Sentences with phrase «test everyday performance»

To test everyday performance, we opened the same apps on the S7 Edge and iPhone 6s Plus and timed how long the apps took to fully load.

Not exact matches

Noting the inconsistency between neuropsychological test results, and patient complaints of memory loss in everyday life, the researchers set out to generate a more realistic picture of memory performance in these patients.

Average performance also correlated significantly with performance in Functional Cognitive Assessment Scale (FUCAS), Test of Everyday Attention (TEA), and Rey Osterrieth Complex Figure test (ROCTest of Everyday Attention (TEA), and Rey Osterrieth Complex Figure test (ROCtest (ROCFT).

While PISA is a test of everyday knowledge, TIMSS measures performance on the sorts of academic disciplines students are normally taught in school, and which are often required for success in higher education.

To meet customer expectations for everyday performance, zero - to - 60 acceleration has been improved to 9.8 seconds, more than a second faster, in internal testing.

The Audi Sport model line up represents the very best in track - tested performance paired with the luxury and comfort for your everyday commute.

In the end, the LF - A was an important vehicle for Lexus in that it proved to be a test bed for more attainable performance vehicles (like the RC F and GS F,) not to mention the fact that its edgy design language is now visible on everyday models like the NX crossover.

Nürburgring - tested high - performance compound brakes, lightweight suspension components, perfectly balanced weight distribution and fully variable differential control all contribute to benchmark - setting agility, directional stability and controllability at the limit, providing the M2 with perfect composure both on the track and in everyday driving.

Lest you think that performance testing is inconsistent with the careful driving necessary to survive on slippery roads, consider this: Reduced traction on slick surfaces makes at - the - limit situations likely in everyday driving.

On our tests, Power Saving mode seemed more than good enough for everyday use, but the performance of some applications — such as the panoramic photo app PhotoTaf — was slower.

In the mid-1960's she also began to execute a series of life - related actions (she didn't like the word performance) that tested, among other things, her stamina, her friends» patience and the conduct of everyday life.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The BaPerformance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Baperformance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Tolerance evidence is intended to explain discrepancies between the defendant's good performance on field sobriety tests or everyday activities, and his or her high breath, blood or urine test results (e.g., that at a.20, the defendant should be falling down).

We may not report results from all of these tests (real - world everyday performance is far more important than benchmarks), but we do share the most interesting results.