Sentences with phrase «text accompanying the show»

In a text accompanying the show, Linn tells of visiting exhibitions at the Morgan Library, the Met, and the Louvre.

In a text accompanying the show, they argue that if the AIDS crisis, which was at its peak during the six years Rosenberg worked on the series, «is not a subject of the work, it is an implicit and important cultural and historical lens through which to consider a series of photographs depicting the sexualized male body as a site of pleasure.»

«The past memory is no longer accessible, but now mirrors the present reality,» Saadé explains in a text accompanying the show.

(The text accompanying the show offered little by way of an explanation or highlighting the conceptual background.)

Not exact matches

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Water birth, breech birth, twin birth, Caesarean birth — all are shown in «photo stories», with accompanying text written both by the woman and her midwife, and sometimes also the partner or a child who was present.

Resource includes Powerpoint presentation full of colourful interactive slides with a spot the mistake starter based on Reflexive Verbs, a Picture Board activity to get pupils thinking before reading, a four slide Story Text about an 11 year girl from Cameroon with accompanying Differentiated Worksheet activities and a Plenary Game based on the Chase TV show.

Online videos that accompany the book bring the text alive by showing readers what coaching looks and sounds like.

Three of the illustrations accompanying this article are tracings from my own radiographs — two normal and one showing subluxation in the flexed position — and the other one is from the classic veterinary text by Miller, Christensen, and Evans.

Sadly, the patent — published on Christmas, but filed in March — adds little to what is already known, with the accompanying text almost identical to previous applications, but it did prompt PSLS to look into the background of those listed as the inventors, showing some promisingly impressive job histories.

As in most of his solo shows, these low - rent objects are accompanied by oversized paintings of texts delivered in child - like handwriting resembling Comic Sans, with intentional misspellings and grammatical errors.

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

In the accompanying text the curators describe In the Belly of the Whale as a «rehearsal for a larger show».

In this exhibition and the accompanying catalogue, the British Museum shows itself at its best; the clear presentation of the prints, the precision of scholarship, the insightful text by Coppell, but also in the deft addition of specific works from the museum's collection to further animate readings of the prints.

Both editions contain 340 pages and 216 illustrations showing details from Abstract Painting [CR: 648 - 2], 1987, accompanied by 155 texts taken from the Frankfurter Allgemeine Zeitung of March 20 and 21, 2003 (the beginning of the Iraq War).

The exhibition's catalog and accompanying texts go to great lengths in describing the show, instead, as «a broad overview of a groundbreaking aspect of contemporary art practice» — «a recognizable cultural phenomenon... that also addressed universal aspects of the human condition.»

The extensive text accompanying the event announcement goes on to explain the concept in terms of multi-directional theories, its favouring dialogue over monologue and its connection with manual activities, as represented by works in show that is explicitly and implicitly conditioned by «complex intersections of class, ethnicity, gender and sexuality».

Concealment, serendipity, story telling, duration, and process are all recurring concerns in British conceptual artist Tacita Dean's work.2 Films are an important element of her art; lasting several minutes, they are shown on a continuous loop, and are always accompanied by a text crafted by the artist...

The catalogue includes a text by Caroline Bourgeois and Béatrice Gross as well as a large selection of images of the works on show accompanied by quotes of authors from different disciplines (literature, film, philosophy, poetry...).

The show is accompanied by an exhibition catalogue that was designed by Marie Lusa and contains essays by Dieter Buchhart, Glenn O'Brien, and Robert Storr, an interview with Basquiat by Becky Johnston and Tamra Davis, previously published only as a video film (1985), and short texts by Michiko Kono and a chronology by M. Franklin Sirmans.

It coincides with the Armory Show and the Whitney Museum of American Art Biennial and will be accompanied by a fully illustrated catalogue, complete with original texts by the writer and cultural critic Wayne Koestenbaum and the art historian and Dean of the Yale University School of Art Robert Storr.

Also currently showing at Lehmann Maupin gallery in New York, Teller's German Embassy exhibition features extracts from his Texte und Bilder series, in which each picture is accompanied by the photographer's text explaining the story or inspiration behind it.

A panel discussion will be held during the course of the show, and a special publication will be released, accompanied by a series of archived and commissioned texts and interviews.

Most recently it was included in the celebratory exhibition 75 Years of Looking Forward: The Anniversary Show in 2009 — 10; Feinstein contributed a general text on all of the museum's Rauschenberg acquisitions to the accompanying catalogue.54

Perez Villalta often writes incisive texts to accompany his shows, and in his essay for this most recent exhibition, he addresses and defends precisely this question of beauty.

This was the stage set for a performance based on a 15th - century proto - feminist text which is now being shown as an accompanying film.

A text by Hanna Wildow and Litia Perta accompanies the show — a montage of letter correspondences, with Kathy Acker, McKenzie Wark, Paul Celan, Ingeborg Bachman, Virginia Woolf, Vita Sackville West, Rosmarie Waldrop, Edmond Jabès, Roland Barthes, Fleetwood Mac, Katherine Hubbard, Inga Svensson, Dylan Mira, Hélèn Cixous, Carmen Argote, Johanna Breiding, and Jennifer Moon.

A catalogue designed by the artist and featuring texts by critic Max Wechsler and museum director Bernhard Fibicher will accompany the show.

Coinciding with the show, an accompanying publication has been published, containing 80 pages, 37 illustrations, text (in German and English) by Amy E. Brown Falling through the Olbricht Collection, Alejandro Alonso Díaz A Constellation of Enigmas, Rosie Snaith A Dialogie, A Monologue, A Metafiction and an interview with Francesco Pedraglio.

site offers much more: zoomable images of all 130 works in the exhibition, accompanied by the text that appeared on the Hammer's wall labels; eight essays, 35 artist biographies, and a detailed chronology from the now out - of - print catalogue; and documentation of the exhibition, including checklists, installation images, related programs, and critical reviews, at the three venues that hosted the show — the Hammer, MoMA PS1, and Williams College Museum of Art.

The show's accompanying press release is a short text written by the artist emphatically using the first person to describe what and why these works exist.

A 160 - page, full - color, hardcover catalogue accompanies the show, featuring newly commissioned essays and expository texts on the artist's production process.

Featuring the work of eleven emerging and established artists, and accompanied by a text from Lauren Godfrey, the show draws on historical representations of food in art, as well as current conceptualisations of how the two come together.

pp Illustrated Catalogue with Essay by Sally O» Reilly and texts by Jennet Thomas and John Smith to accompany solo show at PEER gallery, London RAW Research At Wimbledon, transcribed interview with Bill Furlong on my work 2007

The Art and Space exhibition is accompanied by a profusely illustrated catalogue with texts and documents contributed by artists Peter Halley, Marcius Galan, Agnieszka Kurant, Asier Mendizabal, Bruce Nauman, Damián Ortega, Sergio Prego, Alyson Shotz, Lee Ufan, and Zarina, as well as the philosopher and writer Sara Nadal - Melsió and the show's curator, Manuel Cirauqui.

In addition to juxtapositions of these three series of works, Tehrani's project calls attention to the exhibition format as a kind of presentational system, by visualizing the communicational material that accompanies the show — i.e the exhibition title, the press release and the list of works — and having these instructional texts masquerade as art objects in the gallery space.

Like the press release of Schmoetzer's recent solo show, A rare bird in Estonia at Kunstihoone in Tallinn, the accompanying text for Bird of the Year 2022 points to his use of narrative and metaphor to weave together and describe small and ungraspable moments.

It will be accompanied by a new publication featuring full colour plates of works from 2013 — 2017, installation images from museum shows, reference images from the artist's archive, texts by Darian Leader and Craig Burnett as well as a poem by Kate Dent.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tshow of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TSHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

However, as a person much more interested in words expressed than those suppressed, I welcomed at last the introduction of a page - long text, written to accompany the show, with applause.

Rosier suggests to look at her paintings «as if at the movies, seated, oblivious of our own body, and by taking a lot of time», as she writes in a text that accompanies the show.

Still, their inclusion does not overshadow accompanying artists due to the show's aversion of traditional wall text, opting instead to aid the viewer with a comprehensive catalogue.

If you're normally bored or infuriated by text accompanying imagery, you won't be at this show.

This exhibition focuses on Penalva's use of photography which is often shown accompanied with a narrative text as if components of a story, or the given reason for the works existence.

In the accompanying text, they document the assumptions (particularly about carbon capture, land - use emissions and sink enhancement) that lead to the alternative emissions and concentration pathways shown.

List templates contain a scrollable list of items, which can be presented vertically with text only or horizontally with accompanying images on Echo Show.

The teaser image shows four distinct LED indicators and is accompanied by some text that seems to be hinting at a portable charger or a power bank accessory.