In addition to a handsome plate section, it features short
texts by each of the artists on the function of drawing in his or her work, condensed biographies and an insightful introductory essay by the Aspen Art Museum's Heidi Zuckerman Jacobson.
Not exact matches
On the other hand, the full spiritual import
of a religious ceremony, informed
by text and tradition, eludes even the most devoted
artist.
The water element is amplified in ever - widening circles on the gray granite floor inscribed with a
text installation — made up
of 10,000 words from Walt Whitman's «Song
of Myself» — designed
by New York
artist Jenny Holzer.
Extras include audio commentary
by director Nicholas Meyer;
text commentary
by Star Trek consultants and visual
artists Michael and Denise Okuda; various making -
of featurettes; interviews with Shatner, Nimoy, DeForest Kelley (Dr. McCoy) and Montalban; an interactive Library Computer; and storyboards.
A four page
text relating changes in the
artist's work to events in his life is followed
by a comprehension exercise
of 20 questions totalling 40 marks.
In dramatic storytelling we use dramatic arts based pedagogy, including creative drama, to help students generate an imagined story that, when guided
by the teaching
artist, parallels the given story
of the
text.
For your convenience it has available features including navigation and UVO which lets you use your compatible cell phone to make hands - free calls, receive and respond to
text messages, listen to streaming audio, enjoy your personal music, and play your favorite song,
artist or genre
of music all
by giving a single voice command.
Available features include sunroof, push - button start with smart key, pulsating speaker lights, heated front seats, power - folding mirrors, voice - command navigation system, automatic climate control, rear - camera display, USB / aux for your MP3s, an accessory cable that lets you control your iPod, and UVO infotainment system which lets you use your compatible cell phone to make hands - free calls, receive and respond to
text messages, listen to streaming audio, enjoy your personal music, and play your favorite song,
artist or genre
of music all
by giving a single voice command.
Presented as a collection
of texts, edited and introduced
by a scholar years after the
artist's death, the book unfolds through extracts from Burden's notebooks and conflicting accounts from others about her life and work.
In the Classroom: In Deborah Hopkinson's A Band
of Angels: A Story Inspired
by the Jubilee Singers and Mary Lyons» Deep Blues: Bill Traylor, Self - Taught
Artist, the authors offer numerous metaphors and similes throughout their
texts.
Perhaps more than
by the
text, readers will be fascinated
by the stone - collage illustrations created
by Syrian
artist Badr, who arranges expressive tableaux
of people formed entirely
of rocks and pebbles.
It's a technological step forward — it allows
artists to pace the storytelling
by shifting focus within a single drawing, or staggering the appearance
of text bubbles in dialogue.
Even street
artist Dan Witz's paintings
of people entranced
by the glow
of their phones, where they could be reading anything from a
text to Tolstoy, don't hold a candle to the street style - ish blog Underground New York Public Library.
Opened in June 2014, this privately - owned museum was established
by a group
of artists and archaeologists who wanted to showcase the pre-Columbian cultures
of Peru «through a modern language and easy reading
texts».
In an upcoming exhibition, Hong Kong's ZZHK Gallery will present the photographs
of Schweiger, alongside anecdotes relating to her journey with the
artists, visually mapping out the moments and contexts
by combining clippings,
texts and printed materials.
Add
text updates or images, like New York - based
artist Danielle Durchslag, who posted photos
of herself smiling and jumping for joy whenever the funding level for her art installation, «A Wandering Sukkah,» increased
by a significant amount.
The BMA presents Front Room: Adam Pendleton, a dramatic installation
of new and recent work
by the New - York based
artist that examines the relationship between abstraction and representation through layered and fragmented
texts and images sourced from the
artist's personal library.
In Century
of the Self, organized
by independent curator Sarah C. Bancroft at Lora Reynolds Gallery,
artist Alexandra Grant dives into feverishly detailed compositions that embrace language as both quotable
texts and visual tools.
CATALOGUES 2016 Marnie Weber, The Day
of Forevermore: Synopsis, Script, Storyboard, introduction
by Paul Bernard, 96 pages, Museum
of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written
by Darcey Steinke, illustrated
by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations,
texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon,
artist interview
by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song,
text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room,
texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.
About the
artist A multidisciplinary
artist working in photography,
text, sculpture, and performance, Taryn Simon (b. 1975) creates work resulting from rigorous research guided
by an interest in systems
of categorization and the precarious nature
of survival.
The wall
text, in light gray, stopped me in my tracks: This year, Lehmann Maupin Gallery is pleased to present a selection
of works
by the female
artists from the gallery.
Along with over 60 pages
of images, the catalogue features
texts by the
artist and our curator, Katherine Harvath.
with
text by James R. Shipley and Alan S. Weller) 15 Abstract
Artists, Los Angeles, Santa Barbara Museum
of Art, Santa Barbara, USA (cat.
With various colour reproductions
of paintings / works and reference material, foldout - pages,
texts and interviews
by the
artist in English and German.
Published on the occasion
of her first exhibition at David Zwirner in fall
of 2010, this beautifully designed and produced catalogue — with a
text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography
of exhibition and studio installation views, as well as the
artist's notebooks and sketches.
Also included are reproductions
of Wolfson's new series
of wall - mounted sculptures comprised
of bumper stickers overlaid on inkjet prints, candid photographs
of the
artist taken
by Gaea Woods, and a
text by the
artist providing context for the visual material.
The One Thousand Year Old Rock and Roll Band, 2013 (Balcony View) The Story
of Hayy is a traveling
artist residency program hosted
by the
artist collective, Nüans Nüans, and based on the ancient Arabic
text, Hayy Ibn Yaqdhan.
The first, entitled The Production Line
of Happiness, is equal parts
artist's book and exhibition publication, and includes
texts by the curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky.
In 2007 - 08, he acted as the curator and organiser
of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work
of some fifty
artists, occupied three galleries and was accompanied
by a catalogue with
texts by Matthew Collings, David Ryan and Clyde Hopkins.
The result
of a close collaboration between Wolfson and the book designer Joseph Logan, the publication is part exhibition catalogue and part
artist's book, and includes a
text by Wolfson that provides context for the visual material.
She has edited several titles including the recently released Dorothy Iannone; You Who Read Me With Passion Now Must Forever Be My Friends, along with It Is Almost That: A Collection
of Image +
Text Work
by Women
Artists & Writers, Torture
of Women
by Nancy Spero, and The Nancy Book
by Joe Brainard (co-edited with Ron Padgett), among others.
On the occasion
of this exhibition a monograph with writings
by the
artist and
texts by Thom Andersen, Sabeth Buchmann, and Rainer Bellenbaum will be published
by the Verlag der Buchhandlung Walther König, Cologne in 2010.
with
artist statements and
texts by Deborah Bershad, Hal Foster, Marcia Tucker, and Brian Wallis) Dissent: The Issue
of Modern Art in Boston, Part III, «As Found», Institute
of Contemporary Art, Boston, USA (cat.
First published in French in 1994, quickly acclaimed as a photobook classic and since republished and enhanced, True Stories returns for the fifth time, gathering a series
of short autobiographical
texts and photos
by acclaimed French
artist Sophie Calle, this time with four new tales.
Thomas Chimes: Adventures in «Pataphysics, 2007
Text by Michael R. Taylor 255 pages, Hardcover Published
by The Philadelphia Museum
of Art ISBN: 978 -0-87633-252-8 Thomas Chimes (b. 1921) is one
of Philadelphia's most important living
artists.
The exhibition will be accompanied
by a fully illustrated publication with a scholarly essay
by the curator, commissioned
texts, and a biography
of the
artist, marking the first comprehensive catalogue on Ree Morton produced
by a U.S. institution since her show at the New Museum in 1980.
In the second video
of this series exploring the Minotaur's family history, Swinburne's Pasiphae (2014), Reid Kelley brings to life an unpublished
text by the Victorian poet Algernon Charles Swinburne, which is rich with bawdy double entendres and visual language that aligns with the
artist's own writings.
A range
of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship
by art historian Richard Shiff,
texts on both the
artist's wall paintings and newest body
of work
by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.
Conceptual creation through destruction was also utilized
by John Latham in 1966 when he (along with the
artist Barry Flanagan) chew up pages
of a library copy
of Greenberg's anthologized essays, Art and Culture, only to return the masticated
texts to the St. Martins School
of Art library in vials years later.
In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form
of Bruce Nauman's spiraling neon
text piece, The True
Artist Helps the World
by Revealing Mystic Truths (Window or Wall Sign) from 1967.
Thomas Chimes: Complete Circle, 2001
Text by David Cohen 54 pages, Softcover Published
by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work
of noted
artist Thomas Chimes: a series
of metal box constructions from 1965 - 1973 paired with related new paintings.
For his conceptual photography series «Unbranded: Reflections in Black
by Corporate America 1968 - 2008,» the American
artist Hank Willis Thomas took advertisements featuring or directed at African - Americans and simply removed all
of the accompanying
text.
An illustrated
artist's book with a
text by rare - book expert John McWhinnie has been published in a limited number
of copies to accompany the exhibition.
This work documents an extensive collection
of water samples from the Yamuna amassed
by the
artist every day over the course
of a year, accompanied
by short
texts written
by her and local residents.
With the
artist's dreamlike
text grounded
by details
of daily life, Gardening at Night is foremost a sensorial experience.
More than many
of White's contemporaries, the
artist enjoys the spatial illusion
of paint, creating areas
of color that read completely flat while other passages extrude and recede, impressions often complicated
by the introduction
of objects and her recent experiments with
text.
Mana Contemporary's Middle East Center for the Arts (MECA) and Umm el — Fahem Gallery are pleased to present a private viewing
of Textile — Territory —
Text, a group exhibition that examines concepts
of identity, belonging, abjection, and exile in contemporary textile art works
by Middle Eastern
artists, with a special one - night only performance.
Epochal
artist Ed Ruscha has built an impressive body
of work
by staking a claim on the deceptively simple intersection
of text and image, creating images that can be read instantaneously yet evade easy understanding.
The book also features a
text on Lucio Fontana
by Nanda Vigo, which is written more in a form
of a memoir rather than a critical account
of the
artist's work.
The accompanying catalogue extensively covers this period
of the
artist's career with a compendium
of archival
texts and photographs and an essay
by Hal Foster.