Sentences with phrase «terrible at drawing»

A couple of years ago I became a portrait artist, before that I was terrible at drawing or painting.

I'm terrible at drawing pictures, so I came up with something I could draw: letters.

He's too small, he's terrible at drawing contact, and he absolutely can not post other guards up.

Not exact matches

Try Listening to Them,» drew a stinging rebuke from former New Republic executive editor Isaac Chotiner at Slate, who wrote a response in which he called it «terrible advice for the paper.»

Stoke — WIN, LOSE or DRAW On one hand, we have a terrible record at the Britannia, but on the other hand, Stoke have been poor this season, and seem a little softer than usual.

Middlesbrough have gone an amazing 15 games without a win in the Premier League, but at home they have managed 4 draws from their last 5 games, and they are desperate for points to take them out of the relegation zone so will be dangerous to any visitors especially with Arsenal in such terrible form as well.

-- The Lancashire club have a terrible record when it comes to hosting London clubs at Ewood Park in the league this term (W0 D2 L2): Drawing with Fulham and West Ham 1 - 1 as well as losing 2 - 1 to both Arsenal and Chelsea.

Signed for $ 55m from Porto and brought on to lead Zenit to Champions League glory, the Brazilian forward's arrival destabilized team chemistry and coincided with a terrible run in September that ultimately cost Zenit a third straight title (1 point at home against Lokomotiv and Terek and draw on the road against Krylia Sovetov).

Man United didn't get a terrible result in the opening leg, drawing 0 - 0 at Sevilla.

However, the draw distances are terrible, multiplayer isn't available at the beginning, and it won't stack up to the console versions.

Unfortunately to add insult to injury, checkpointing, which in my opinion can make or break a game is sometimes terrible, making you repeat easy but drawn out combat sequences over and over just to fail at the platforming areas.

Bonnard drew everywhere and at any time — on terrible paper; cheap children's sketch books, often lined or squared, flimsy numbered pages, envelopes, anything.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

When I was at Parsons, they required for your first year, that you do architectural drawings of churches and stuff like that, and I was just really terrible at it.

Mirosław Bałka, Poland's greatest artist, is most famous here for his devastating Turbine Hall installation at Tate Modern, that vast steel container which drew us into its seething black depths in our thousands to discover a terrible nothingness within, and then returned us to the light, and to life.