Sentences with phrase «text on black paper»

White text on black paper: I almost feel like breaking out a headband and neon clothing to discuss this while listening to a Poison record.

Not exact matches

If you look back where I first (I think) explored the analogy of performance, in a piece titled «Performing the Scriptures» (first published in 1982, reprinted in a collection called Theology on the Way to Emmaus in 1986), you will see that I contrast the notion of interpretation as performance not with the historian's craft but with the supposition that a text (any text, although it is with scripture that I am most concerned)-- a set of black marks on white paper — tells you how to take it, without any interpretative labor on the reader's part, a labor for which the reader must take personal responsibility.

The vintage feel of the box suited the texture of the paper stock used on the notebooks and the black text picks up on the black lino print.

Related sites Abstract of paper, with link to full text A primer on strong gravity, including light near a black hole

Related sites Abstract of paper with link to full text Background on supermassive black holes The UKIRT telescope used in the study

Related sites Abstract of paper, with link to full text Chandra X-ray Observatory, with animations of eruption Short primer on supermassive black holes

Although the e-ink screen on the PRS - 505 isn't as white as a piece of paper, and the text isn't as black as in a printed book, the text is still very clear and crisp and the contrast was pretty good; I had no trouble reading as long as I had adequate light.

Currently represented in the 56th International Art Exhibition of this year's Venice Biennale by Librettos, a new series that brings together the score of the opera La Vida Breve by Spanish composer Manuel de Falla and a speech from 1964 by Black Panther Party member Stokely Carmichael, and Sound Text, a multipart series incorporating drawings on paper that lead to a performance by a seven - piece ensemble, Gaines continually produces ambitious and compelling work that is as challenging as it is inviting.

Everything # 2 / 11b, 2003 Signed, titled and dated in black ink on verso Work on paper (black and white photocopy on graph paper, erased, overprinted with inkjet text) 21.6 x 27.9 cm 8.5 x 11 inches

Wall texts for Thin Black Line (s) Gallery 5 Tate Britain 2011 - 2012 with links for further information Claudette Johnson born 1959 England Her early large - scale pastel drawings on paper depict black women as monoliths, larger than Black Line (s) Gallery 5 Tate Britain 2011 - 2012 with links for further information Claudette Johnson born 1959 England Her early large - scale pastel drawings on paper depict black women as monoliths, larger than black women as monoliths, larger than life.

Tony Lewis's minimal black - and - white drawings feature snippets of text and organic forms, painstakingly hand - drawn in pencil and graphite powder on large sheets of paper.

Joining these are many important works shown in the galleries for the first time including new works made specially for this exhibition, including a diaphanous cellophane window sculpture by Karla Black, a new text work from the series pretty much every world written, spoken, heard, overheard from 1989... by Douglas Gordon, a newspaper collage by Tony Swain, a sculptural work on paper by Andrew Kerr, Jim Lambie's colourful pop poster stack (free to take away) and Hayley Tompkins and Sue Tompkins painted chairs that can be found distributed throughout the galleries.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

Waltercio Caldas's drawing 1, 2009, is a straightforward composition of india ink and pins on paper; two diamond forms — one small and red; the other, larger and black — slightly intersect near a spot of printed text reading simples.

For his third solo show with the gallery, Stewen focuses on mirroring and doubling, using kaleidoscopic ornamental patterns in combination with antique paper, thread, confetti, found text, sculptural elements, and his own black and white photographic images.

The part of the definition that is visible reads «necessary or essential to life,» while the black text on another white paper reads «destroying life: fatally dead.»

A6: A resume doesn't always have to be black text on white paper.

Most sellers are unaware of these representations because all they see are 11 - 20 pages of pre-printed black text on white paper and the only real issue -LSB-...]