Sentences with phrase «text paintings at»

Not exact matches

Examples included swastikas spray - painted on a home, a student receiving a text depicting him in a gas chamber and anti-Semitic graffiti found in a bathroom at State University of New York Buffalo.

Point the phone's camera at a book, DVD, wine bottle, logo, painting, landmark or bit of text, and the hyper - intelligent app recognizes it and displays information about it from the Web.

Following Van Gogh through failed attempts at school and jobs, the text gently but truthfully presents many of the challenges of his adult life, until painting finally gives him a direction.

In a finely tuned poetic text, illustrated with stirring paintings, the book looks back at the life of Harriet Tubman and the many roles she lived through: slave, conductor on the Underground Railroad, Union spy, and so much more.

With vivid paintings and clear, accessible text, Roy creates a heart - stopping look at what great white sharks do best — hunt for their next meal.

Everything from its setting (the decidedly non-Tolkienesque fantasy world of Glorantha) and visual style (which consists mostly of static, hand - painted pictures) to gameplay (largely text - based and menu driven, combining the elements of turn - based strategy and choose your own adventure) is very much unlike anything else on the market — now even moreso than at the time of the game's release.

A related article looks at Holzer's redaction paintings and their implications for art and text.

A marked break with his previous emotionally charged acrylic paintings that merged representation, abstraction, and text (exhibited at 532 Gallery... Read more

Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Agnes Martin: Paintings, Writings, Remembrances Introduction by Arne Glimcher, Phaidon Miró and Calder's Constellations Texts by Margit Rowell and Mildred Glimcher, Introductions by Joan Punyet Miró and Alexander S.C. Rower, Rizzoli Samaras: Album 2 Text by Donald Kuspit, Skira 50 Years at Pace Gallery Text by Arne Glimcher, Pace Gallery

The paintings after 2005 — a collage of grids in different scales colliding at different angles; a counterpoint of impasto freestyle painting, or silk - screened commercial imagery, or an expanse of text with the deadpan look of an old phone book.

Gilliam's paintings on view at David Kordansky look mostly to me like one of the more recent cover designs for JD Salinger's Catcher in the Rye, which is white with simple text and a streak of rainbow angled diagionally across the top left corner.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

At times overwhelming in comparison to Nara's more nuanced and quieter paintings, his text - based works shout out messages in bold English words, or fine Japanese characters, such as «Baby, Baby, I feel Black.

In 2007 - 08, he acted as the curator and organiser of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde Hopkins.

His simple, wavy stick figures painted over metallic backgrounds, or wonky chevron patterns, are a figurative version of his older series of «DUMB AND EASY» text paintings exhibition at Tomorrow Gallery in 2011.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

For the current exhibition at Gagosian Gallery in Beverly Hills, Alex Israel and Bret Easton Ellis, Israel has collaborated with the celebrated author to create text paintings — fragmented narrative combined with lush stock imagery — that mine their native landscape.

JG Robert, how did you decide to present Forrest Bess's work in the way that you did at the Whitney Biennial this year, including texts and personal biographical material alongside his paintings?

The exhibition at Bildmuseet features paintings, drawings, book illustrations, text, film and costume sketches for theater and opera.

His process - based paintings, which often incorporate text, play a part in larger conceptual projects aimed at examining notions of ownership, profit, and market.

Indeed, with her adeptness at luring viewers with captivating (and seemingly innocuous) hand - painted illustrations, humorous texts, and sheer scale and then surprising them with content that is remarkably honest — by turns subversively friendly or bitingly critical and addressing such fraught subjects as power dynamics, social marginalization, and even the machinations of the art world — she has smartly aligned herself with the enduring and boundary - pushing strategies of satire, parody, and caricature.

Almost all of the paintings on view at Venus Over Manhattan depict an ocean roiling with beautiful, chaotic swells, accompanied by meandering texts, non-sequiturs, quotations, and bits of poetry in the artist's handwriting.

A lot is packed into the space without it seeming at all crowded, with surprising early things alongside classic works by Holzer (streaming LED signs and granite benches emblazoned with her aphorisms and poetic texts), Lawler (photographs of works of art uncomfortable in their contexts), Sherman self - portraits and Trockel wool paintings.

In one of his iconic photo - and - text pieces, he reproduces the revered Artforum (an issue with a painting by Frank Stella on the cover) and juxtaposes the magazine with a confusing edict that This is not to be looked at (1968).

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

That Schapiro herself was unconscious of the gendered content when she did the painting is detailed in the wall text for a related, earlier painting, «Big Ox» (1967), exhibited at the National Academy:

For many of the artists in «Ecstatic Alphabets» at the Museum of Modern Art, the chilly texts of Lawrence Weiner or the date paintings of On Kawara are history.

When he died in 1940 at age 60, he left no fewer than 4,000 pages of analytical texts along with some 10,000 paintings, drawings and etchings.

At 18th Street, Wood created a series of inkjet print, which combined digital photographs with text and her own painted images.

Your painting synchronizes the struggle of the camera to adjust the shape of the image as it focuses in on something, the eye's struggle to adjust to it at the same time, and the brush's attempt to capture this movement through the LCD haze... a painting about the hazards of drunk - texting perhaps?

In 2010, Baldessari was awarded a retrospective at the Tate Modern, London, in which his early combination of text and images in paintings were explored with the artist's air of wit, ironically mocking the conceptual art and yet delivering it.

Glass Words Material Described 1965 4 sheets of glass, painted text, certificate of authenticity glass: 48 x 48 x 1/2 inches (121.9 x 121.9 x 1.3 cm) each overall: 48 x 206 1/2 x 1/2 inches (121.9 x 524.5 x 1.3 cm) Certificate is signed and dated by the artist with a studio stamp; dictionary used is noted at bottom (Ety OXF)

The catalogue includes a text by Brandon as well as contributions by Nick Robins, author of The Corporation that Changed the World: How the East India Company Shaped the Modern Multinational (Pluto Press, 2012); art historian John Seyller, a specialist in miniature painting and author of Pahari Paintings in the Jagdish and Kamla Mittal Museum of Indian Art (Hyderabad, 2014); Ayad Akhtar, winner of the Pulitzer Prize for his play Disgraced (2012); Ashley Nga - sai Wu, assistant curator at Asia Society Hong Kong Center; and Hans Ulrich Obrist, Serpentine Galleries's co-director, as well as curator and author of Ways of Curating (Farber & Farber, 2014).

On exhibit at SCAD Atlanta Gallery 1600 from Tuesday, Feb. 2 through Friday, May 20, 2016, will be a selection of recent work, including acrylic on elk hide paintings, intricately beaded punching bag sculptures and wall hangings that incorporate text statements.

While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (LDF).

The fact that the painting was comprised entirely of text was at first incidental, but the slowness of painting that text made me increasingly sensitive to the physical movements actually involved in using an interface like Google, namely typing.

Lucas Zwirner is Editor at David Zwirner Books and has contributed texts to gallery publications, including On Kawara: Date Painting (s) in New York and 136 Other Cities (2012), Raymond Pettibon: To Wit (2013), and Jason Rhoades: PeaRoeFoam (2015).

At some point I realized that the text was the painting and that everything else was extraneous.

A marked break with his previous emotionally charged acrylic paintings that merged representation, abstraction, and text (exhibited at 532 Gallery Jaeckel in 2010), the contemplative oil paintings in The Ribbons That Tie Us demonstrate the artist's evolving and deepening commitment to breaking past stereotype and false exteriors in order to truly know other people.

Although the viewer is looking at a scene, I am putting constant reminders like unfinished edges or text to empathize that this is a painting, not a scene.

By combining the motif inherent in the Penguin book, Miller found a way to marry aspects of Pop Art, abstraction and figurative painting at once, with his writer's love of text.

It includes large abstractions by David Diao at Office Baroque, along with quilts and curls by Joanna Malinowska at Canada, fashionably casual painting by Nate Lowman at Maccarone, a carpet of blackness and salt by Jared Madere at David Lewis, and text art by Karl Holmqvist at Gavin Brown, its undisclosed message disguised as something like eye charts.

Populated by images of birds, rolling clouds, moko mokai (preserved, tattooed heads), and spray painted Christian and Maori texts, Shane Cotton's paintings since the mid-2000s evoke a sense of the sublime that exists at the interface between painting, digital technology and diverse cultural histories.

By its nature, Wojnarowicz's work is truly experiential, and a Web gallery with jpegs of his paintings and text pieces wouldn't do them any justice (not that his work had been treated with any at the National Portrait Gallery).

Jennifer Bartlett: New Paintings, 1998 Text by Kay Larson 46 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-39-5 A fully - illustrated catalog of Jennifer Bartlett's 1998 breakthrough exhibition at the Locks Gallery in Philadelphia.

And, like Ed Ruscha's musings about the nature of texts in his paintings — that words, or at least the use of them as a subject, don't inherently have any real scale — the grid perspective allows an expansion and contraction of otherworldly senses of scale and pacing.

Building on the performance at Performa 15 in New York, at ICA Miami Artist Theater Program will fuse elements of each participating artist's practice — including painting, sculpture, text, sound, and light — to create a new, unified, and site - specific work bridging visual and performing art.

BS So when I look at your paintings and see a concentration of light... There's a text by Coleman Dowell that describes the fauna he passes as he walks through the forest with another being...