Sentences with phrase «text piece titled»

In addition to numerous display cases showcasing Wilson's diaries and notebooks, there is a large photo - text piece titled «Tipper Gore's Advice for the 90s» (1994), in which the artist, in the guise of Mrs. Gore, advises viewers to let her judge their works of art according to «family values.»

Cary Leibowitz, represented here by a little text piece titled Hi Jewboy Hi, is one of the stereotype - busting «Too Jewish» artists who turn up in «Jew York,» along with Deborah Kass, Elaine Reichek, Hannah Wilke, and Ilene Segalove.

At the bank last fall, Mr. Ligon showed his neon text piece titled «A Small Band» and spelling the words «blues, blood, bruise,» which resonated more immediately in a neighborhood struggling with police violence than it might have at its debut in 2015 at the Venice Biennale.

Not exact matches

Meta tags: These tags give the small piece of text that is found beneath title tags on a search results page.

If you look back where I first (I think) explored the analogy of performance, in a piece titled «Performing the Scriptures» (first published in 1982, reprinted in a collection called Theology on the Way to Emmaus in 1986), you will see that I contrast the notion of interpretation as performance not with the historian's craft but with the supposition that a text (any text, although it is with scripture that I am most concerned)-- a set of black marks on white paper — tells you how to take it, without any interpretative labor on the reader's part, a labor for which the reader must take personal responsibility.

- Chnlove.com» - it's the title of the site.The most important text on the main page - «Amazing Touch With REAL & QUALITY Chinese Girls», «Make it a Piece of Cake to Successfully Date Chinese Women», «Gifts & Flowers».

If the art is brilliant, but the title text is all wrong, the whole piece falls flat.

As a translator of history Starling offers context and to - the - point explanation in his personally written wall texts accompanying the title of each piece.

In the works on view here — including wall pieces, artist's hooks, and one video — Bunn perused the subject headings to cull successions of titles into texts that range from melancholic odes to deadpan truisms.

Their titles are based on a text piece she did in 2003, when she pored over the index of the book «Reading Lyrics» and marked all the titles that had the word «blue.»

The artist titles the pieces with references drawn from literary texts as a device meant to induce a dialog.

The ever - inventive David Shrigley, in addition to a couple of animations in the film series described below, is represented in BQ Gallery «s booth by a white room, empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty Room.

The exhibition titled RB 62 - 08 will include a new major floor piece, several wall text pieces, and paintings.

(It's hard to tell, exactly — as is the artist's wont, there is no explanatory wall text or title provided for the piece.)

The excerpt above is just one of a list of instructions contained within the text of his 1974 piece Body Pressure, a title that shares a name with the expansive survey exhibition currently on view at the Hamburger Bahnhof, in Berlin.

The light boxes are accompanied by a series of wooden works that emulate the form of other pieces — described in the text Titled 2011 as performing the role of Weiss's stage properties.

Previous titles include: On Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000 - 2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandy!

The title of the piece references Sun Tzu's famous Taoist text, The Art of War, the chosen words a reflection on language, time, and human nature.

Taking its title from Lawrence Weiner's 1970 text - based piece, the show highlights a generation of American and European artists who rejected traditional aesthetics in favor of new forms and procedures.

So it makes sense that «Hello Walls,» which fills Gladstone Gallery's two branches in Chelsea, opens with another of Bochner's early works: the white - on - black text piece Forgetting Is the Only Continuum, originally from 1969, in which the title words appear scrawled in white on a black stripe that runs nearly the length of the 24th Street gallery's largest room.

They collaborated on this first exhibit at Art Basel and used the text piece by Lawrence Weiner «Learn to Read Art» as the exhibition title.

The title text was centered and set in the same typeface Gonzalez - Torres used in his text - based pieces.

At the Private View, Etchells will present a short improvised performance under the title «Word File (Vitrine)», drawing on and developing the strategies for text improvisation that he has pursued in recent years in the full length performance project «A Broadcast / Looping Pieces» (2014), previously performed at David Roberts Foundation and Hayward Gallery, London, Stedelijk Museum, Amsterdam, KunstenFestivaldesArts, Brussels, Hebbel Theatre, Berlin amongst other places.

Brokered by Christie's, the acquisition includes five early conceptual pieces by Nauman, as well as other works by Barry (the 1971 — 72 series of 81 slides with text It Can Seem to Be...), Joseph Beuys (the 1963 wood, chalk, terry cloth, oil and metal Fontana Dose), Hanne Darboven (51 ink - on - paper drawings from 1971 — 72), Jan Dibbets, Joseph Kusuth (the 1966 ink on paper mounted on aluminum Titled (Art as Idea as Idea)(Paint)-RRB- and Weiner.

Thanks to a piece in Slate on what to do about e-coli in the food supply, I wound up finding the Seattle law firm of Marler Clark LLP, which specializes in food poisoning cases — indeed the title on their home page declares it and the first paragraph of text claims that