Sentences with phrase «terms of their design contemporaries»

So, if someone with FF experience and no DQ experience is looking for a reference point, I feel it's more helpful to compare the games in terms of their design contemporaries rather than by release date.

Not exact matches

It's a brilliantly cosy but contemporary driving environment up front, and easily Jaguar's finest interior to date — not just in terms of quality perception but also the design, which is still pleasingly like nothing else in its overall architecture.

The designers and engineers have enhanced or newly developed over 1100 parts, creating a contemporary Sports Coupé, whose all - new front and rear design, along with its even more agile handling in particular, all testify to its metamorphosis, achieved without compromising the proven Mercedes standards in terms of safety and comfort.

In terms of styling, the Renault Lodgy gets contemporary design language and doesn't look boxy.

In terms of styling, the Tata Bolt looks fresh and contemporary with a new design language.

In terms of design, the car shares some of its cues with the SLK but a few things have been tweaked to make it look more stylish and contemporary.

Luxurious suites are designed for the most discriminating vacationer in terms of contemporary facilities.

In terms of the design, Puro will have a more cosmopolitan and urban feel that's underscored with a mix of contemporary art, smart leather furniture and earth - tone fabrics that offset the pure white setting.

Ideally located on 100 Street at the Baharka Bridge intersection of the city, Erbil Arjaan by Rotana was developed with both long - term guests and families in mind, combining spacious accommodation and a contemporary design to closely resemble a home environment, closing the gap between hotel room and home.

A flawed masterpiece loses many of its flaws in this version, and while there are still some irritating quirks, the overall design is still ahead of most contemporary video games in terms of depth and emotional intensity.

«Total Service Artists» by Raphael Rubinstein, Art in America Putting a name on some percolations in contemporary art via the notion of the «total service artist,» a term originally used to describe Martin Kippenberger's maniacal drive to self - design every aspect of both his life and art, and all the connecting tissue between the two.

This innovative collaboration with the city was designed to bring art into the community, activating public engagement with contemporary art through curated exhibitions and programs, and revive underutilized properties in the city of Waltham, supporting the city's long - term goals for economic growth and cultural vibrancy.

Designed to enhance classroom activities of various disciplines in the Visual Arts and to stimulate campus dialogue around topical issues of contemporary art, these thematically connected presentations will build on each other, offering students the opportunity to explore ideas from multiple perspectives over the course of the term.

The Utah Museum of Contemporary Art has announced a new program called «Artist - in - Residence,» a long - term initiative designed to meet the specific needs of artists living in Utah.

Among many awards throughout the years, he received the 2004 Lifetime Achievement Award from the Smithsonian Cooper - Hewitt, National Design Museum, for his profound and meaningful long - term contribution to the contemporary practice of dDesign Museum, for his profound and meaningful long - term contribution to the contemporary practice of designdesign.

For many, the definition and understanding of «sculpture,» and even more so the term «sculptural,» has been expanded to the point of collapse within contemporary artistic practice while contracting within popular culture to the point of obsolescence (think no further than every bad public sculpture and memorial controversy or the trendiness of using «sculptural,» or as a comparison «architectural,» to describe everything from clothing design to cuisine).

Italian architect Ippolito Pestellini Laparelli, partner at OMA working on preservation, scenography and curation, is both leading OMA Urban Studies, as well as the team of creative mediators, which includes the Swiss contemporary art curator Mirjam Varadinis, who works in Kunsthaus Zurich and was co-curator of TRACK, a large scale city - wide international exhibition in the tradition of «Chambres d'amis» in Ghent, Belgium; Spanish architect, artist and scholar based in New York and Madrid, Andrés Jaque, the founder of the Office of Political Innovation, working on the intersection of research, politics and design; and Dutch filmmaker and journalist Bregtje van der Haak, who has been directing international documentaries and transmedia projects on long - term social change with a special focus on urbanisation and technological culture.

His wide ranging exploration of design and environmental impact has led him all over the world, stepping to the edges of contemporary environmental architecture, and to come to terms with the enormous effect we have with our built environment.

In terms of modern style, modernist design suits small and tiny houses much more so than the flamboyance of the contemporary due to the emphasis on what I call direct design; that is, avoidance of unnecessary complications and details.

Ranging from warmer, classic sandy designs to contemporary oak floors with hints of stone grey, such as ultra-matt Kährs Lux Oak Coast, the term «natural oak» covers a whole colour spectrum of flooring designs to suit all interior tastes.