I'm mostly just a happy geek, I like to socialize,
watch terrible films (and the occasional good one), read non stop and talk rubbish to anyone who will listen:)
One among very few
genuinely terrible films that are also justly famous, Blood Feast is the oft - cited progenitor of a certain strain of American cinema: the slasher film — or, more specifically, the splatter movie.
Hours is written and directed by Eric Heisserer who also departs
from terrible film credits like Final Destination 5 and The Thing.
There could not possibly be a more
terrible film on release now than Rules of Engagement, the big new action movie from no less a director than William Friedkin.
I think we were all pretty skeptical upon hearing the announcement that James Franco would be bringing the story of the making of Tommy Wiseau's The Room to the big screen over three years ago; at least those of us familiar with the
wonderfully terrible film of cult infamy.
A
mostly terrible film, it lacks any real memorable moments, buried under televisual and dated production values.
Most of this is taken up with mediocre and
even terrible films, but there's a lot of great ones as well, enough that I think this decade stands up well with the best film decades ever.
For those of us who write about movies (I don't consider myself a critic), two things inspire us to write at our best: a
really terrible film, and a really great one.
It was the
third terrible film 20th Century Fox made starring those characters and, in a new interview, Vaughn says he'd love to atone for that.
I've never been one to think that she was a terrible actress, I just thought she chose some
absolutely terrible films (All the Pretty Horses, Sahara, Woman on Top, etc.) And, yes, she has grown over the years.
Never mind those though because all the disappointing, frustrating and
outright terrible films were rendered null and void by Nicolas Winding Refn's (Bronson) newest film and high profile closing night premiere Drive.
Also, a surprise appearance from Anna Faris, an actress who is usually the only redeemable quality is
several terrible films (Movie 43, Scary Movie).
I get it: when you first heard that James Franco was making a movie about the making of The Room, one of the most
delightfully terrible films in the history of cinema, you were understandably skeptical.
Alas, both
tragically terrible films were snubbed, edged out in favor of these worst picture contenders: The Emoji Movie, Transformers: The Last Knight, Fifty Shades Darker, The Mummy, and Baywatch.
That Awkward Moment is a wretched,
terrible film starring very attractive, and in some cases seriously talented, actors, all slumming it while they await what will surely be brighter futures.
Let's be fair here though; Bay's only made two
truly terrible films in Pearl Harbor and Transformers: Revenge of the Fallen.
The film's final shot, so startling in the original film, is just one more major fumble, further cementing the grotesque 2013 version of Carrie as one of the most toothless and
terrible films of the year.
Yea, the first film was pretty great (especially when I was a kid), but you're right, if this does opt to go CGI then we could be in for a
pretty terrible film.
by Bryant Frazer One among very few
genuinely terrible films that are also justly famous, Blood Feast is the oft - cited progenitor of a certain strain of American cinema: the slasher film — or, more specifically, the splatter movie.
The manic, chatty writer / director believes that one
terrible film would cost him three good ones, as far as his rating is concerned.
A good cast is wasted on such
a terrible film, it's a great shame, because there's some impressive names attached to this piece of trash.
Blended is generally
a terrible film, mostly due to the lacklustre performance of comedy stars Adam Sandler and Drew Barrymore, however, Terry Crews is in this film and once again manages to lift it from a score of 0 to a score of 10 for me.
Not
a terrible film, but an oddly joyless one.
When talking about cynical marketing campaigns, it's usual to point to
terrible films that become big hits through licensing, advertising and sponsorship deals, but the other side of the coin is John Carter.
It's not that Cleaner is
a terrible film, it just doesn't rear back and sock the viewer in the jaw like a great thriller should.
True Story isn't exactly
a terrible film: All of the actors acquit themselves just fine, and there's admirable restraint to Hill and Franco's onscreen chemistry, if only because their work together is usually on the comically absurd side.
Don't waste your time watching
this terrible film.
Excruciatingly boring and pointless, Exposed is
a terrible film.
That's the only way to explain their presence in
this terrible film about television pilot season.
I thought me and the friends I went with were the only people in the world who thought this was
a terrible film.
If you had fun it CAN NOT be
a terrible film.
With poorly edited action, few laughs, and the presence of Chelsea Handler, this is
a terrible film.
There is really nothing more I can say — this is
a terrible film, just awful, with only Rip Torn to lift it up from a zero.
Café Society is not
a terrible film by any means and surpasses the recent waning quality of Woody Allen's late career.
Not any more, until they killed the golden goose with a bunch of
terrible films.