and takes from it a faith in the power of images.

My earlier allusions to Bushwick art spaces weren't to draw similarities between the two locales, but rather meant to highlight the rarity of comparably mature artist - run spaces in New York — remember the late 2000s, when the term «pop - up» was coined (and then consequently overused to death)?

Despite an early dalliance with Abstract Expressionism — «Splashing your psyche on the canvas» — James Rosenquist was always a leading proponent of Pop Art, a term he felt «resigned» to.

Earlier in England in 1958 the term «Pop Art» was used by Lawrence Alloway to describe paintings that celebrated the consumerism of the post World War II era.

Wesselman's installation, like Katz's two - figured painting, is Pop Art before the term caught on, with industrial materials and plenty of clever flourishes like its non-stop fan and its draped curtains in metallic tones.

Centered on long - term curatorial projects, Field Projects presents monthly exhibitions at their Chelsea location in addition to participating in pop - up exhibitions and art fairs.

The pieces are not instantly recognisable as Kelly's — no blocks of bright colour, no linear pivots, none of the hyperchromatic test cards which have marched across gallery walls since Kelly first developed his distinctive brand of abstraction, sometimes called hard - edged, sometimes called geometric, sometimes grouped with minimalism and Pop Art (all terms, incidentally, which Kelly himself rejects).

A generation before, Sari Dienes, too, raised painting off the wall, in every sense of the term, and she made explicit the path between Pop Art and Surrealism.

Pop art is usually regarded as an especially American phenomenon, but a British critic, Lawrence Alloway, coined the term, and several British artists of the»50s (e.g., Richard Hamilton and Eduardo Paolozzi) antedate the US efflorescence.

The term «pop art» was used by Lawrence Alloway to describe paintings that celebrated consumerism of the post World War II era.

In fact, the internet is now a huge source of pop culture and so Rawlings» practice seems to embody the same spirit of the Pop Art movement, updated in terms of subject matter, for a contemporary audienpop culture and so Rawlings» practice seems to embody the same spirit of the Pop Art movement, updated in terms of subject matter, for a contemporary audienPop Art movement, updated in terms of subject matter, for a contemporary audience.

By the time he enrolled at the Slade in the late 60s, his main influences were Gerhard Richter and Sigmar Polke: painters whose use of photographs overlapped with and trumped, in expressive terms, the pop art of a few years earlier.

Coined by art critic Barbara Rose, the term Neo-Dada encompassed several smaller movements, including Fluxus, Happenings, and Pop Aart critic Barbara Rose, the term Neo-Dada encompassed several smaller movements, including Fluxus, Happenings, and Pop ArtArt.

Some of the most respected scholars and art journalists of the day — including Irving Sandler (author of a four - volume history of postwar American art), Lawrence Alloway (the critic who coined the term «Pop art»), and Thomas B. Hess (editor of the magazine from 1948 to 1972)-- visited artists in their studios and reported back on the struggle toward the completion of a painting or sculpture.

Since critics so often discuss your work in terms of its being, as they suggest, a bridge between abstract expressionism and Pop art, it might be interest ing to see how very different it is, how distinct your attitudes and ideas were from either, and from the artists who were figures at either end of that bridge.

Neo-Dada art was a term almost synonymous with early American Pop - Art, especially the collage and assemblage work of Robert Rauschenberg and Jasper Johns in New York in the late 195art was a term almost synonymous with early American Pop - Art, especially the collage and assemblage work of Robert Rauschenberg and Jasper Johns in New York in the late 195Art, especially the collage and assemblage work of Robert Rauschenberg and Jasper Johns in New York in the late 1950s.

In a letter to Neue Deutsche Wochenschau Richter describes the project as the «first exhibition of «German Pop Art»» and coins the term «Capitalist Realism».

However, the term «pop art» originated in Britain, where it had reached print by 1957.

The term «Pop Art» was first used by the English critic Lawrence Alloway in a 1958 issue of Architectural Digest to describe those paintings that celebrate post-war consumerism, defy the psychology of Abstract Expressionism, and worship the god of materialism.

Encompassing the engaged and the conformist, references to celebrity and mass - culture, every media available and being completely democratic in terms of iconography, and definitely containing some inherent traits of pop art, it's safe to state that Urban Art is the perfect mirror of postmodernism, and as such, it's a movement in its own rigart, it's safe to state that Urban Art is the perfect mirror of postmodernism, and as such, it's a movement in its own rigArt is the perfect mirror of postmodernism, and as such, it's a movement in its own right.

Fifty - six years after Richard Hamilton first coined the term «pop art» — he described it as popular, transient, expendable, low - cost, mass - produced, young, witty, sexy, gimmicky and glamorous — the first London exhibition devoted solely to British exponents has opened.

While not a movement in the strict sense, the term Capitalist Realism, with its double - edged irony, became a bracket label for a constellation of artists, including Polke, Richter, and some of the pioneers of German and European Pop Art.

«New Realism» would shortly be replaced by «Pop art,» a term critic Lawrence Alloway had used to identify the work of several British artists who incorporated the imagery of advertising and popular culture into their work in the late 1950s.

• Pop Art (1955 - 70) See above: Most Important Movements • Post-Impressionism (1880s / 90s) Loose term for a variety of painting styles developed in the wake of Impressionism.

«Such was the success of this tiny and painstaking collocation that many people are still stuck with the idea of Hamilton as the man who single - handedly laid down the terms within which Pop Art was to operate,» the critic John Russell wrote in the catalog for a 1973 Hamilton retrospective at the Solomon R. Guggenheim Museum.

Originally a term coined by New York artists in the mid-century art scene, Fluxus, «Happenings» were pop - up parties with art, live music, and installations.

This could be the motto of Martial Raysse, the French master of Pop Art and Nouveau Realism for whom the term «pop» is as apt as it is for Andy Warhol and Roy Lichtenstein in the US, Sigmar Polke in Germany and David Hockney in BritaPop Art and Nouveau Realism for whom the term «pop» is as apt as it is for Andy Warhol and Roy Lichtenstein in the US, Sigmar Polke in Germany and David Hockney in Britapop» is as apt as it is for Andy Warhol and Roy Lichtenstein in the US, Sigmar Polke in Germany and David Hockney in Britain.

Only hereafter was the term Pop - art used as a technical name for the movement, partly due to the critics discomfort with the term Realist, and partly due to the presence in New York of Lawrence Alloway - now a curator at the Guggenheim Museum - who advocated the adoption of the term.

The term Pop - Art was invented by British curator Lawrence Alloway in 1955, to describe a new form of «Popular» art - a movement characterized by the imagery of consumerism and popular cultuArt was invented by British curator Lawrence Alloway in 1955, to describe a new form of «Popular» art - a movement characterized by the imagery of consumerism and popular cultuart - a movement characterized by the imagery of consumerism and popular culture.

In what is now being termed London Art Fair week due to the sheer volume of temporary, pop - up, fairs and projects across London town, it was Moniker in their new location within the Truman Brewery that got us properly excited.

Pop Art, Minimalism and the myriad tendencies grouped under the term postmodernism asserted their claims after the heady days of Abstract Expressionism.

In what is now being termed London Art Fair week due to the sheer volume of temporary, pop - up, fairs and projects across London town, it...