In
terms of suspense, this was the slowly inflating balloon that didn't pop.
DVD Review by Kam Williams Headline: Hitchcock Mockumentary Mixes Suspense with Cold War Paranoia Sir Alfred Hitchcock (1899 - 1980) set a stratospheric bar rarely reached by other filmmakers in
terms of the suspense genre.
Not exact matches
A bit more
suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams
of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in
terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.
As a straight thrill ride, The Debt delivers not only in
terms of casting but in degree
of suspense.
Alex Garland's screenplay is pretty lean in
terms of story (in the way that Jaws can be described as lean) and is more concerned with psychological
suspense as opposed to philosophical speculation.
Of course it defies genre — it's not primarily a horror movie or a
suspense thriller but simply a character study, with the delicacy that
term typically implies but also with a freakishness it doesn't usually portend.
While it shares similarities with its current - gen predecessor Silent Hill: Homecoming, Silent Hill: Downpour looks like more
of a return to form in
terms of how it builds atmosphere and
suspense through the relative helplessness
of its protagonist, Murphy Pendleton.
That said, Denise Di Nova manages to deliver some
suspense in some
of the scenes, but the film can't quite manage to work out whether it is playing for laughs in
terms of black comedy, or completely straight.
No movie franchise embodies the
term «meh» better than the «Divergent» tetralogy, because although the second installment is a competently made sci - fi thriller, it suffers from many
of the same problems as the last movie — namely, a troubling lack
of excitement,
suspense and emotion.
However, the points made by Matt, Christy and many others on the panel — do have relevance, in
terms of criticism
of the «action» and suspenseful movie — and what are the various ways, that directors, actors, scripts and projects, can generate these emotions
of suspense and danger, within the movie viewing public.
Sure it did add to the tension and
suspense but in todays gaming world it also took away from the gameplay experience somewhat as I found myself playing a guessing game in
terms of which direction I should head.