Sentences with phrase «text paintings on canvas»

Secrets pulled from the bowl are turned into text paintings on canvas, and a small set of these canvases are displayed above and around the station for writing.

Not exact matches

About 65 objects created from 2011 to the present will be featured including figurative works, text - based wall hangings, a significant selection of beaded punching bags, painted works on rawhide and canvas, and video.

Marine Hugonnier and Abel Boulineau Untitled / Disguised as a Tear, 1875-1880/2008 3 framed parts: oil on canvas and two text panels painting: 48 3/8 x 33 inches (123 x 84 cm) test panels: 14 3/4 x 18 3/8 inches (37.4 x 46.6 cm) each MH - 3201

There is also a sense of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State, where peyote and poppies are pressed between sheets of glass and fired, installed on the wall.

The painting became the act of writing a text on a canvas, but in all my work, text turns into abstraction.

For the Turner Prize she presents pieces that include painting on the Guardian newspaper in order to draw attention to and reinterpret found texts, painting on found ceramics, as well as a mise en scene and a painting on canvas.

Adam Pendleton scatters some of the letters in BLACK on black canvas, as if to insist that even painting as text has become unreadable.

His text paintings on monochrome canvases or found panels overspray lettering in missives urging the exploration of sexuality, the committing of suicide, or deadpan self - description.

Hence there's May Hands `, «Endless Euphoria (Calvin Klein)» (2014)-- a minimal white netted canvas dotted with the fashion house's perfume cards — next to «Guilty, (Gucci)» (2014) and Deanna Havas «s «Regrind (4)», a papier mâché plaque on foam crudely painted with brands, a browser window and fragments of text including, «Brand Name: Famous».

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

$ 225 Produced in partnership with MZ Wallace, this generously - sized tote bag features the print from Glenn Ligon's «Untitled (I Am Somebody),» a 1991 oil stick on canvas text painting.

With an unwieldy subject thus reduced to manageable scale, the intimate dimensions of each canvas — approximately three by two feet — prove more than adequate for the artist's personal ruminations on a primeval atmosphere, allowing her to expend less effort on referencing specific aspects of the text and focus instead on abstract painting's inherent immediacy.

The book, along with six large paintings on canvas, and 10 drawings will be on exhibit, each borrowing text from On the Roaon canvas, and 10 drawings will be on exhibit, each borrowing text from On the Roaon exhibit, each borrowing text from On the RoaOn the Road.

This exhibition traces a narrative of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text of the female body, and Undue — a section of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression, painted in the aftermath of the first Gulf War but still as timely today — through representations of the nature of artmaking itself — the sign, the trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.

«Push and Pull» features SCAD Atlanta foundation studies professor Marcia Cohen's «Summer Reading» series of abstract compositions on shaped canvases; SCAD Atlanta painting program coordinator Tom Francis» gestural text - based paintings; and SCAD Savannah ceramics program coordinator Yves Paquette's reinterpretations of the shapes and color of antique French Sèvres porcelain in his «L'hiver bleu» series of ceramic sculptures.

On the one hand the vehicles for the text are technical devices like a hard drive that opens its own space of association or on the other hand they can be a hand - made canvas looking like a classic paintinOn the one hand the vehicles for the text are technical devices like a hard drive that opens its own space of association or on the other hand they can be a hand - made canvas looking like a classic paintinon the other hand they can be a hand - made canvas looking like a classic painting.

In his best known works, he repeats phrases using stencil or silkscreen on canvas, eventually obliterating the text as it moves down the painting.

Today, Carol Vogel has the details in her Inside Art column: it's set to open in May 2014 and «will focus on his thesaurus - inspired paintings — canvases that chart his nearly 50 - year exploration of words, language and text.»