Sentences with phrase «textured abstract works»

Not exact matches

Savarino calls himself a modern abstract artist who works with «lots of texture and color» and whose style dictates the kinds of questions he asks potential customers.

If there is a single identifiable subject to his resolutely abstract works, it is coalescence — the gradual coming together of disparate colors, textures and granules.

Using color, texture, and myriad geometric structures, these artists forgo mathematical precision in favor of more layered meaning and relate the works as much to landscape, the body, and experience as to their abstract core.

This is the first major exploration of the works of American abstract painter and watercolorist Suzan Frecon (b. 1941), critically acclaimed for her sensitive arrangement of color, form, and texture, and for the philosophical resonance of her art.

An abstract artist working in ceramics, Joyce Robins (b. 1944) combines paint and glaze, and treats the surfaces of her works to generate varying textures, sequences, and forms.

Reflecting the relationship between volume and space, her abstract works were often created with hollow interior spaces that disrupt smooth surface textures.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

Caivano's works incorporate an uncompromising yet individual approach to the tradition of abstract painting, drawing as much on unique perceptions of colour, space, texture, volume and light as on art history.

The exhibition will present a number of large, heavily textured and abstract paintings, forming a contextual backdrop to the ceramic and bronze works which have played a crucial role in the artist's practice since the mid-1990s.

Working primarily with the elegant nasta «liq script, a Persian adaptation of Arabic originating in the late 14th century, Jinchi renders single letters against ethereal fields of shimmering color, variously inscribed texture and abstract motifs of free - floating invention.

Through his play with surface texture, forms and color, Mizù has adopted the representational system of maritime flags and created an abstract body of work that is both visually and mentally stimulating.

Indeed her works, which would be characterized abstract art rather than abstract painting, share some common ground, such as the spectacular use of colors, contrasts and shadows, the playful use of diagonals that creates a solid sense of perspective while different levels construct both volume and composition, but also the smooth way she moves from one texture to another, giving her paintings a rough surface by using colors impasto or with a palette knife or simply by incorporating different materials.

Rarely seen in print, these works merge the artist's longstanding fascination with the respective languages and textures of photography and abstract painting.

Benjamin Bridges» recent work has focused on variation of textures and layers of paint, verging towards abstract compositions.

Layered in image & texture, monumental in - scale, and featuring bold strokes, free gestures, and vibrant colors, works from 1985 to 2005 record in an abstract vein a period of intensified cultural and demographic transition even for an ever - changing city like New York.

One of the key movers in the second wave of European gestural art, the Italian painter unveils 15 new paintings and six previous works — all of which are sumptuously textured and saturated abstract creations suffused with light and energy.

Marcello Lo Giudice, New Works Opera Gallery 791 Madison Avenue OPENS: May 10 One of the key movers in the second wave of European gestural art, the Italian painter unveils 15 new paintings and six previous works — all of which are sumptuously textured and saturated abstract creations suffused with light and enWorks Opera Gallery 791 Madison Avenue OPENS: May 10 One of the key movers in the second wave of European gestural art, the Italian painter unveils 15 new paintings and six previous works — all of which are sumptuously textured and saturated abstract creations suffused with light and enworks — all of which are sumptuously textured and saturated abstract creations suffused with light and energy.

«Cain's abstract work, titled Mountain Song, features a variety of perspectives created through her unconventional use of canvases layered with patterns, textures, and color.

Reframing floor as painting, this work connects Crowner's work to its environment through a shared language of abstract pattern and texture.

What have emerged are abstract pieces that are textured and rhythmic, densely worked and sculpted.

«Von Allen began his four - decade career as an abstract expressionist artist in the 1970s,» she wrote, noting that he «established a deeply personal style in abstract form and symbolic themes, creating unusual textures in his works with dynamic fields of color and turbulent styles.»

Her work ranges from expressionistic realism through to the purely abstract, using strong surface pattern and texture to capture her environment.

In the first work here — «Untitled # 17» from 1958 — the textured white oil paint recalls abstract Guston, while a faint line of blue fissuring down the surface is reminiscent of Clyfford Still's craggy abstractions.

After working to learn and hone her artistic skills, she now paints mostly in the abstract expressionist style and enjoys working with highly textured art.

Marshall's layered, heavily textured works consist of painterly abstract expression and controlled mark making, etching and relief, whilst embarking on an amazing journey of self discovery through his unique processes of painting.

The glass works in the gallery show the infinite number of colours, forms and textures these pieces of art can take — and objects range from practical bowls and vases through to ornamental objects and large abstract sculptures.

As for the abstract works, as varied in colour and in texture as many of them are, they eventually begin to feel like punctuations rather than further insights into Richter's practice

Intricately composed abstract works are painted with precise detail, yet allow for interpretive textures new to the artists work.

Hense continues to push abstract work in new directions focusing on his mark as an artist and building new textures through that process.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

New Mixed Media Work: These pieces are a playful experiment with pattern, texture, color, shape, and line in a more abstract style.

His early work features broad, calm rectangles in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture, in which strange objects float in the foreground or middle distance, against an often mysterious background, in a way that is oddly reminiscent of Miro.

Piseno writes: «Ranging widely from densely textured works on canvas formed with layers of an acrylic and pumice mixture on top of silicon molds to abstract representations of the native olive and cedar trees of Lebanon, Nahas's work consistently oscillates between many aesthetic sensibilities, ultimately driven by his almost religious passion for abstraction.»

Behnke writes: «For the event, Roach brought together six abstract / non-objective painters whose works offer a dramatic contrast to their ancient surroundings even as formal elements (grids, texture, color and composition) are often reflected in the environment of the crypt.

Viewers got to see Hayuk's colorful, layered weave paintings that balance between tradition, psychedelic, strict geometry and abstraction, Revok's abstract geo - based works inspired by patterns and waste materials from urban environments, Peterson's signature b / w visions of power struggles and conflicts in the society, and Deiana's meticulous ball point pen on paper works that create abstraction out of textures, TV static and other everyday occurrences.

They include unframed works on paper characterized by their dark, richly textured surfaces; large abstract acrylic prints on canvas; and linear sculptures that both hang on the wall and rest on the floor.

Brown's early work was characterized by thick paint and expressive texture, and was clearly influenced by abstract expressionism.

Meanwhile Demand's images are narrative, relating his photos to a specific story, Böhm relies on textures, lines, and volumes of a more abstract work.

Scully's exploration of surface texture and abstract forms in these works evokes a range of emotional and narrative themes.

It's a departure in style for 30 - year - old Citarella, whose altered photographic works have often focused on abstract textures or found images — and whose projects on the internet have involved hawking assisted - readymades on Etsy with collaborator Brad Troemel.

Thiel's trademark eye for detail and composition, and his painterly sense of abstracted texture, are present throughout the extraordinary new works in this exhibition.

Often abstract and monumental in presence, Wilding's works play with our preconceptions of how substances seem, producing non-figurative forms with unexpected textures, shapes and colours.

Working intuitively, the artist translates both the fixed and mutable qualities of a singular object or grouping before her — shape and form, texture, colour, shadows and highlights, the play of light across a surface — into abstract compositions that evoke a specific atmosphere.

Noted for his simultaneous commitment to exploring the formal, abstract qualities of art (line, texture, composition and, especially color) and the creation of representational images drawn from his daily encounters with people and places, Avery's Vermont work vividly captures his family's summer activities and the artist's personal response to the Vermont landscape.

Bhabha's crude gestural portraits drawn and collaged onto photographs of abstracted earth textures, rubble, and landscapes, serve as a setting for her sculptural works and provide imagery that speaks to the artist's inspiration from the landscape in and around her birthplace of Karachi, Pakistan.

Andrew Ehninger is a Salt Lake City abstract painter with a Bachelor of Fine Arts degree who works his canvases in an all - over method, using layers of paint and medium to create depth and texture.

For the most part, I am an abstract painter working with bright coloured acrylics and texture, although I am venturing into the world of multi-media.

Vivid colors and surprising textures remind of Sterling Ruby's more abstract but smiliarily alluring cermaic works.

All Rothko's mature works are abstract paintings yet - unlike such contemporaries in the New York School as Jackson Pollock and Willem de Kooning, as well as even more kindred spirits like Clyfford Still and Barnett Newman - Rothko had no particular interest in the complexities of abstraction like texture, colour or form.

So those inkblot works and the large color - field painting, all of which, on some level, are supposed to be absent imagery and with the absence of imagery they're supposed to allow for kinda transcendental experience either in the color field of a painting that's like the Barnett Newman painting or to be lost in the kind of play of shapes and colors and textures and things in a totally abstract - looking picture.