Sentences with phrase «text paintings exhibition»

His simple, wavy stick figures painted over metallic backgrounds, or wonky chevron patterns, are a figurative version of his older series of «DUMB AND EASY» text paintings exhibition at Tomorrow Gallery in 2011.

Not exact matches

The fact that those 10 paintings lie hidden in the walls is not revealed in the wall text or in the (otherwise well - written) free 16 - page exhibition brochure.

Known for her abstract painting and conceptual art, this exhibition features «her oblong and un-stretched canvases, as well as her experimentation with hole - punched dots, hand drawn arrows, printed text, and personal postcards.»

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Accompanying the exhibition is a fully illustrated publication with texts highlighting specific paintings.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

The extensive exhibition will trace the origins of these highly operatic text - based paintings back to Hanson's earliest works, showing rarely seen examples from the»60s and»70s alongside his vibrantly colorful, buoyantly playful recent paintings.

In 2007 - 08, he acted as the curator and organiser of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde Hopkins.

Spanning both galleries and encompassing works in a wide range of media — including paintings, new bronze sculptures, works on paper, neon texts and a video — the exhibition reveals the most recent developments in Emin's intensely personal yet profoundly universal oeuvre.

[14th Annual Exhibition of Texas Painting and Sculpture invitation], text, 1952; Dallas, Texas.

This expanded edition of Panorama includes a new text by Mark Godfrey that covers works made since the 2011 exhibition, including the Strip, Flow and Birkenau paintings, as well as an updated chronology.

For the current exhibition at Gagosian Gallery in Beverly Hills, Alex Israel and Bret Easton Ellis, Israel has collaborated with the celebrated author to create text paintings — fragmented narrative combined with lush stock imagery — that mine their native landscape.

The exhibition at Bildmuseet features paintings, drawings, book illustrations, text, film and costume sketches for theater and opera.

Combining sculpture, painting and video work in the exhibition, Reyes McNamara investigated key texts by Mexican American theorist Gloria E. Anzaldúa, Dominican American writer Junot Díaz, and Cuban American poet Gustavo Pérez Firmat

Ex Voto In addition to the solo exhibition of recent paintings by Jan Vanriet, the gallery presents a book edition with texts by Eric Rinckhout and Vanriet.

The exhibition includes paintings, drawings, book illustrations, objects, text, film and costume sketches for the theatre and opera.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Text originally appeared in the catalogue for the exhibition Willem de Kooning: Ten Paintings, 1983 — 1985, Gagosian 980 Madison Avenue, New York, November 8 — December 21, 2013.

This will be Balincourt's third exhibition with the gallery, featuring paintings that are often rooted in American political and historical themes, illustrated with text - based design.

Now, Victoria Miro has published a book of the same name, juxtaposing Paul's paintings with texts from the artist and Als; the London exhibition, name inverted to betoken the friendship between the two figures, coincides with the book's release.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media including drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media, including collages, drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

Bob and Roberta Smith's iconic text painting Letter to Michael Gove was shown in the Academy's 2014 Summer Exhibition.

Steve Turner is pleased to present Strings Attached, a solo exhibition by Amsterdam - based artist Jonas Lund which will feature 24 text - based paintings that relate to the current «bubble moment» in contemporary art.

Accompanying the exhibition will be a full - color catalog with text by JenniferKabat featuring reproductions of numerous drawings and none of the paintings.

Perhaps Desmarais» jagged - edged sculptures are «small parts» fractured from some invisible «whole,» which the wall text suggested as a key facet of a «sample,» or maybe her square patches of painted wall «correct, enhance, or modify» the «routine» of exhibition display techniques.

In a text accompanying the exhibition, Riopelle claimed that only «total chance» could open his painting to new discoveries.

Highly contemporary, the exhibition's title is drawn from a text by the eleventh - century art critic Guo Ruoxu, who uses the phrase «full of peril and weirdness» to describe a painting — among the first recorded instances of such words being used in praise, rather than as condemnation, when describing a work of art.

The space is divided into two conjoined galleries, one of which hosts the third solo exhibition of Ryan Travis Christian — whose drawings and paintings are clearly influenced by early Disney animation, George Condo, and the Chicago Imagists — while the smaller gallery hosts text - heavy prints by Steve Reinke.

Vilma Gold is pleased to present the first UK solo exhibition of work by Markus Vater comprising of new paintings, text work and a video compilation.

Robert Barry, Light and Dark, 2010 Black mirror, mirror, painted texts; 2 parts 39 x 39 inches each March 31 — April 30, 2011 Sperone Westwater is pleased to announce an exhibition of recent works by Robert Barry.

The exhibition titled RB 62 - 08 will include a new major floor piece, several wall text pieces, and paintings.

In her second gallery solo exhibition, Michelle will debut a series of seven acrylic - on - linen paintings that extend her text - based drawings into new figural ground.

In the text accompanying the exhibition, Desmett stressed the activity possible in the work's physical form and presentation; he acknowledged a «theatrical process» in the making of each painting.

If you go into one of the larger, more popular exhibitions in a museum today you are faced with masses of humans reading wall texts or listening to tape recorded comments about the individual paintings.

Also on view in this two - person exhibition are text paintings by the German artist Volker Eichelmann based on writings by British luminaries William Beckford and Stephen Tennant.

Last week I stopped by On Stellar Rays to check out the excellent Rochelle Feinstein (not to be confused with Rachel Feinstein) show, comprised of 13 paintings defined by Feinstein as «The Estate of Rochelle F.» Also included in the exhibition is a series of 29 ink drawings that constitute the pages of A Catalog of The Estate of Rochelle F. — Paintings 2009 — 2010, in which Feinstein indexes each of the paintings through text and illuspaintings defined by Feinstein as «The Estate of Rochelle F.» Also included in the exhibition is a series of 29 ink drawings that constitute the pages of A Catalog of The Estate of Rochelle F. — Paintings 2009 — 2010, in which Feinstein indexes each of the paintings through text and illusPaintings 2009 — 2010, in which Feinstein indexes each of the paintings through text and illuspaintings through text and illustrations.

The exhibition begins with a recreation of a seminal wall mural from 1986, as well as a number of the artist's monochromatic paintings, including an important gray painting from 1973 featuring undecipherable text and a monumental gray grid painting from 2009 that the artist layered over one of his vibrant Spot Ppaintings, including an important gray painting from 1973 featuring undecipherable text and a monumental gray grid painting from 2009 that the artist layered over one of his vibrant Spot PaintingsPaintings.

Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo - texts.

Text by Martin Herbert Interview by Rachel Taylor Published on the occasion of the exhibition: Eric Fischl, Art Fair paintings 14 October - 19 December 2014 Gallery II, Victoria Miro,...

Prompted by what they viewed as a «gulf in consciousness» between the exhibition's organisers and the collective, they painted slogans onto various photos and texts, as well as read a statement.

34th Dallas County Painting, Drawing and Sculpture Exhibition [Entry Rules], text, 1963; Dallas, Texas.

Several artists in the exhibition reject traditional categories of painting and sculpture to explore new modes of art making which result in a plethora of unprecedented aesthetic and critical practices, ranging from industrially produced geometric abstractions, negating the hand of the artist, to text - based investigations.

Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.

The exhibition brings together a selection of John Baldessari's (b. 1931) paintings from 1966 - 68 and includes examples of the experimental, small canvases and the larger Text and Photo - Text Ppaintings from 1966 - 68 and includes examples of the experimental, small canvases and the larger Text and Photo - Text PaintingsPaintings.

[Letter for 24th Annual Texas Painting and Sculpture Exhibition], text, 1962; Dallas, Texas.

Her New Museum exhibition brings together a selection of recent cutout paper figures, mixed - media works on paper, collaged paintings in beehive frames, a large - scale painted sailcloth, and hand - painted texts on the gallery walls.

Jennifer Bartlett: New Paintings, 1998 Text by Kay Larson 46 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-39-5 A fully - illustrated catalog of Jennifer Bartlett's 1998 breakthrough exhibition at the Locks Gallery in Philadelphia.