Sentences with phrase «textured relief works»

Moffett creates paintings that extend the traditional two - dimensional frame, making highly textured relief works, paintings that are opened inside out, and illuminations through the use of video projections.

Not exact matches

This exhibition includes rare examples of ZERO period works including Licht - Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on panel.

The exhibition features six works from the «Sarrafos» series, composed of white tempera panels intersected by a single, angled black bar, and works from «Brancos e Pretos,» seemingly flat panels punctuated by painted arcs and lines that reveal slight variations of texture to cast shadows and form subtle sculptural reliefs.

Marshall's layered, heavily textured works consist of painterly abstract expression and controlled mark making, etching and relief, whilst embarking on an amazing journey of self discovery through his unique processes of painting.

The process took over a decade to refine but the resultant works are unsurpassed for tonal rendition, for the finery of its shadow and the «supple surface relief texture and permanence in the prints.»

After first exploring highly textured monochrome relief sculpture, he began employing industrial processes and materials in his works - including concrete, steel, plywood and colour - impregnated Plexiglas - in order to create large, hollow Minimalist sculptures, typically in the form of boxes, which he arranged in repetitive geometric forms.

Many of his plaster works combine reactive textures and delicate reliefs to reflect the light surrounding them, aided by Pearson's use of Hydrocal, a high - strength gypsum cement, which produces gradations and subtle sheens.